The Films of 2025: Magazine Dreams (dir by Elijah Bynum)


Remember Magazine Dreams?

Though Magazine Dreams did not get a brief theatrical release until 2025, the film first made an impression two years earlier.  At the 2023 Sundance Film Festival, Magazine Dreams was one of the most buzzed about entries.  A film about a mentally unbalanced body-building fanatic, the film starred Jonathan Majors.  Majors was on top of the world at that time.  Not only was he being groomed to be the new center of the Marvel Cinematic Universe but he was also just a few months away from playing the antagonist in the highly anticipated Creed III.  The U.S. Army was using Majors in recruitment commercials.  Both Magazine Dreams and Majors’s performance were lauded at Sundance.  Some critics started to say that Majors had, at the very least, an Oscar nomination in his future.

Then, on March 25th, 2023, Jonathan Majors was arrested and charged with assaulting his ex-girlfriend.  Several other women came forward and said that they had also been abused physically and emotionally by Majors.  The Army stopped airing his commercials.  Marvel announced that Majors would no longer be appearing in their films and that the storyline around his character would simply be abandoned.  (Indeed, the fallout over Majors’s arrest was so much a problem for Marvel that they eventually resorted to bringing back Robert Downey, Jr. to try to staunch the bleeding.)  Creed III took on a whole new meaning as the relatively likable Michael B. Jordan beat the hell out of Jonathan Majors’s snarling ex-con.

As for Magazine Dreams, it fell into limbo.  Fox Searchlight had acquired the film at Sundance and had given it an Oscar-friendly December release date.  After Majors’s arrest, Searchlight removed the film from its schedule and, eventually, the rights were sold back to the film’s producers.  Eventually, Briarcliff Entertainment released the film on March 21st, 2025.  The film made barely a million at the box office.

With all of the behind the scenes drama, it’s tempting to overlook the most important question.  Was the film itself any good?

It’s …. okay.  Jonathan Majors plays Killian Maddox, a grocery store worker who, as a child, was traumatized by the murder-suicide of his mother and father.  Maddox is obsessed with body building.  He studies body building magazines the way that some people study ancient texts.  One gets the impression that Maddox feels that having the perfect body will make up for all of the imperfections in his life.  He shoots steroids.  He uploads painfully earnest videos to YouTube.  He doesn’t know how to express his emotions, allowing his anger to come out at inappropriate times.  He wants to connect with someone but he doesn’t know how to do it.

To the film’s credit, it understands just how intimidating Killian Maddox can be.  A scene in which Maddox confronts the nephew of his boss initially seems as if it’s going to be about Maddox standing up for himself but instead becomes increasingly disturbing as Maddox upsets the man’s family.  Martin Scorsese’s Taxi Driver was obviously an influence on the film but Magazine Dreams doesn’t have that film’s wit or its subversive edge.  There are scenes that work.  The scene where a bloody Killian Maddox tries to compete despite being seriously injured is effective, even if it does owe a debt to Whiplash.  Another scene, in which Killian reads the trolling comments that have been left on one of his YouTube videos, actually does make you feel a bit of sympathy for him.  Ultimately, though, the film is so downbeat and unpleasant that you start to wonder why it was made in the first place.  Was Killian Maddox really so interesting a character that the audience needed to spend two hours with him?  Is there really anything to be learned from Killian Maddox and his experiences?

As for Jonathan Majors, he gives a believable performance.  He was a good actor, even if he couldn’t quite make Killian Maddox into a truly compelling character.

Here’s What Won At Sundance


To be absolutely honest, I didn’t really pay much attention to the Sundance Film Festival this year.  I may or may not regret that come next December.  Traditionally, it seems that at least a few Oscar contenders begin their journey at Sundance but there’s always a chance that the big Sundance success story could turn out to be something like Zolaa film that gets a lot of festival hype but doesn’t really stick around in anyone’s mind afterwards.

Today, the 2023 Sundance Film Festival’s awards winners were announced.  Time will tell whether or not the films listed below will have much of a life outside of Sundance.  Out of the films honored, Magazine Dreams sounds like the one most likely to break out.

U.S. DRAMATIC COMPETITION
Grand Jury Prize: A.V. Rockwell for “A Thousand and One”
Audience Award: “The Persian Version,” directed by Maryam Keshavarz
Directing: Sing J. Lee for “The Accidental Getaway Driver”
Waldo Salt Screenwriting Award: Maryam Keshavarz for “The Persian Version”
Special Jury Award: Acting: Lio Mehiel for “Mutt”
Special Jury Award: Ensemble: The cast of “Theater Camp,” directed by Molly Gordon and Nick Lieberman.
Special Jury Award: Creative Vision: The creative team of “Magazine Dreams,” directed by Elijah Bynum
Festival Favorite Award: “Radical,” directed by Christopher Zalla

U.S. DOCUMENTARY COMPETITION
Grand Jury Prize: “Going to Mars: The Nikki Giovanni Project,” directed by Joe Brewster and Michèle Stephenson
Audience Award: “Beyond Utopia”
Directing: Luke Lorentzen for “A Still Small Voice”
Jonathan Oppenheim Editing Award: Daniela I. Quiroz for “Going Varsity in Mariachi”
Special Jury Award – Clarity of Vision: “The Stroll,” directed by Kristen Lovell & Zackary Drucke
Special Jury Award – Freedom of Expression: “Bad Press

WORLD CINEMA DRAMATIC COMPETITION
Grand Jury Prize: “Scrapper”
Audience Award: “Shayda,” directed by Noora Niasari
Directing Award: Marija Kavtaradze “Slow”
Special Jury Award – Cinematography: Lílis Soares for “Mami Wata”
Special Jury Award – Best Performance: Rosa Marchant, “When It Melts”
Special Jury Award – Creative Vision: Sofia Alaoui for “Animalia”

WORLD CINEMA DOCUMENTARY COMPETITION
Grand Jury Prize: “The Eternal Memory”
Audience Award: “20 Days in Mariupol,” directed and produced by Mstyslav Chernov

Special Jury Prize – Directing: “Smoke, Sauna Sisterhood,” Anna Hints
Special Jury Award – Creative Vision: “Fantastic Machine”
Special Jury Award – Verité: “Against the Tide”

OTHER AWARDS
NEXT Audience Award: “Kokomo City”
NEXT Innovator Award: “Kokomo City”
Alfred P. Sloan Feature Film Prize: “The Pod Generation”

SHORTS
Short Film Grand Jury Prize: “When You Left Me on That Boulevard,” directed by Kayla Abuda Galang
Short Film Jury Award – U.S. Fiction: “Rest Stop,” directed by Crystal Kayiza
Short Film Jury Award – International Fiction: “The Kidnapping of the Bride,” Sophia Mocorrea
Short Film Jury Award – Non-Fiction: “Will You Look at Me,” directed by Shuli Huang.
Short Film Special Jury Award – International Directing: “AliEN0089,” directed by Valeria Hofmann.
Short Film Special Jury Award – U.S Directing: “The Vacation,” directed by Jarreau Carrillo