Obviously, I couldn’t let Gene Kelly’s birthday without sharing a little Singin’ In The Rain.
Tag Archives: Gene Kelly
Scenes That I Love: “Good Mornin'” from Singin’ In The Rain (Happy Birthday, Gene Kelly!)
In honor of Gene Kelly’s birthday, today’s scene that I love comes from the 1952 classic, Singin’ In The Rain. In this scene, Debbie Reynolds performs the song Good Mornin’ with Gene Kelly and Donald O’Connor.
4 Shots From 4 Films: Special Gene Kelly Edition
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we celebrate the birth of Gene Kelly! It’s time for….
4 Shots From 4 Gene Kelly Films
Scenes That I Love: Gene Kelly and Cyd Charisse in Singin’ In The Rain
For today’s scene that I love, we have Gene Kelly and Cyd Charisse dancing in the Broadway Melody sequence from Stanley Donen‘s 1952 masterpiece, Singin’ in the Rain!
4 Shots From 4 Films: Special Stanley Donen Edition
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today would have been the 101st birthday of the great Stanley Donen. It’s time for….
4 Shots From 4 Stanley Donen Films
Scenes That I Love: “Good Mornin'” from Singin’ In The Rain
Today would have been the 92nd birthday of the great Debbie Reynolds.
Today’s scene that I love comes from the 1952 classic, Singin’ In The Rain. In this scene, Debbie performs the song Good Mornin’ with Gene Kelly and Donald O’Connor.
Scenes That I Love: An American In Paris (Happy Birthday, Vincente Minnelli)
Today is the 117th birthday of the great director, Vincente Minnelli!
While Minnelli actually made films in several different genres, he’s best remembered for his many musicals. It’s been said that Minnelli was one of the directors for whom technicolor was invented and his musicals certainly prove the truth of that statement. Minnelli made films that not only celebrated music and dancing but which left audiences wanting to sing and dance themselves.
Several of Minnelli’s films were honored by the Academy. Two of his films won the Oscar for Best Picture and today’s scene that we love comes from the first one to do so, 1951’s An American In Paris. In this scene …. well, the why is not important. What’s important is the way the Gene Kelly and Leslie Caron move and the way that Minnelli captures and celebrates every movement.
Enjoy this scene from An American In Paris!
Love On The Shattered Lens: Xanadu (dir by Robert Greenwald)
“What the Hell did I just watch?” I asked myself as the end credits rolled for the 1980 film, Xanadu.
Xanadu is one of those films where words just fail you. It’s a musical and it stars Olivia Newton-John, who has a good voice even if she’s also kind of a bland screen presence. The music is really good. I love the main song and it’s definitely one that has gotten stuck in my head every time that I’ve heard it. Of course, for the longest time, I thought Olivia was singing, “One-a-due.” (Seriously, I’m the worst when it comes to mishearing lyrics.) But no, I later discover that she was singing about Xanadu and who would have guessed that Xanadu would turn out to be a roller disco?
Yes, it’s a very strange movie.
Xanadu starts out with a mural of nine women coming to life. The 9 women are the Muses. You may remember them from Greek mythology. They exist to inspire artists who inevitably end up falling in love with him without realizing that a muse is not allowed to love back. This leads to a lot of great art but also to a lot of broken hearts. Olivia Newton-John plays a muse named Terpsichore but she prefers to be known as Kira because …. well, wouldn’t you? For centuries, Kira has inspired great works of art. She’s worked with Michelangelo and probably a few poets as well. As someone who majored in Art History, I’m thankful for Kira because, without her, my degree would be totally useless as opposed to just slightly. In the year 1980, Kira has again entered the mortal world so that she can inspire …. a roller disco.
Yeah, okay.
Listen, I could probably go on for about a thousand words about how disappointed I would be to go from inspiring the Mona Lisa to inspiring a tacky roller disco in Malibu. But it doesn’t seem to bother Kira so good for her! Of course, Kira is a bit distracted because she’s broken the number one rule of being a muse. She’s fallen in love with an artist!
Sonny Malone (Michael Beck) is a painter whose job involves painting larger versions of album covers so that they can be displayed in the windows of record stores. Sonny dreams of being an independent artist but instead, he’s stuck recreating the works of others. He feels like his life and his work are going nowhere. However, once he sees a picture of Kira, he is immediately inspired. And then, when Kira skates up behind him and kisses him, he’s in love!
Yay!
The only problem, of course, is that Sonny is a human being and Kira is a mythological creature. If Sonny was destined to fall in love with a creature from Greek mythology, I guess he should be happy that it was one of the muses and not Medusa. But anyway, Kira says that she’s not allowed to be with Sonny so Sonny tries to talk Zeus and Hera into changing the rules. Whether or not he succeeds is kind of left up in the air. I think a bigger problem would be the fact that Kira is immortal whereas Sonny comes across like he’ll probably end up snorting too much cocaine before the 80s are over. But that’s never really brought up in the film.
Around the same time that Sonny meets Kira, he also meets Danny (Gene Kelly!), who is a former big time band leader who now spends his time hanging out on the beach and dreaming about opening up a roller disco. It turns out that, when Danny was a young man, he was also inspired by Kira. Danny and Sonny join forces and soon, Xanadu is a reality! Danny fantasizes about a 1940s style nightclub. Sonny fantasizes about a generic “rock club.” They may have two different visions but fortunately, they both agree one one thing: everyone has to wear roller skates.
Xanadu is one of those films where not much really happens but it’s still incredibly busy. Danny keeps on dancing. Sonny keeps on painting and bitching about how his life isn’t going anywhere. Kira keeps on roller skating through everyone’s life. As I said, the music’s great but the storyline …. well, to be honest, I thought the film’s story was fun as an example of something that could only have seemed logical in the late 70s. I mean, it’s an incredibly stupid film but Gene Kelly’s in it and, even at the age of 68, he was still such a dedicated old trouper that you can’t help but smile whenever he breaks out a few moves. Add to that, Michael Beck and Olivia Newton-John do make for a cute couple, even if both of them were reportedly miserable during filming. They just look like they belong together, in a California beach community sort of way.
Xanadu’s a big mess of a movie but it’ll make you dance and it’ll make you sing. All together now: One-a-due, One-a-due something want to do….*
Viva Knievel (1977, directed by Gordon Douglas)
Last night, I watched one of the greatest movies of all time, Viva Knievel!
Viva Knievel! starts with the real-life, motorcycle-riding daredevil Evel Knievel breaking into an orphanage in the middle of the night, waking up all the children, and giving each of them their own Evel Knievel action figure. When one of the kids says, “You actually came!,” Evel replies that he always keeps his word. Another one of the orphans then throws away his crutches as he announced that he can walk again!
From there, Viva Knievel! only gets better as Evel preaches against drug use, helps his alcoholic mechanic (Gene Kelly) bond with his son, and flirts with a glamorous photojournalist (Lauren Hutton). Evel was married at the time that Viva Knievel! was produced but his wife and family go unmentioned as Evel, Kelly, and Hutton travel through Mexico, jumping over fire pits, and battling drug dealers.
Evel’s former protegee, Jessie (former child evangelist Marjoe Gortner), has fallen in with a bad crowd and gotten messed up on the same drugs that Evel spends the entire movie preaching against. An evil drug trafficker (Leslie Nielsen, a few years before Airplane! and The Naked Gun) pressures Jessie to convince Evel to do a dangerous stunt. The plot is to replace Evel’s trusted mechanic with a crooked mechanic (Cameron Mitchell) who will sabotage the jump. When Evel dies, he will be shipped back to the U.S. in a coffin and, hidden within the walls of the coffin, will be several kilos of cocaine. Oh, the irony! Evel Knievel, America’s number one spokesman against drugs, will be responsible for bringing them into the United States! Can Evel thwart the nefarious plans of Leslie Nielsen while still finding time to fall in love with Lauren Hutton and break Gene Kelly out of a psychiatric ward? If anyone can do it, Evel can.
From the start, Viva Knievel! is a vanity project but in the best, most loony and entertaining way possible. There are many well-known actors in this film and all of them take a backseat to Evel Knievel, whom they all speak of as if he’s a cross between Gary Cooper and Jesus Christ. Watching this movie, you learn three things: 1) Evel Knievel was high on life but not dope, 2) Evel Knievel always kept his word, and 3) Evel Knievel always wore his helmet. He even makes sure that Lauren Hutton is wearing one before he takes her for a spin on his motorcycle. You also learn that Evel Knievel liked to get paid. He nearly beats up his manager (Red Buttons) when he thinks that he’s been cheated but they’re still friends afterwards because how could anyone turn down a chance to be in Evel’s presence?
There are plenty of stunts and jumps to be seen in Viva Knievel!, though watching Leslie Nielsen play a villain is almost as fun as watching Evel jump over a fire pit. Judging from his performance here, Evel Knievel probably could have had a film career. He had a natural screen presence and delivered even the worst dialogue with sincerity. Unfortunately, three months after Viva Knievel! opened in the United States, Evel attacked a promoter with an aluminum baseball bat and ended up doing 6 months in jail. Evel said it was because the promoter was spreading lies about him but, regardless, Evel lost most of his sponsorships and his toyline was discontinued. Viva Knievel! sunk into an obscurity from which it has only recently reemerged. Viva Knievel! is cheesy fun, a relic of a bygone era. Watch it, think about whatever problems you may be dealing with in your own life, and then ask yourself, “What would Evel do?”
What A Glorious Feeling: On Stanely Donen and SINGIN’ IN THE RAIN (MGM 1952)
I constantly tout CASABLANCA as my all-time favorite movie here on this blog, but I’ve never had the opportunity to talk about my second favorite, 1952’s SINGIN’ IN THE RAIN. Sadly, that opportunity has finally arisen with the death today of Stanley Donen at age 94, the producer/director/choreographer of some of Hollywood’s greatest musicals. Donen, along with his longtime friend Gene Kelly, helped bring the musical genre to dazzling new heights with their innovative style, and nowhere is that more evident than in SINGIN’ IN THE RAIN.
The plot of SINGIN’ IN THE RAIN is fairly simple: Don Lockwood (Kelly) and Lina Lamont (Jean Hagen) are a pair of silent screen stars for Monumental Pictures. Lina believes the studio publicity hype about them being romantically linked, though Don can barely tolerate her. At the premiere of their latest film, Don is mobbed by rabid fans, and jumps into a car…
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