Retro Television Review: Mary Jane Harper Cried Last Night (dir by Allen Reisner)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1977’s Mary Jane Harper Cried Last Night!  It  can be viewed on YouTube.

Damn.

I mean, seriously!  I have seen some depressing films before but nothing could have quite prepared me for Mary Jane Harper Cried Last Night.

Susan Dey stars as Rowena, a young single mother whose 3 year-old daughter, Mary Jane Harper (Natasha Ryan), is taken to the hospital with a broken arm.  Dr. Angela Buccieri (Tricia O’Neil) doesn’t believe Rowena’s claim that Mary Jane is just accident prone and when she discovers what appears to be cigarette burns on the little girl, Dr. Buccieri goes to the head of pediatrics (played by veteran screen villain John Vernon) and requests a full set of X-rays to see if there are any previously healed injuries.  Buccieri’s request is denied.  It turns out that Rowena comes from a wealthy family and her father (Kevin McCarthy) is a trustee of the hospital.  Even after Dr. Buccieri opens up about her own experiences as an abused child, she is told to drop the matter.

She doesn’t drop it.  Instead, she goes to a social worker named Dave Williams (Bernie Casey).  Dave does his own investigation but none of Rowena’s neighbors want to talk about all of the crying and the screaming that they hear coming from Rowena’s apartment.  Rowena presents herself as being a stressed but loving mother.  Dave suggests a support group that she can attend.  When Rowena goes to the group, she opens up a little about how overwhelmed she feels.  Unfortunately, she leaves Mary Jane in the apartment alone and, when a fire breaks out, Mary Jane is lucky to survive.

As intense as all of that is, it’s also only the first half of the movie.  The second half is even more intense and emotionally draining and it all leads up to one of the most devastating final lines ever uttered in a movie.  Throughout the film, the system fails both Rowena and Mary Jane.  Mary Jane is failed when all of the evidence of the abuse that she has suffered is either ignored or shrugged away by the same people who are supposed to be looking out for her.  Rowena is failed when no one pays attention to her obvious emotional instability.  When she finally does have a breakthrough during a therapy session, her psychiatrist (played by James Karen) curtly tells her that they’ll have to talk about it next week because their hour is up.

Rowena is a character who I both hated and pitied.  Like many abusers, she herself was a victim of abuse.  Even when Rowena tries to get support, no one wants to admit that a mother is capable of abusing their own child.  That said, Mary Jane Harper is at the center of the film. She’s a little girl who is desperate to be loved by a woman who often terrifies her.  She is continually failed by the people who should be looking after her and it’s just devastating to watch.  I’m sure I’m not the only person who was moved to tears by this film.

What a sad film.  At the same time, it’s also an important one.  If the film takes place at a time when no one wanted to admit to the abuse happening before their eyes, we now live in a time when people toss around allegations of abuse so casually that it’s led to a certain cynicism about the whole thing.  Even when seen today, Mary Jane Harper Cried Last Night works as a powerful plea to watch out and care for one another.

The TSL Horror Grindhouse: Dr. Black, Mr. Hyde (dir by William Crain)


1976’s Dr. Black, My Hyde tells the story of Dr. Henry Pride (Bernie Casey).

Dr. Pride is a respected doctor, the head of a free clinic in the Watts district of Los Angeles.  He has a big house.  He has a fancy car.  With Dr. Billie Worth (Rosalind Cash), he is researching a serum that will help people with cirrhosis to regenerate the tissue of their liver.  Of course, Dr. Pride wasn’t always rich.  In his own words, he and his mother grew up in the guest house of a brothel.  But now that he is rich and successful, some people claim that he’s lost touch with his community.  As a prostitute named Linda (Marie O’Henry) tells him, “You talk white, you think white, you probably drive a white car.”

In a scene that is designed to bring to mind the horrors of the Tuskegee syphilis experiments, Dr. Pride considers the ethics of injecting his serum into his patients without warning them that there might be consequences.  Billie warns him that what he’s thinking about doing would be not only unethical but illegal.  Dr. Pride questions whether ethics matter when dealing with something that could potentially save lives in the future.  After Dr. Pride injects an elderly black woman with the serum, she turns into a white-skinned monster who attempts to strangle a nurse before promptly dying.  Despite this, Dr. Pride continues to develop the serum and eventually, he tries it on himself.

Under the effects of the serum, Dr. Pride becomes a white-skinned madman.  (Bernie Casey wears a white makeup whenever he plays this film’s version of Mr. Hyde.)  Under the influence of the serum, Pride rampages through Watts, killing prostitutes and pimps before transforming back into the Dr. Pride.  The police are investigating the murders but they’re searching for a white man.  Meanwhile, Dr. Pride continues to obsess on trying to work out the kinks of her serum.  He wants Linda to be his latest test subject.

Dr. Black, Mr. Hyde is a blaxploitation take on Dr. Jekyll and Mr. Hyde and, as with many blaxploitation films, the subtext is frequently more interesting than what actually happens on screen.  Dr. Pride, after continually being accused of acting white, takes his serum and soon literally becomes white and sets out to kill the prostitutes and the pimps who remind him of his life before he became a doctor.  And while it’s easy to see this as an example of the serum turning a good man into an evil monster (the classic Jekyll and Hyde formula), it’s also true that, even before his transformation, Dr. Pride views his patients as being potential test subjects.  For all of his talk about helping people, Dr. Pride maintains his distance from the members of his own community.  Is the serum turning Dr. Pride into a monster or is it just revealing who Dr. Pride truly wishes to be?  Given the film was directed by William Crain, who also did Blacula and who, unlike a lot of Blaxploitation directors, actually was black, it’s easy to believe that the subtext was intentional.

Of course, subtext aside, Dr. Black, Mr. Hyde is a cheap-looking and haphazardly edited film.  Much of the acting is amateurish but Bernie Casey gives a strong performance as both the repressed black doctor and his violent, white alter ego.  Cheapness aside, Dr. Black, Mr. Hyde is a frequently intriguing film.