The Set Decorators Society of America has announced its nominations for the best of 2025!  And here they are:

Best Achievement in Décor/Design of a Contemporary Feature Film
“BUGONIA” – Set Decoration by Prue Howard; Production Design by James Price
“F1” – Set Decoration by Andrew McCarthy SDSA & Véronique Melery; Production Design by Mark Tildesley & Ben Munro
“JAY KELLY” – Set Decoration by Véronique Melery & Meg Everist; Production Design by Mark Tildesley
“ONE BATTLE AFTER ANOTHER” – Set Decoration by Anthony Carlino SDSA; Production Design by Florencia Martin
“WAKE UP DEAD MAN: A KNIVES OUT MYSTERY” – Set Decoration by Kathryn Pyle; Production Design by Rick Heinrichs

Best Achievement in Décor/Design of a Period Feature Film
“DOWNTON ABBEY: THE GRAND FINALE” – Set Decoration by Linda Wilson; Production Design by Donal Woods
“HAMNET” – Set Decoration by Alice Felton SDSA; Production Design by Fiona Crombie
“MARTY SUPREME” – Set Decoration by Adam Willis; Production Design by Jack Fisk
“SINNERS” – Set Decoration by Monique Champagne SDSA; Production Design by Hannah Beachler
“SPRINGSTEEN: DELIVER ME FROM NOWHERE” – Set Decoration by Kris Moran; Production Design by Stefania Cella

Best Achievement in Décor/Design of a Fantasy or Science Fiction Feature Film
“AVATAR: FIRE AND ASH” – Set Decoration by Vanessa Cole; Production Design by Dylan Cole & Ben Procter
“THE FANTASTIC FOUR: FIRST STEPS” – Set Decoration by Jille Azis; Production Design by Kasra Farahani
“FRANKENSTEIN” – Set Decoration by Shane Vieau SDSA; Production Design by Tamara Deverell
“HOW TO TRAIN YOUR DRAGON” – Set Decoration by Daniel Birt SDSA; Production Design by Dominic Watkins
“SUPERMAN” – Set Decoration by Rosemary Brandenburg SDSA; Production Design by Beth Mickle

Best Achievement in Décor/Design of a Comedy or Musical Feature Film
“FREAKIER FRIDAY” – Set Decoration by Brandi Kalish SDSA; Production Design by Kay Anna Lee
“KISS OF THE SPIDERWOMAN” – Set Decoration by Andrew Baseman SDSA; Production Design by Scott Chambliss
“THE PHOENICIAN SCHEME” – Set Decoration by Anna Pinnock; Production Design by Adam Stockhausen
“ROOFMAN” – Set Decoration by Kendall Anderson SDSA; Production Design by Inbal Weinberg
“WICKED: FOR GOOD” – Set Decoration by Lee Sandales; Production Design by Nathan Crowley