A Glorious Fantasy: Final Fantasy IV


Once again I return to this ongoing series, in which I attempt to play through every game in the Final Fantasy franchise that I can get my hands on, from FF1 through FF13-2, and a variety of the spinoffs and other titles not included in the ‘main series’. This list continues to undergo revision, and I seriously considered removing Final Fantasy 9 from it for personal reasons. But we’ll get there. I promise.

For those who are unfamiliar with my premise (read: I would think most everyone), here’s an almost comically thorough recap:

Most people have already played many/most/all of the games that I’m going to write about in this series (weirdly, as I compiled the list of games, I personally have not played a fair number of them). I don’t care. I’m going to look at all (most? I’m bad with structure, we’ll see how long this lasts) of the following things from these games:

– Some objective data. What version of the game did I play, and why did I select that one. This will be less important when I reach the PSX era, but we’re not there yet! One thing I’d like to do is discuss some of the changes between the “original” and the version I end up playing.
– Is the game any good? Seriously! I’m sure some of these games suck! <- Weirdly, most of them do not. This one might get redacted, and you might just have to deal with me bitching about Final Fantasy 9.
– Is the answer to that question, “It just doesn’t hold up”? Why? <– This hasn't come up yet. I'm considering redacting the question.
– How would I place this game in a historical context? I want to watch the series evolve, devolve, side-volve and revolve as I go.
– Did I enjoy this game? What were the emotions and insane facial expressions I went through while playing it?
– How many times I frantically Googled maps for enormous maze-like dungeons because I no longer have the patience to solve them on my own?
– Was it… challenging? Were these games ever hard? Does the challenge ebb and flow?
– No MMORPGs. Sorry FF14 fans, I don’t ‘do’ MMORPGs anymore. Plus, the plan here hopefully doesn't involve spending a bunch of money acquiring and (especially) subscribing to games.

I think all of this is extremely important knowledge, and that the human race will be improved by my research. Let's move on!

final-fantasy-iv-snes-logo-73917

Version played: Nintendo DS remake

Wow! Now this is a crazy remake. So, with FF1 and FF2, there were ‘updated’ graphics, which basically amounted to 16-bit+. Not like this though! FF4 has been totally remastered since I last played it on the Super Nintendo Entertainment System… to be rendered in 3-D (sketchy 3-D, but 3-D all the same). It’s been upgraded with voice acting! And, I’m told, the difficulty has been ‘restored’… or even ‘upgraded’. Because here’s the thing. I remember Final Fantasy IV. I played it on the SNES. Granted, it didn’t happen until shortly before I played “Xenogears” for the first time, but it did happen. The fact is… the game was really easy! It was toned down for American gamers, for reasons which were probably solid, but are also infuriating. In the original version, I did not need strategy to face the Four Fiends, even the mighty Rubicante! I just blasted them with my spells / stabs and patted myself on the back.

One thing I will say for the DS remake. It does not pull any punches. Rubicante will end you, if you don’t know what you’re doing. And something about that really appeals to me. Because here’s the truth: Final Fantasy IV’s story is kind of silly. So are its characters.

There, I said it.

Go ahead, cast stones. I can wait.

This is one of the titans of the JRPG genre. It’s Final Fantasy Freaking Four. 4^4. Yeah, your nostalgia is telling you things that aren’t true. The story of this game is silly. Partway through, the writers just start making shit up. It’s okay, because the game is still a lot of fun. Having some voice acted cutscenes actually makes things better, even if the 3-D makes Cecil into a weird cartoon character who is both stocky enough to wear heavy armor and swing a big sword and take some hits, but skinny enough to fit into women’s pants. But the story is still fundamentally silly. This does not mean that I did not enjoy it; it means exactly what I said. It’s silly! And, as an aside, all villains in all genres should take notes from Golbez… who is pretty much undefeated throughout the whole game, until a major plot twist changes things around. Spoilers? C’mon. It’s a SNES game.

I forgive FFIV for its faults. You didn’t even have to ask me. It has The Soundtrack (does anyone recognize the Red Wings’ Theme? It has The Characters. Rydia of Mist? Well, she’s the first proper Summoner, she anticipates characters like Terra Branford and Yuna. And she has green hair. Seriously. How cool is Rydia?

I know that I talked about the ‘connective tissue’ of story, and how it makes games like Final Fantasy I almost unrecognizable when put up against games like Final Fantasy VII. You can see the gradual evolution of this point through the series, like a straight line leading away from audience insert ‘generic’ characters toward fully realized characters that the player ‘watches’ or ‘guides’ rather than ‘owns’. This is fundamentally different from how WRPGs evolved, where the ‘create your own D&D guy’ aspect has remained integral to the experience. With a JRPG, you don’t make any of the characters, and you don’t choose how they respond to stuff. Even the Light Warriors in FF1 are game to save the world, no matter how you, the player, feel about it. At least in “Baldur’s Gate” you were perfectly free to bitch about it to everyone who would listen.

Different doesn’t mean worse. Here, we’re essentially along for the ride as some broken adults work out their issues. Cecil became the Dark Knight of Baron on his King’s suggestion, and in doing so, he gave up his soul. Kain Highwind, despite being the son of a legendary dragoon, has lived in Cecil’s shadow all his life… including in the courtship of the beautiful white mage, Rosa. These characters feel like people in an insane high-powered fantasy story, at least to some extent. This is a significant achievement in the evolution of the RPG. It would be difficult for me to overstate how much influence it feels like “Final Fantasy IV” had on subsequent games of many genres. Forget the sillier plot points. This game remains demonstrably important when placed in a historical context.

It is silly though.

Also, the DS remake is hard! This bears repeating. I had to google the strategy to defeat Rubicante (this was weirdly one of my only Googles during this one. I guess I remembered it pretty well!). I thought that I was a Final Fantasy tough guy entering this game after Final Fantasy III. But weirdly, a lot of the same themes repeat themselves here with bosses… and won’t disappear entirely until (I suspect) Final Fantasy VII. We’re not talking superbosses here. We’re talking about enemies that you have to defeat in order to progress… and those enemies requiring a strategy, not just a level mark. This is something that the RPG genre has kind of abandoned in favour of a more cinematic approach. You can hardly blame them. When the storytelling takes center stage, something has to suffer, and it’s typically the difficulty (notable exception: Baldur’s Gate II. Try a dry run of that game and tell me it doesn’t have its share of brutal challenges). If that’s the game you’re looking for, you’ll prefer the original SNES (American) release of FF4. The DS version has bosses capable of wiping out your whole party with routine moves. Somehow, that was fun for me! I don’t know what my deal is. Also, how did this not apply to the final boss? Your guess is as good as mine, readers! It’s probably related to the ‘defend’ command also reducing magic damage though. Shhh. Don’t tell anyone.

Dodging attack patterns based on visual cues is more of a ‘Megaman’ thing anyway.

I’m honestly not sure what else to say. This is one of the great pillars of the genre. It’s deservedly beloved. It’s a girthy, fun, game, with characters that are given motivations… lives, hopes, and dreams. The story is ultimately quite silly, but it’s not nearly as silly as Final Fantasy V (oh, we’ll get there!). Crystals, fiends of the elements, and the meteor spell. It was fun to play. I appreciated that it was harder than it was when I played it as a kid. Viva FF4! Let the legend live on.

VGM Entry 44: Final Fantasy IV


VGM Entry 44: Final Fantasy IV
(Thanks to Tish at FFShrine for the banner)

Supposedly the sound team at Square was so overburdened when it came to scoring Final Fantasy IV that they occasionally camped out in sleeping bags at the office. Or so claim Nobuo’s rather zanny liner notes for the game’s official soundtrack, dated “April 13, 1991, 1:30 a.m. (in the office, naturally)”. Whatever the veracity of this, the end result was probably the best game soundtrack composed up to that time.

http://www.youtube.com/watch?v=y8gOOTAWKY8

Nobuo Uematsu must have been waiting a long time for this. “Prelude” received its main melody to finally become the song we think of today. “Prologue” (Main Theme) got an epic introduction to overtake the recently revamped Dragon Quest theme. Hell, something approaching real orchestration was possible!

The process of adjusting to the Super Nintendo took a lot of time and energy, and it didn’t get any easier. Nobuo Uematsu has stated that Final Fantasy VI was his most challenging score, and one can imagine a perfectionist’s realization that Super Nintendo sound, though vastly superior to the Nintendo, was still sufficiently limited for the possibility of excruciatingly sampling every option. Perhaps that’s why Final Fantasy IV and Final Fantasy VI especially turned out so great; lacking the sense of unrestrained freedom of true orchestration, attention to detail was taken to painstaking extremes. Perhaps. I don’t know.

The track list for the sample above is:

“Prelude”(0:00)
“Prologue” (0:55)
“Red Wings” (1:35)
“Main Theme” (Overworld) (2:16)
“Into the Darkness” (3:00)
“Fight 1” (3:32)
“Mystic Mysidia” (4:31)
“The Airship” (5:20)
“The Big Whale” (5:50)
“Theme of Love” (6:27)
“Palom & Porom” (7:11)
“Chocobo-Chocobo” (7:38)
“Land of Dwarves” (8:12)
“Epilogue” (8:37)
“Fanfare” (9:24)

It’s something of a testament to how amazing Final Fantasy IV really is that garudoh’s ten minute sampler does not even include the vast majority of my personal favorites. And since I am at liberty to write these articles however the hell I want to, I present you with my top five Final Fantasy IV tracks, roughly in order:

http://www.youtube.com/watch?v=M6F1wYD5cSY
#5: Fabul

The music of Fabul could not possibly be better suited for its role in the game. Here you’ve got an isolated, well fortified castle guarded by monks, which are pretty much ninjas and way cooler than Edge anyway. And there’s nothing friendly about this town. It’s been a long, long time, but I recall never exactly feeling welcome there, and I certainly shouldn’t after all the trouble. “Fabul” isn’t just appropriately oriental, it’s also pretty grim. There’s a sense of foreboding about it which perfectly captures the events your arrival foretells.

http://www.youtube.com/watch?v=8cgSAU07n3U
#4: The Lunarians

“The Lunarians” was my favorite Final Fantasy IV track as a kid. I remember pounding away at it for hours on my mother’s piano, which must have been especially grating since I’ve never taken a piano lesson in my life. This isn’t some ‘light in the darkness’ track. The pretty melody is completely haunting, and that forcefully struck deep note is entirely complimentary to it. No, there’s no sort of contrast here. This song captures a beautiful and dangerous mystery.

http://www.youtube.com/watch?v=lJ-7Wk42aM0
#3: The boss battles

Yes I know I’m cheating. Final Fantasy IV is packed full of outstanding fight music. The final battle, featured above, is the most dramatic of the lot–as well it should be–but only barely. “The Fierce Battle” also does wonders for capturing a heightened sense of danger and urgency. Really, though the whole multiple tiers of combat music thing was probably done before, Final Fantasy IV has to be one of the first games to make effective use of it. “Fight 2“, the standard boss tune, emerges out of the same brief introduction as the basic combat theme (see garudoh’s mix) and steps the action up a notch with faster drumming, more pronounced bass, brass accents, and a more central role for the strings. “The Fierce Battle” goes farther still, allowing the brass to share center stage with the strings, except unlike in “Fight 1“, the brass melody lines here actually feel like the real deal. The track comes off as very orchestral to me, and intense in a way that just wasn’t possible prior to the SNES. “The Final Battle” mixes the best of each world and contributes a rock beat to top off the job.

http://www.youtube.com/watch?v=4hXovY9nFXo
#2: Troian Beauty

This appropriately titled song might just be a simple waltz helped along by harp arpeggios, but that’s precisely why it works. It’s just a beautiful song–a real stroke of genius from an artist of whom we expect such feats. It’s one of the most frequently covered Final Fantasy songs you’ll find (I even stumbled across a banjo rendition), as it translates well into nearly any arrangement. It’s one of my personal favorite songs to cover, using Kabukibear’s version. If you’re not familiar with his arrangements, this is a great place to start.

My favorite Final Fantasy IV song of all might be a little anticlimactic, as it’s featured in the garudoh compilation, but I hope you’ll give it some consideration before writing it off as a relatively generic song in relation to the tracks accompanying it.

http://www.youtube.com/watch?v=rZkQPTuVBl0
#1: Red Wings

If I was ever to form a video game cover band, and I’ve been kicking around the idea since I was old enough to pick up a guitar, “Red Wings” would definitely be my top priority. Just imagine the possibilities for subtle intensification in this song. Sure, Uematsu’s version might only be a minute long, but I could see this building up into a ten minute marathon, starting out with that martial snare and climaxing with an Atsuo-intense drumset massacre, with room for all kinds of instrumental variation in between. Ok, maybe that’s my vision for the song and not the song itself, but I think Uematsu lays out a prototype for something truly epic here.