Film Review: Atlas Shrugged Part Three (dir by J. James Manera)


In 2014, the Atlas Shrugged trilogy came to a close with Atlas Shrugged Part III: Who Is John Galt?  As you can probably guess from the title, this is the movie that finally revealed the elusive character of John Galt.

Unfortunately, after all the time spent discussing the character over the past two movies, there’s really no way that the actual John Galt could possibly live up to all the hype.  John Galt, the man who stopped the motor of the world and who is the world’s greatest living engineer, turns out to be a sensitive lumberjack type who has founded his own scenic village in Galt’s Gulch.  He’s manly and handsome and chivalrous and he’s a bit dull.  Kristoffer Polaha, who plays the character, is a perfectly pleasant and likable actor but there’s nothing about his screen presence or his performance that suggests that he’s the man who has figured out how to save civilization from the regulatory state.  As a character, Galt works best as a literary creation, someone who the reader can imagine for themselves.  When seen on screen, he’s a bit of a letdown.

Taking over the role from Taylor Schilling and Samantha Mathis, Laura Regan plays Dagny Taggart as an overworked businesswoman who really needs a vacation.  (Of the three actresses who played the character, only Mathis was credible as the dynamic Dagny of Ayn Rand’s original novel.)  Having crashed her plane in the mountains at the end of the second film, Dagny is nursed back to health by John Galt and the inhabitants of Galt’s Gulch.  Dagny is shocked to discover that most of her old friends are now living in Galt’s Gulch.  As they explain, they’re on strike and they’re no longer going to serve a government that is looking to control and ultimately destroy them.  Unfortunately, the film presents Galt’s Gulch as being a bit of a dull place, one that is not even livened up the presence of pirate Ragnar Danneskold (Eric Allan Kramer).  It’s the type of place where Dagny can visit the local farmer’s market and recuperate in a taste-fully decorated bed and breakfast, all while falling in love with her hunky host.  If the first two Atlas Shrugged films now feel somewhat prophetic, the third one feels like a Libertarian-themed Hallmark movie.

Atlas Shrugged: Part III feels a bit rushed.  Apparently, no one from the cast and crew of either the first or the second film returned to work on Atlas Shrugged: Part III and it feels quite a bit different from the previous two films.  Whatever one may think of the way the first two films presented the effects of government regulation, they were effective because they specifically showed the consequences.  The audience actually saw two trains collide due to incompetent management.  The audience saw the government showing up and forcefully taking over Rearden Metal.  The third film relies on a narrator, one who tells us what happened instead of letting us see it with our own eyes.  We hear about a bridge collapsing but we don’t see it.  We hear about union thugs forcefully taking over a factory but we don’t see them.  We hear about out-of-control government bureaucrats but, as opposed to the first two films, we don’t really get to spend much time with them and, when we do, they’re far more cartoonish in their villainy than they were in the first two films.  John Galt does get to deliver his speech to the world but it’s in a truncated form and the film’s decision to then cut to Sean Hannity, Glenn Beck, and Ron Paul all praising the speech on television not only goes against the film’s depiction of a country where public dissent is suppressed but it also reminds the audience that the film’s outlook has more in common with Fox News than Ayn Rand.

As previously mentioned, the third film has a totally different cast from the first two films.  Greg Germann is enjoyably over-the-top as the unhinged James Taggart but, otherwise, the new cast fails to make much of an impression, with some of them only showing up for a few brief seconds before disappearing from the story.  Rob Morrow plays Hank Rearden but is only seen for less than a minute.  By sidelining one of the book’s most important characters, Atlas Shrugged: Part III also drops the whole storyline about Hank’s affair with Dagny.  While I guess that makes it easier for the film to then have Dagny and John Galt hook up, it still feels a bit unfair to the people who actually watched the entire trilogy.

Considering that both Parts I and II have improved with the passage of time, Part III is a rather disappointing ending for the trilogy.  Upon watching, John Galt would probably be disappointed but not surprised.

Halloween Film Review: R.L. Stine’s Mostly Ghostly: Have You Met My Ghoulfriend? (2014, dir. Peter Hewitt)


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You might have noticed that I referred to the recent R.L. Stine movie The Cabinet Of Souls as “Children’s Horror”, but call this one “Halloween Film Review”. That’s because this movie and that one are miles apart from each other. While The Cabinet Of Souls was geared towards children, it was still a legit horror movie with genuinely creepy bad guys who did truly evil things. As you may remember, we see Dr. Hysteria kill a kid right in front of us and then say, “you were a good worker.” This is a series of lame sketches that happen to involve supernatural forces. At least this time I recognize more of the Disney crew.

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That’s Eric Allan Kramer from Good Luck, Charlie that plays the dad, or for bad movie lovers: Ator from Quest For The Mighty Sword (1990) AKA Troll 3. Calum Worthy from Austin & Ally is in this as the brother of the main character. Roshon Fegan I recognize from Shake It Up and he plays one of the ghosts from the first Mostly Ghostly movie. And for some reason they also roped Bella Thorne into this. I say it that way because she is barely in the movie. I know it’s cause her mom Tamera Thorne is a co-producer, but it’s a complete waste having her in this. Speaking of other well known actors who are barely in the movie. This was the last onscreen appearance of Joan Rivers. Who I believe is one scene.

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The movie begins with our main character Max Doyle (Ryan Ochoa) walking past a graveyard. Apparently, he has some ring that protects him from this guy.

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That’s Toni Basil who is going to give us a big exposition dump. I apologize, but after reviewing Slaughterhouse Rock, I will think every supernatural character who only exists to explain things is Toni Basil. This is actually some creature named Phears (Charlie Hewson). Because he plays on your worst fears of bad children’s cartoon villains. He resurrects Emma Twitchel (Caroline Lagerfelt) who was once the star of The Moscow Circus. What a star of The Moscow Circus is doing buried in an American suburban neighborhood might confuse me if I didn’t know that Bruce Lee is buried in Seattle. He then tells us, I mean her the backstory on why he needs her. It’s a lot of crap to say that there are two teenage ghosts, a world domination plan, and a magic ring that Max has that prevents it. Phears wants her to go and posses Max to drive him crazy since Phears himself can’t leave the cemetery. What follows is a bunch of stupid comedy sketches. Seriously, the film barely cares about it’s own plot.

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Like this scene where the ghosts help lift Max up the rope during gym class. I’m sorry, they help him up Lester. The gym teacher names all of her equipment. The side horse is Jimmy, the medicine ball is Eric, and the high bar is Tiffany. That combined with the scene where one of the ghosts looks inside of him to find a sleeping woman means if I were in middle school I might think this movie has LGBT subtext in it. Has as much basis in reality as the Nightmare On Elm Street Part 2: Freddy’s Revenge (1985) stuff. I’ll review that soon.

As you can imagine, the rest of the film is just a series of stupid jokes revolving around being possessed and having two invisible people help out Max. It’s all super childish stuff.

The only other things I want to mention are technical.

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When they look at this computer screen in the movie we see it as if we are the computer screen. Why?

Then there’s shots like these.

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I can sort of understand the blurring on the ring, but what’s with the other ones? I seriously doubt anyone would be confused about where to look without the blurring.

The worst and best part is that the ending of this that seems to be setting itself up for another sequel. The worst part is that a sequel could still be in the works, but the best part is that maybe it isn’t since The Cabinet Of Souls is what they made this year. This one is a total skip.