Eddie Marquez | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!

This week, Ponch saves us all.

Episode 2.21 “CHP BMX”

(Dir by John Florea, originally aired on March 3rd, 1979)

The California Highway Patrol is sponsoring a BMX racing team! Sindy and Baker are the coaches while Ponch is …. well, Ponch is mostly just hanging out. He does find time to flirt with Ms. Ramirez (Mina Vasquez), a teacher who hopes that joining the team could help out an at-risk student named Danny (Kirk Calloway). Danny likes to vandalize things. He’s on his way to juvie if Ponch can’t reach him …. hey, you know the drill. By this point, we all know how this show works. Of course, Ponch is going to reach the kid. With that dazzling smile, Ponch can do anything.

It’s Getraer who has the most to deal with during this episode. After his son is struck by a car, Getraer becomes so distracted on the job that he messes up the arrest of a drug dealer (Henry Olek). Told by his superiors to take a week off while his son recovers, Getraer instead starts to tail the dealer on his own. Getraer is determined to put the man in jail. Fortunately, Ponch is there to help catch him. Is there nothing that Ponch can’t do?

Seriously, when I watch an episode like this, I can understand why Larry Wilcox apparently did not enjoy working with Erik Estrada on this show. While Baker humbly does his job without asking for any special recognition, Ponch is portrayed as being so perfect that you half-expect him to start walking on water. The theme of this episode — and really, the theme of much of the second season — has been that Ponch can ultimately do no wrong. Even when it looks like Ponch has screwed up, he ultimately turns out to be infallible. He’s more than just a member of the California Highway Patrol. He’s St. Ponch of Los Angeles, saving souls while riding his motorcycle amongst the heathens.

It probably sounds like I’m being critical of this episode but I actually enjoyed it, for much the same reason that I enjoy most episodes of CHiPs. The car and motorcycle stunts were spectacularly filmed and the scenery was nice to look at. Even though it rains through a good deal of this episode and Getraer, Baker, and Ponch aren’t exactly hanging out in the most glamorous sections of Los Angeles, this episode still manages to make L.A. look like the loveliest city in the world.

And really, even Erik Estrada is entertaining. It’s easy to laugh at his big smile and his less-than-subtle acting technique but that’s just Estrada being Estrada and, in the world of CHiPs, it works.

The important thing is that everything works out. Danny wins his race. Getraer’s son gets out of the hospital. And maybe Baker will get to do something more than smile at Ponch next week. We’ll see!

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost the entire show is currently streaming is on Youtube!

This week, season 3 comes to an end!

Episode 3.23 “Eagleman/Children of Mentu”

(Dir by Michael Vejar, originally aired on May 17th, 1980)

As I watched the third season finale of Fantasy Island, I found myself growing a bit sad. Even though I went into this program knowing that Ricardo Montalban and Herve Villechaize eventually came to despise each other, it’s still a bit jarring to see just how obvious that dislike was by the end of season 3. Gone were the silly moments of banter that used to start each episode. Instead, by the end of season 3, each episode opened with same stock footage of Tattoo announcing the plane and then Roarke and Tattoo heading down to the docks to meet their guests. When Tattoo and Roarke do speak to each other, the actors barely look at each other. As I said, it’s a shame and it’s hard not to feel that the show itself became a bit less interesting once Roarke and Tattoo stopped interacting.

As far as this week’s fantasies, they both feel somewhat familiar. There’s a comedic fantasy and a vaguely serious fantasy, both featuring actors who had previously appeared on the show in different roles. The comedic fantasy features Bob Denver as Morris Binstock who comes to the Island for a business retreat. Accompanying him is his son, Barney (Keith Coogan). Ever since the death of his wife, Morris has struggled to connect with his son. His fantasy is to become his son’s favorite comic book hero, Eagleman!

And he gets his wish. Roarke has set up an entire Eagleman secret headquarters in the closet of Morris’s room. Morris puts on the Eagleman costume and he does a flew klutzy things and he gets to fly. His son is happy. But is Morris devoting so much time to being Eagleman that he’s running the risk of losing a promotion at work? After all, a promotion would not only mean more money but it would also be something that would continue to exist, even after Morris left the Island. It looks like obnoxious Hal Ripley (Larry Storch) is going to get the promotion but when the company’s CEO, H.H. Moran (Jim Backus), discovers that Morris has been pretending to be Eagleman to make his son happy, Moran makes Morris vice president. H.H. Moran is all about family!

The more serious fantasy features Vernee Watson as Rochelle McKenzie, a reporter who is trying to track down Dr. Arthur Gates (Ralph Bellamy), a millionaire who vanished one day. Roarke explains that Dr. Gates has been spotted on the nearby Island of Mentu. Roarke warns her that the inhabitants of Mentu are not friendly and Rochelle will be putting her own life at risk if she goes to the island,

Rochelle still goes to the island and guess what? Roarke was not lying about those angry inhabitants. One of the men is horribly scarred. Another has to use a crutch but still growls at every human he sees. The island and the natives were exploited by a mining company and now, the natives distrust almost everyone they see. However, Dr. Gates has decided to dedicate his life to taking care of them. That’s a good thing because it turns out that the scarred native has a sick child and only Dr. Gates can provide the proper medical attention.

Both stories are fairly silly, though at least Rochelle’s story gives Ralph Bellamy a chance to take on the type of role that was usually given to Ray Milland. If you only know Bellamy as the guy who was constantly getting dumped for Cary Grant in the 30s and 40s, this episode allows Bellamy a chance to show that he could be a likable and authoritative actor. As for the Eagleman story, it was kind of uncomfortable to watch because Bob Denver looked like he was in his early 60s and it was hard not to worry about him seriously injuring himself whenever he put on the costume.

There’s an interesting moment in Rochelle’s fantasy, in which she tells Mr. Roarke that she feels foolish coming to the Island in pursuit of a “fantasy.” She feels that she’s being childish but Roarke explains that fantasies are not childish and that one should always pursue their dreams. Whether it was intentional or not, this scene serves as a mission statement for the entire series. Yes, Fantasy Island was frequently silly and childish but, in the end, it still resonates because people will always have dreams and they will always have fantasies. There will always be a place for Fantasy Island.