Emily Topper | Through the Shattered Lens

Last night, I turned over to the Lifetime Movie Network and I watched Nobody Will Believe You (a.k.a. Pretty Little Victim).

Why Was I Watching It?

This was actually my second time to watch Nobody Will Believe You. I also watched it back in July but, for whatever reason, I didn’t review it despite the fact that I enjoyed the film. I guess I must have been busy or sick in July, who knows? Anyway, when I saw that it was going to be airing on the Lifetime Movie Network on Thursday night, I decided to rewatch it so that I could finally get around to writing this review!

What Was It About?

Melanie (Jenna Rosenow) and her daughter, Hannah (Emily Topper), have moved to a new town and, for Hannah, that means starting at a new school! From the very first day, it’s obvious that Hannah is going to struggle to fit in. Hannah may be nice but her classmates definitely are not. The cheerleaders are bitchy. The jocks are toxic. Her best friend is alienated. There’s a mysterious man who occasionally shows up and menacingly waves around a taser. The only good news is that the friendly guidance counselor (John William Wright) wants to hire her to teach his daughter how to play the piano! What could possibly go wrong?

What Worked?

I enjoyed Nobody Will Believe You because it did what every good Lifetime film does. It shamelessly and openly embraced the melodrama. Seriously, every possible thing that could happen to Hannah did happen to Hannah. No sooner was Hannah getting rejected by the cheerleaders then she was saving the most popular girl in school from a falling printer. No sooner had Hannah’s phone been hacked than someone was trying to frame her for murder. It was such a nonstop collection of incidents that it quickly became clear to me that the film was self-aware when it came to its status as a Lifetime film. It understood why the audience was watching and it was determined to give us exactly what we wanted. At its best, the film worked as both a tribute to and a parody of the typical Lifetime movie.

What Did Not Work?

Obviously, for the film’s plot to work, Hannah had to be extremely naïve and trusting. And, let’s be honest, it is true that some people are easily tricked. Not everyone has the streetwise instincts of a suburbanite who has watched several hundred Lifetime films. However, even with that in mind, it was sometimes hard to accept that Hannah could be as totally naïve as she often was. Watching the movie, you sometimes got the feeling that, even if Hannah survived, she was destined to grow up to be one of those people who ends up sending their life savings to Aruba because someone contacted them on Facebook, claiming to be Garrett Hedlund.

“Oh my God!” Just Like Me Moments

When I was growing up, my family used to move a lot so I definitely could relate to Hannah’s nervousness about having to start all over again at an entirely new school. And, when I was in high school, I got along famously with our guidance counselor. If I hadn’t broken my ankle, maybe he would have asked me to teach his daughter to dance. Of course, if Lifetime films have taught me anything, it’s that being hired to teach anyone anything is automatically going to lead to tragedy.

And of course, that brings us to….

Lessons Learned

Don’t teach. Don’t offer to help anyone. Reject any and all offers of mentorship. It’s just going to lead to trouble.

When Sara (Stefanie Scott) disappears shortly before her 18th birthday, her mother (Joely Fisher) and her older sister (Emily Topper) are naturally concerned. Significantly less concerned is her creepy father, Don (Judd Nelson). Don says that Sara has always been irresponsible and has always placed her own wants and desires above what’s best for her family. Don goes on to say that Sara had long been threatening to go on a road trip and that her plan was to see all 50 states before returning home.

The years pass and Sara never returns home. Don says that it’s obvious that Sara has decided never to return and that it’s best not to even worry about her. When Sara’s mother suggests maybe hiring a private detective, Don angrily says that he doesn’t want to hear another word about it. Sara has made her decision and he doesn’t want to talk about it anymore.

And the years continue to pass.

Of course, Don knows exactly where Sara is. He knows that, years ago, he tricked her into the going into the basement and that he then locked her in a secret room. Everyday, he takes her some food. He rewards her if he feels that she’s being good. He punishes her if he feels that she’s still being rebellious. As the years pass, Sara has several children, all fathered by Don. They live in the basement with Sara.

It’s a disturbing story, made all the more disturbing by the fact that it’s based on actual events. For 24 years, Elizabeth Fritzl was trapped, by her father, in a basement. Girl In The Basement is Lifetime’s take on the story. It was directed by Elisabeth Rohm, who has starred in several Lifetime films herself. Girl In The Basement is relentlessly grim, as it should be. It’s not particularly a fun film to watch but it’s impossible not to be inspired by the fact that the Sara, the film’s stand-in for Elizabeth Fritzl, managed to survive, no matter how terrible the situation became. She never gave up. Rohm does a good job of capturing the oppressive claustrophobia of Sara’s existence and Joely Fisher, Emily Tapper, and Stefanie Scott all did good job of showing how the victims of abuse often make excuses for their abusers. Even before he locks Sara in the basement, everyone in the family knows that Don is a monster but they’ve all come to accept it. They’ve all come to feel as if “That’s just Don.” Like most abusers, Don knows how to manipulate and how to gaslight his victims into accepting almost anything.

Judd Nelson does a good job in the role of Don. Unfortunately, we’re so used to seeing Judd Nelson play creeps that it was impossible to be surprised when he turned out to be one in this movie. The casting was a bit too on-the-nose and, whenever Nelson was onscreen, I found myself thinking about all over the other films that I’ve seen that featured Judd Nelson as a villain. That said, Nelson brought enough authenticity to Don’s sudden mood swings that he was convincingly menacing. It’s not just that Don locks his daughter in the basement and abuses her for 24 years while insisting that the family should just forget that she ever existed. It’s that he’s so damn proud of himself after he does it.

Girl in the Basement is well-done Lifetime true crime film, albeit not a particularly pleasant one to watch.