Run Lola Run


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Run Lola Run has been on my film bucket list since I had hair.  It was one of those films that you heard about from the cooler people you knew.  It was the movie that the cool girls who babysat you when you were little talked about.  It was pure Gen-X and I always looked up to that generation.  I’m not an X-er, but they were damn cool.  Lola embodies that generation.  She’s so self-secure and tough and cool and hip and if you don’t like her- Whatever!

Yes, Gen-X women had a go F-yourself streak that if you didn’t like them, piss off.  I was the beginning of the Millennial/Y generation who I guess got into avocado sandwiches or whatever they say about us.  X was the generation that knew they were getting passed over because there was a bigger generation coming and the boomers did not want to get out of the way, but X embraced the suck of it all.

It is really sucky that Lola is in love with Manni who is a really mediocre criminal.  Manni also loses things; such as, a bag of 100,000 Marks (60,000 USD) that belongs to a gangster. Oopsy!  He is like the Anti-Lola: whiny, dumb, insecure, and unlike Lola -NO screaming telekinesis powers AT ALL! Yes, when she screams, it destroys or moves objects. Honestly, I couldn’t figure out why she liked Manni so much – FFS she has superpowers.

When Manni tells Lola that he lost the gangster’s money and says that he will rob a grocery store if she doesn’t get to him in twenty minutes, Lola literally RUNS into action. Yes, there is A LOT of running in this film.  She runs in hallways, on sidewalks, on streets, away from cops, and accidentally towards cops.  As she runs past people, we get a glimpse of the extras’ lives in THIS timeline and boy are these extras a bunch of cretins.

Timeline?! WHAT?! Yes, this movie is ALL about time travel.  Lola needs to get the day right or she or her boyfriend or David Duchovny will die. I’m assuming Duchovny too because he was a 1990s GOD! She time trips three times to get it, to get it, to get it right child. I was going to reference some 1998 songs, but I looked them up and The Thong Song just sounds sad.

The movie blends light surrealism with action and really believable performances.  You have this guttural feeling that this is a woman on her own, fighting her own fight, and you better get out of her way. Also, she’s the only person in the film who is pure-hearted.  Her dad is a philandering banker asshat, her boyfriend is a milquetoast, and the people she bumps into show glimpses of their sinful lives.  Lola is literally running around evil.  She has great running form too; I ran track in high school and she’s got talent.

I hope she wins and saves her loser boyfriend.

Merry Christmas!!!

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Music Video of the Day: Believe by Franka Potente (1998, dir by Tom Tywker)


As I mentioned yesterday, I was visiting with some old friends on Saturday morning when we decided to watch the 1998 German film, Run, Lola, Run.  Ever since then, along with trying to run everywhere, I’ve had the soundtrack playing on repeat in my head.

This is the video of Believe, which one of the most important songs in the film.  Along with featuring scenes from the film, it also features the film’s star, Franka Potente, and Herbert Knaup, who played Lola’s disapproving father and who continues to be somewhat truculent in this video.

Enjoy!

Film Review: The Conjuring 2 (dir by James Wan)


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The Conjuring 2 will scare the Hell out of you.

Seriously, I’ve seen a lot of horror films, including the first Conjuring (which I absolutely loved).  I’ve seen ghosts, vampires, demons, werewolves, psycho killers, and threats in the shadows.  I’ve seen cats jump out of closets.  I’ve seen ghostly faces suddenly appear in the darkness.  I’ve heard screams and chants and howls.  I’ve seen limbs severed in every possible way.  I’ve seen a lot of cinematic horror and, as a result, I tend to feel that there is nothing that can scare me.

Well, it turns out that’s not true because The Conjuring 2 scared the Hell out of me.

In many ways, The Conjuring 2 tells a familiar story.  Once again, the film begins with an opening crawl that informs us that what we’re about to see is based on a true story.  Once again, a loving but chaotic family is being haunted by evil spirits and the Church has asked paranormal investigators Ed and Lorraine Warren to investigate.

The setup may sound familiar but director James Wan manages to keep the scares compelling.  Over the past few years, Wan has emerged as one of our greatest genre filmmakers.  Whether he’s directing an Insidious film or the latest Fast & Furious installment, James Wan knows how to hold an audience’s attention and how to make the potentially predictable compelling.  In The Conjuring 2, Wan creates and maintains such an atmosphere of dread that even the expected scares (bumps in the dark, voices in the shadows, slamming doors, and faces suddenly appearing in the background) take on an ominous intensity.  From the very first shot, Wan leaves the audience with a profound feeling of unease.  I was not alone in covering my eyes during a few scenes.  I was also not alone is occasionally looking around the darkened theater, just to make sure that there weren’t any ghosts creeping up on me.

That said, we all already know that James Wan is a master of horror.  We know that he can tell a ghost story and, from the minute we saw the first trailer, we all knew that The Conjuring 2 was going to be scary.  What sets The Conjuring 2 apart is the same thing that made the first Conjuring so special.  (For that matter, it’s the same thing that made Wan’s Furious 7 so special.)  Wan fills the screen with horror and spectacle but he also finds the time to celebrate his character’s humanity.

There’s a scene that occurs about 90 minutes into The Conjuring 2.  Ed (Patrick Wilson) and Lorraine (Vera Farmiga) are visiting with the haunted family.  The family has been shaken by both the supernatural and the fact that so many people refuse to believe that they are actually being haunted.  Ed spies a guitar sitting in the corner of the room.  He grabs it and, with the haunted children gathered around them, he launches into a surprisingly good Elvis impersonation.  He sings I Can’t Help Falling In Love With You, all the while glancing over at Lorraine standing in the doorway.

(What makes this especially touching is that Lorraine has been having premonitions of Ed’s violent death and is terrified that she’s going to lose him before they finish investigating this case.)

It’s a totally unexpected scene and yet it works perfectly.  Some of it is because Patrick Wilson and Vera Farmiga have this great chemistry that makes you believe that they actually have been married for years.  But it’s also because the scene reminds us that The Conjuring 2 is about more than just ghosts and scares.  It’s also about love and family.  The haunting is threatening to end Ed and Lorraine’s love story.  The haunting is threatening to destroy a loving family.  Ed and Lorraine aren’t just investigating a ghost but they’re also saving a family.  They’re not just fighting against the supernatural.  They’re fighting for love.

And, in our cynical times, that may sound corny or silly or old-fashioned.  Well. you know what?  The Conjuring was an old-fashioned film and, in a way, so is The Conjuring 2.  But who cares?  Horror works best when it’s mixed with humanity.  The Conjuring 2 may be a horror film but it’s also a celebration of humanity, love, and family.

You may have noticed that I haven’t go into many specifics about the plot of The Conjuring 2.  I don’t want to spoil it for you.  This is a film that you should experience with fresh eyes.  I could tell you about the scariest scene in this film but, if I did, you would not get the full experience.  I’ll just say that I’ve seen a lot of scary movie nuns but none of them can compare to The Conjuring 2.

The Conjuring 2 is the best supernatural horror film that I’ve seen this year so far.  It will scare you and it will touch your heart.  See it.

Also, be sure to stay for the end credits, which feature a lot of genuinely creepy snapshots of the actual locations where the film’s haunting is said to have occurred.  Not only are the pictures scary but they also show the care with which The Conjuring 2 recreated 1970s London.  Is the picture below a scene from the film or is it a picture that was taken during the actual haunting?  You’ll have to see The Conjuring 2 to find out!

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