30 Days of Noir #1: Lady Gangster (dir by Robert Florey)


Welcome to Noirvember!

Yeah, yeah, I know.  That sounds kinda silly, doesn’t it?  However, November is traditionally the month that classic film bloggers tend to concentrate on writing about film noir.  It provides a bit of grit and cynicism in between the horror fun of October and the holiday schmaltz of December.

I have to admit that I’m a little bit torn when it comes to taking part in Noirvember.  On the one hand, I love a good film noir and there’s quite a few obscure and underrated ones available on YouTube right now.  On the other hand, as a natural-born contrarian, I don’t like the idea of hopping on any bandwagons.

In the end, my love of film noir won out.  So, welcome to my first entry in 30 Days of Noir.

 

The 1942 film, Lady Gangster, opens with Dot Burton (Faye Emerson) walking up to a bank.  She’s carrying a small white dog with her.  Though the bank isn’t due to open for another 30 minutes, she explains to the bank guard that she’s got a train to catch and she simply has to deposit a check.  The guard unlocks the door and lets both her and her dog inside.

While filling out her deposit slip, Dot puts the dog down on the floor.  The dogs runs off, distracting the guard just long enough for three men with guns to slip into the bank and rob the place.  Though the police quickly arrive, the men manage to escape, taking $400,000 with them.

The police are immediately suspicious of Dot, especially when she struggles to keep her story straight as to why she’s at the bank.  The lead detective thinks that Dot was in on it.  Dot says that she was merely out for a stroll with her dog.  Dot says that her dog is named Tiny.  The dog, which looks exactly like one that was recently reported missing, is wearing a collar that reads “Boots.”

The district attorney announces that Dot will be prosecuted to the full extent of the law.  However, a crusading radio broadcaster named Ken Phillips (Frank Wilcox) is convinced that Dot is being railroaded.  Once he realizes that he went to high school with her, Ken is even more determined to help Dot.  Using the power of the airwaves, he forces the district attorney to release Dot into his custody.  Once free, Dot promptly confesses to Ken that she was a part of the robbery and that she’s hidden the money.  An indignant Ken turns her into the police.

So now, Dot’s in prison and no one’s sure where the money is.  One of the bank robbers even dresses up like a woman so that he can see Dot on visiting day but she refuses to tell him anything.  Dot isn’t going to reveal where the money is unless it means she can also get parole.  She needs to get released soon because she’s already got two psychotic snitches targeting her.

Fortunately, Ken has had a change of heart and is lobbying for her release.  Unfortunately, Dot has been tricked into believing that Ken has once again betrayed her so, naturally enough, she sets him up to be murdered.  When Dot discovers that she’s been fooled, can she find a way to warn Ken before it’s too late?

Believe it or not, all of this happens over the course of 62 minutes.  With that many betrayals, twists, and crimes packed into that short of a running time, there’s never a dull moment in Lady Gangster.  Though the film itself is full of huge plot holes and Frank Wilcox is a bit of a stiff as Ken, the film is totally worth seeing for Faye Emerson’s ferocious performance as Dot Burton.  Dot is a force of nature.  When the robbers try to steal her money, Dot instead steals from them.  When Dot believes that Ken has betrayed her, she sets him up to be murdered with a moment of hesitation.  When Dot discovers that Ken didn’t betray her, she immediately starts scheming to prevent the murder that she arranged.  Even when Dot confesses to being a part of the robbery, she does it on her own terms.  Nobody tells Dot what to do and, in that way, she represents the best of America.  As Dot herself explains it, “I’ll play ball with anyone but Hitler.”

The film has a rather odd ending, one that makes you wonder just how forgiving people generally were back in 1942.  But no matter!  Lady Gangster is a quickly paced movie that’s just melodramatic enough to be enjoyable.  It’s in the public domain and on YouTube.  Watch it for Faye Emerson’s performance.

Cleaning Out The DVR: Yankee Doodle Dandy (dir by Michael Curtiz)


Yankee_Doodle_Dandy_poster

So, today, I got off work so that I could vote in Texas’s Super Tuesday primary.  After I cast my vote (and don’t ask me who I voted for because it’s a secret ballot for a reason!), I came home and I turned on the TV and I discovered that, as a result of spending February recording countless films off of Lifetime and TCM, I only had 9 hours of space left on my DVR.  As a result, the DVR was threatening to erase my recordings of Bend It Like Beckham, Jesus Christ Superstar, American Anthem, an episode of The Bachelor from 2011, and the entire series of Saved By The Bell: The College Years.

“Acgk!” I exclaimed in terror.

So, I immediately sat down and started the process of cleaning out the DVR.  I started things out by watching Yankee Doodle Dandy, a film from 1942.

Yankee Doodle Dandy is a biopic of a songwriter, signer, and dancer named George M. Cohan.  I have to admit, that when the film started, I had absolutely no idea who George M. Cohan was.  Imagine my surprise as I watched the film and I discovered that Cohan had written all of the old-fashioned patriotic songs that are played by the Richardson Symphony Orchestra whenever I go to see the 4th of July fireworks show at Breckenridge Park.  He wrote You’re A Grand Old Flag, The Yankee Doodle Boy, and Over There.  Though I may not have heard of him, Cohan was an American institution during the first half of the 20th Century.  Even if I hadn’t read that on Wikipedia, I would have been able to guess from watching Yankee Doodle Dandy, which, at times, seems to be making a case for sainthood.

And that’s not meant to be a complaint!  74 years after it was originally released, Yankee Doodle Dandy is still a terrifically entertaining film.  It opens with George (played by James Cagney) accepting a Congressional Gold Medal from President Franklin D. Roosevelt.  (We only see Roosevelt from behind and needless to say, the President did not play himself.  Instead, Captain Jack Young sat in a chair while FDR’s voice was provided by impressionist Art Gilmore.)  Cohan proceeds to tell Roosevelt his life story, starting with his birth on the 4th of July.  Cohan tells how he was born into a showbiz family and a major theme of the film is how Cohan took care of his family even after becoming famous.

The other major theme is patriotism.  As portrayed in this biopic, Cohan is perhaps the most patriotic man who ever lived.  That may sound corny but Cagney pulls it off.  When we see him sitting at the piano and coming up with the lyrics for another song extolling the greatness of America, we never doubt his sincerity.  In fact, he’s so sincere that he makes us believe as well.  Watching Yankee Doodle Dandy, I found myself regretting that I have to live in such an overwhelmingly cynical time.  If George M. Cohan was alive today, he’d punch out anyone who called this country “Murica.”

Yankee Doodle Dandy is an amazingly positive film.  There are a few scenes where Cohan has to deal with a few Broadway types who are jealous of his talent and his confidence but, otherwise, it’s pretty much one triumph after another for Cohan.  Normally, of course, there’s nothing more annoying than listening to someone talk about how great his life is but fortunately, Cohan is played by James Cagney and Cagney gives one of the best performance of all time in the role.

Cagney, of course, is best remembered for playing gangsters but he got his start as a dancer.  In Yankee Doodle Dandy, Cagney is so energetic and so happy and such a complete and totally showman that you can’t help but get caught up in his story.  When he says that, as a result of his success, things have never been better, you don’t resent him for it.  Instead, you’re happy for him because he’s amazingly talented and deserve the best!

Seriously, watch him below:

James Cagney won the Oscar for Best Actor for his performance here.  Yankee Doodle Dandy was also nominated for best picture but lost to Mrs. Miniver.

I’m really glad that I watched Yankee Doodle Dandy today.  In this time of overwhelming negativity, it was just what I needed!