Lisa Marie Considers The Alpha Incident (dir by Bill Rebane)


It seems that every film lover owns at least one of those box sets of public domain films that Oak Creek Entertainment puts out.  You know which ones I mean — the box sets usually have about 50 to 100 movies crammed onto 12 discs and always have titles like “Astounding Adventure Classics.”  Most of the time, you’ll recognize one or two of the movies included (usually Night of the Living Dead) and you’ll end up buying it because they only cost like 6 bucks and that’s pretty good for 50 movies, even if you already know most of those movies are going to suck.  I own several of these box sets, including 50 Chilling Classics. 

I’ve recently decided to write a review for every single film that I have in my collection and I figured, what better place to start than with the often-forgotten and ignored public domain films that can be found in 50 Chilling Classics?  So, let’s get things started by reviewing a little public domain film from Wisconsin called The Alpha Incident.

Made in 1977, The Alpha Incident tells us what happens when a train, carrying a deadly virus brought back from Mars, makes a stop over at a small country train station.  It seems that Hank (played by George “Buck” Flower, who giggles a lot) had taken it upon himself to inspect that deadly cargo and has accidentally released it into the atmosphere.  The train station, and the five people trapped inside, are quarantined by the U.S. government.  Trapped in the station are the increasingly crazed Hank, the cold Dr. Sorenson (Stafford Morgan), gruff bully Jack (John F. Goff), neurotic secretary Jenny (Carol Irene Newell), and the shy station agent, Charlie (Ralph Meeker, who was the best-known actor in the cast).  The five are told to wait while American scientists try to find a cure for the virus.  Under no circumstances can they 1) leave the station and 2) fall asleep because, the minute they do, the virus will cause their brain to literally explode out of the back of their head.  For the rest of the film (which, honestly, would probably have worked better as a play), the five fight among themselves, wonder if they’re infected, and above all else, struggle to stay awake.

The Alpha Incident was directed by Bill Rebane, an independent filmmaker who is based up in Wisconsin.  Apparently, Rebane’s unique cinematic vision has won him a cult following among fans of low-budget horror and sci-fi films.  One term that I’ve often seen used to describe him is “the Ed Wood of Wisconsin.”  On the basis of the Alpha Incident, I don’t know if that’s a fair comparison.  Yes, the film does drag at time and the editing pretty much defines the term “ragged” but the movie still held my interest and not in a solely “what the fuck am I watching?” sort of way.  Yes, the performances are uneven, ranging from histrionic (George “Buck” Flower and John F. Goff) to boring (Stafford Morgan) to adequate (Ralph Meeker) to surprisingly good (Carol Irene Newell) but the characters themselves aren’t the usual stereotypes and, while the dialogue is often a bit clunky, the film’s story is an interesting one and the ending is just so wonderfully cynical and downbeat.  With it’s portrayal of common people trying to survive the mistakes of a faceless government, The Alpha Incident is so wonderfully 70s that I it made me want to go to a club, tell my companions, “I’m going to powder my nose,” and then snort someone else’s cocaine. 

Like many of the best B-movies, The Alpha Incident was made with more ambition than skill but it’s still a film that, if you truly appreciate the low-budget exploitation movies of the 70s, is more than worth seeing.

The Daily Grindhouse: Ilsa, She Wolf of the SS (dir. by Don Edmonds)


Our latest “Daily Grindhouse” is infamous for popularizing that subgenre of exploitation and grindhouse film involving Nazis and their atrocities during World War 2. The typical setting for these so-called “naziploitation” films always end up one of the Nazi stalags (POW camps) or even concentration camps (for the truly exploitative of the bunch). The film that truly started it all for this subgenre is none other than Ilsa, She Wolf of the SS.

Grindhouse has a certain amount of individuals who’re seen as icons in the industry. Ilsa would be the film which would make a certain individual an icon within grindhouse. That individual is the Las Vegas showgirl turned exploitation actress, Dyanne Thorne. It was her performance as the SS Commandant of the setting for the film which made Ilsa such a cult classic in the eyes of grindhouse aficionados. Her statuesque and buxom figure was such a presence in the film that it was difficult to take one’s eye off of her whenever she was in it.

The film set the benchmark on the naziploitation subgenre and also the rules on how to make one. Ilsa could be seen by younger fans of film this day and age as nothing but softcore pornography. They wouldn’t be too far off with that description. This film was all about sex and violence. Thorne’s character would be the instigator for both themes and central to every scene which had them. To say that rape and torture of female prisoners (and male prisoners who fail to satisfy Ilsa) became the  blueprint for naziploitation films would be an understatement.

Other films in this subgenre would take what Ilsa had created and up the ante. Adding in even more explicit violence and sex. They would begin to mash it up with other subgenres of grindhouse. This film is not for everyone and definitely not for children (and probably some adults as well), but for fans of grindhouse it’s mandatory screening.

There’s really no trailer about this flick which has been uploadedt. The grindhouse faux trailer created by Rob Zombie to be part of Grindhouse definitely was influenced by Ilsa, She Wolf of the SS.