Landrush (1946, directed by Vernon Keays)


Steve Harmon (Charles Starrett) rides again!  This time, he’s investigating the murder of a Pony Express rider.  The murderer is outlaw leader Claw Hawkins (Bud Geary), who is working with rancher Kirby Garvey (Steve Barclay) to cheat the local homesteaders out of their land.

When local newspaper editor Jake Parker (Emmett Lynn) is attacked for trying to expose Claw Hawkins, Steve puts on a mask and dark clothing and, as the Durango Kid, he moves Jake to the carpentry shop owned by Durango’s old friend, Smiley Burnette.  While Jake continues to spread the word to the homesteaders, Durango works to prevent Claw and Kirby from taking all of the land for themselves.

This is a typical Durango Kid film.  This is not the first time that I’ve seen the Durango Kid protect the rights of homesteaders and, as usual, the main villain is not the outlaw that everyone fears but the respectable citizen who is controlling him.  Along with the usual gunfights and horse chases, Landrush has an exciting sequence where Durango and the homesteaders have to deal with a series of fires that have been set by Claw to keep the homesteaders from reaching their land.  Charles Starrett is as authentic a cowboy as ever.  Unfortunately, Bud Geary and Steve Barclay aren’t very interesting as the villains.  People who have watched several Durango Kid films will regret that series regulars Frank Fenton and Jock Mahoney weren’t cast in the roles.

As usual, Smiley Burnette provides comedy relief and sings two songs.  This time, he’s accompanied by Ozie Waters and His Colorado Rangers.

The Lone Hand Texan (1947, directed by Ray Nazarro)


Oil’s been discovered on the Texas frontier and Sam Jason (Fred Sears) has got the rights to several wells.  Someone in town keeps sabotaging his operations and blowing up his oil wells.  Sam sends a telegram to his old friend, Steve Driscoll (Charles Starrett).  Steve shows up in town to help Sam set up his business.  Meanwhile, Steve’s alter ego, the masked Durango Kid, works to discover who has been targeting Sam.

This is actually more of a Smiley Burnette movie than a Durango Kid film.  As always, Smiley is the Kid’s sidekick in the movie.  Smiley owns a general store and he’s the towns postmaster.  Everywhere Smiley goes, he is followed by two musicians, Mustard and Gravy.  Smiley sings even more songs than usual in this movie and he even has a brief romance with the local widow (Mary Newton), who unfortunately is also behind the efforts to drive Sam out of business.  Smiley may be the sidekick but he gets more screentime than the Durango Kid in The Lone Hand Texan and he does a mighty fine job with it.

One of the curious things about The Lone Hand Texan is that one of the bad guys also decides to wear a mask and claim to be The Durango Kid.  I wish the movie has done more with that because I have never really understood why Steve feels like he has to pretend to be Durango in the first place.  It’s not as if it’s difficult to recognize Steve, even when he’s wearing a mask.  I have never understood why no one in his movies ever notices that you never see Steve and the Durango Kid in the same place at the same time.  Even Lois Lane should have been able to figure out Durango’s secret identity.

The Lone Hand Texas is a standard Durango Kid outing, albeit not as dependent on stock footage as some of Durango’s other films.  Smiley gets to do more than usual, which is the only thing that really sets it apart.  As with most of the Durango Kid films, it will be best appreciated by those who are already fans.