Back to School Part II #24: Can’t Buy Me Love (dir by Steve Rash)


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For some reason, the 1987 comedy Can’t Buy Me Love is really beloved by clickbait headline writers.  I’ve lost track of the number of times that I’ve seen headlines like “Why We Still Love Can’t Buy My Love” or “See What The Cast Of Can’t Buy Me Love Looks Like Today!”

Why is it that the worst movies always seem to have the most rabid fan bases?  Actually, to be fair, Can’t Buy Me Love is not one of the worst movies of all time.  I watched it on Netflix a few nights ago and it wasn’t terrible.  But, at the same time, it was hardly the classic that so many articles have made it out to be.  Maybe the people writing about Can’t Buy Me Love are viewing it through the lens of nostalgia.  Who knows?  Maybe my future children will think I’m a weirdo for loving Easy A.

(They better not!  Easy A is the best!)

Anyway, Can’t Buy Me Love takes place in the same upper class suburb in which all teen films from the 80s take place.  Nerdy Ronald Miller (Patrick Dempsey) has spent the summer mowing lawns and he’s raised enough money that he can finally afford to buy a super telescope.  However, as Ronald is walking through the mall, he sees the girl that he’s been crushing on, Cindy Mancini (Amanda Peterson).  Disobeying her mother, Cindy borrowed a suede outfit without asking.  She wore it to a party, the outfit got ruined, and now Cindy desperately needs a replacement.  The leads to Ronald getting an idea.  Who needs a telescope when he can use his money to pay Cindy to be his girlfriend for a month?  Cindy can buy a new outfit and Ronald can date the most popular girl in school and become popular himself!

School begins and Ronald’s plan seems to work.  With Cindy’s help, Ronald goes from being a nottie to being a hottie!  (Yes, that’s a reference to the infamous Paris Hilton film from 2008, The Hottie and the Nottie.)  Of course, it’s a very 80s transformation.  Ronald learns about the importance of sungalsses, vests, and going sleeveless.  Along the way, Cindy falls in love with Ronald and comes to realize that her friends are all a bunch of followers.  When Ronald starts to do a spastic dance, Cindy can only watch in shock as all of her friends starts to the same dance, convinced that it has to be cool if Ronald is doing it!

Meanwhile, Ronald changes.  Being popular goes to his head.  He rejects his old friends.  He becomes a jerk.  It’s only when he discovers that his oldest friend, Kenneth (Courtney Gains, who appears in hundreds of these films), is being targeted by the popular kids that Ronald is forced to confront the type of person he has become and hopefully realize that you can’t buy love…

It’s always weird to see Patrick Dempsey in these old high school movies.  Some of that is because he was so scrawny that it’s hard to believe that he’s the same actor who made McDreamy into a household word.  Add to that, Patrick Dempsey is a good actor now.  Judging from this film, he wasn’t necessarily a good actor in the 80s.  At times, Dempsey seems to be trying so hard that it’s actually uncomfortable to watch.  Amanda Peterson, who tragically passed away last year, is a lot more natural as Cindy.

Anyway, Can’t Buy Me Love was apparently a huge hit back when it was released and it appears that a lot of people have good memories of watching it.  I thought it was kind of bland and poorly acted.  I’ll stick with Easy A.

 

Film Review: Dead 7 (dir by Danny Roew)


Dead 7 is a strange one.

The latest film from the geniuses at the Asylum (and I mean that as a compliment because there is definitely a strain of genius at the heart of The Asylum’s madness), Dead 7 premiered on SyFy last night.  I watched it.  My friends, the Snarkalecs, watched it.  And about a million boy band fans watched it.  As usual, the Snarkalecs and I attempted to live tweet the film.  Unfortunately, for every genuinely witty tweet from me and my friends, there were a few thousand tweets from people begging Nick Carter to retweet them.  A lot of wonderful snark got lost in the deluge of fangirl exhortations.

But I can’t really blame the fangirls.  If I hadn’t discovered the joys of snark and if not for the fact that I have too much self-worth to beg anyone (no matter how hot or famous) for a retweet, I might have been there with them.  Dead 7 is many things but it will probably best be remembered as the movie that featured a lot of former boy band members fighting and being eaten by zombies.  (As more than one tweeter put it, Dead 7 was like watching all of your childhood cruses die a terrible and bloody death.)  Not only was the film’s story conceived by Backstreet Boy Nick Carter but he also starred in it and convinced a lot of other boy banders to join the cast.  Of course, neither Justin Timberlake nor Lance Bass are anywhere to be found in the film.  (For that matter, I was surprised that Aaron Carter didn’t show up.)  But the film does feature three Backstreet Boys, two from *NSYNC, Jeff Timmons from 98 Degrees, and O-Town.

Yes, O-Town.

(Fortunately, super creepy, super sleazy, and super imprisoned Lou Pearlman did not have a cameo.  I imagine that he was one of the first people to be eaten during the zombie apocalypse.)

As for the film itself … well, it’s not exactly easy to describe.  The plot was not always easy to follow and there was a surprisingly large amount of backstory for an Asylum zombie film.  The apocalypse has come and gone and now, the world has been transformed into the old west.  What remains of humanity lives in tiny and isolated communities.  Gunslingers wander through the desert.  High atop a mountain, a mad woman named Apocalypta (super scary Debra Wilson) breeds zombies and holds the town below hostage.  Sheriff Cooper (Jon Secada) recruits a group of warriors to take out Apocalypta and her hordes.

(Incidentally, Apocalypta’s main henchman is named Johnny Vermillion.  Johnny wears clown makeup and giggles uncontrollably.  He also gouges out a man’s eye.  Johnny is played by A.J. McClean of the Backstreet Boys and he makes for a surprisingly effective villain.)

Despite the fact that Cooper and his impressive sideburns are later eaten by a zombie horde, the warriors still go after Apocalypta.  They are the Dead 7, not quite magnificent and almost all dead by the end of the film.

O-Town’s Erik Michael Estrada is Komodo.  He’s a samurai.  He kills a lot of zombies with a sword.  Watching the movie last night, we all really loved Komodo but I think we mostly just liked the sword.

Carrie Keagan is Daisy Jane, who I liked because she was a woman who kicked ass.  (Plus, Carrie Keagan was a good sport and replied to a few of my snarky tweets.)  Daisy’s boyfriend is Billy, who is played by 98 Degrees’s Jeff Timmons.  Personally, I think Dead 7 needs a prequel that will focus exclusively on Daisy Jane or Billy.

Joey Fatone is Whiskey Joe.  Whiskey Joe is boisterous and always seems to be having a good time.  He’s also always drinking whiskey but when he explained that he can blow himself up if he ever finds himself overwhelmed by zombies, I cringed a little because it was such obvious foreshadowing.  If nothing else, Dead 7 forces you to consider whether a world without Joey Fatone is a world worth living in.

Whiskey Joe’s partner is the Vaquero (played by Howie Dorough).  The Vaquero is good with a rifle and, at one point, calls Whiskey Joe “estupido.”

Sirene (Lauren Kitt-Carter, who is married to Nick in real life) is a mysterious woman who shows up nearly halfway through the film.  She doesn’t say much but she’s good at killing zombies.

And finally, Nick himself played Jack.  Jack is a man of few words, a stoic gunslinger who always does the right thing.  Nick Carter does a surprisingly effective Clint Eastwood impersonation.

By the end of the film, only one member of the Dead 7 will still be alive.  Can you guess who?

Beyond the cast (and former boy banders play even the smallest roles), the most interesting thing about Dead 7 is how seriously it takes itself.  This is not another Sharknado 3.  There’s very little intentional camp to be found in Dead 7.  Instead, it’s a gory and violent film, one in which characters die terrible deaths while howling in pain.  The juxtaposition of boy banders and blood makes for an odd viewing experience.

Fortunately, I like odd things.  Dead 7 may not be perfect (the editing occasionally feels rushed and haphazard and, as a result, the story isn’t always easy to follow) but when it concentrates on zombie mayhem, it works well enough.

Keep an eye out for Dead 7!

(Just make sure that AJ McLean does snatch it out of your head…)