Retro Television Reviews: Fantasy Island 4.2 “The Flying Aces/The Mermaid Returns”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

This week, a guest star from the past returns!

Episode 4.2 “The Flying Aces/The Mermaid Returns”

(Dir by Earl Bellamy, originally aired on November 1st, 1980)

The plane is landing, bringing with it a new group of Fantasy Island guests.  As always, Tattoo steps out of the main Fantasy Island office, intent to head down to the lagoon and discover what this week’s fantasies will be.  Except …. wait a minute …. where is Mr. Roarke!?

Tattoo waits for a few minutes and then looks around.  Mr. Roarke is nowhere to be seen!  Is it possible that, after three seasons of reported acrimony between him and Herve Villechaize, Ricardo Montalban has left the Island!?  That would certainly make Tattoo happy.  Though it was a storyline that was phased out as the show became more family friendly, Tattoo did spend the first two seasons of Fantasy Island talking about how he would like to be in charge of everything.  Finally, Tattoo is in charge!  Tattoo heads down to the landing lagoon and, for once, he’s the one who declares, “Smiles, everyone, smiles!”

However, Mr. Roarke has not left the Island.  Instead, he’s been having a meeting with Nyah (Michelle Phillips), the mermaid who lives off the shore of Fantasy Island and who, during the third season, tried to tempt John Saxon to his death.  Nyah reveals to Roarke that she wants to come to Fantasy Island as a guest because she had a fantasy of her own.  Roarke informs her that, to do this, she will have to agree to be human for the weekend.  Nyah agrees and Roarke makes a fist and closes his eyes tight.  Suddenly, Nyah’s tail is replaced by legs!

Roarke then heads over to the landing lagoon, where he meets up with Tattoo.  Tattoo is shocked when Nyah stumbles off of the plane.  (So was I, as I was kind of under the assumption that the plane had already landed when Roarke had his conversation with her.)  Tattoo wonders why Nyah is struggling to walk.  Roarke explains that she’s still learning how to use her legs.  When the friendly island girls offer her a drink and a lei, Nyah rudely shake her head.  It’s not easy being human!  Roarke explains that Nyah wants to experience human love.

As for the other guest, he’s an airline pilot named Tony Chilton (Sam Melville).  Tony feels that World War II was the last time when men could truly be men and he has stated that his fantasy is to be a member of the 53rd fighting group, battling the Germans above New Zealand.  However, as Roarke quickly deduces, Tony’s actual fantasy is to meet the father he never knew.  David Chilton (Tom Wopat) was a member of the 53rd and he died in aerial combat.

Both fantasies play out pretty much the way that you probably expect that they would.  Fantasy Island was a show that understood the importance of fulfilling expectations.  For instance, you’ve probably already guessed that Nyah is going to end up announcing that she’s in love with Mr. Roarke and also that, by the end of the episode, Nyah is going to have realized that her home is in the ocean.  But Nyah’s storyline is still enjoyable because Michelle Phillips does such a good job of playing Nyah and her struggle to figure out how humans do things like walk, make small talk, and wear clothes all the time.  At first, Nyah is rude to almost everyone that she meets and I cringed a bit when Roarke disciplined her by giving her a spanking.  (Oh hi, 1980!)  But, at the same time, I could relate to Nyah because, from my childhood, I know what it’s like to constantly find yourself in a new town and a new school and having to figure out the customs of a whole new group of people.  Sometimes, it’s not easy to learn how to walk in a new place.

As for the World War II story, Tony does meet with his father and he gets to bond with him.  Awwww!  Sadly, he also learns that Roarke wasn’t kidding when he warned that history cannot be changed.  It was a simple story but it worked due to the heartfelt performances of Sam Melville and Tom Wopat.  This storyline was unabashedly sentimental and all the better for it!

All in all, this was a good trip to the Island.

A (Not-So) Brief Note On WELCOME TO MOOSEPORT (20th Century Fox 2004)


gary loggins's avatarcracked rear viewer

Sometimes while scrolling through the channels one come across a pleasant surprise. So it’s Saturday afternoon,a thundershower has cancelled my plan to hit the beach, the Red Sox don’t start for awhile, and I’m clicking the old clicker when I land on WELCOME TO MOOSEPORT. I wasn’t expecting much, just a way to kill time; instead, I found an underrated little gem of a comedy that kept me watching until the very end.

Don’t get me wrong, I’m not saying WELCOME TO MOOSEPORT is an undiscovered classic or anything like that. It’s just a solidly made piece of entertainment about small-town life starring Ray Romano (riding high at the time thanks to his successful sitcom EVERYBODY LOVES RAYMOND) and Oscar winning Gene Hackman. Romano uses his nebbishy TV persona to portray Mooseport, Maine’s local hardware store owner “Handy” Harrison, who gets involved in a mayoral campaign against Hackman’s Monroe “Eagle”…

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Horror on the Lens: The Hearse (dir by George Bowers)


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Today’s horror on the Lens in 1980’s The Hearse!

You can read my review here and you can watch it below!

Enjoy!

 

The Daily Grindhouse: The Hearse (directed by George Bowers)


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I feel no shame in admitting that I love horror movies. I don’t think that’s any secret to anyone who has ever read my reviews on this site. When I’m feeling so restless that I can’t sit still or focus, all you have to do is give me a horror film (especially if it’s one that I’ve never never seen before) and I’ll be quiet for at least 90 minutes.

That’s why I’m always on the look out for horror movies that I haven’t seen before. If it’s a horror movie, I’ll watch it regardless of obscurity, age, or critical disdain. At its best, this habit has led to me discovering neglected cinematic gems like Sole Survivor.

And it’s worst, it’s led me to me sitting through films like 1980′s The Hearse.

The Hearse is one of those public domain film that turns up in every other Mill Creek Box Set and it tells a very familiar story. A recently divorced woman named Jane (played by Tish Van Devere, who was married to George C. Scott at the time) leaves the big city to seek peace and solace in a creepy small town that’s full of rednecks who stare at her with a combination of lust and total disdain. Jane moves into a house that once belonged to her aunt and, pretty soon, she’s hearing strange sounds and having nightmares. On some nights, she sees a hearse (which, earlier, had attempted to run her off of the road) pull up in front of her house.

Jane attempts to tell the local sheirff about the strange happenings at her house but he responds by suggesting that maybe she should move. The local townspeople respond to her concerns by telling her that her aunt made a pact with Satan. The local priest comes by and tells Jane that the necklace her aunt gave her is a symbol of Satan.

None of this really makes much of an impression on Jane, mostly because she’s busy dating this creepy guy named Tom. Tom rarely ever shows any emotion and, on those rare occasions that he does smile, his face looks like a leering skull.

Again, Jane doesn’t seem to notice any of this…

Obviously, horror requires a certain suspension of disbelief but, seriously, it’s hard not to watch The Hearse and feel as if the scariest thing about the movie is the idea that anyone could be as stupid as Jane.

That said, The Hearse isn’t a total waste of time. The nightmare sequence is genuinely effective and the film itself features a few creepy visuals but, then again, there’s no way the sight of a hearse pulling up in front of a house in the middle of the night couldn’t be creepy. Trish Van Devere does okay as Jane, though she was far better in both The Changeling and One Is A Lonely Number.   (The film also features a few too many less-than-credible scenes where the town’s teenage boys talk about how “hot and sexy” they find the aristocratic and rather uptight Jane to be.)  If, like me, you’re into film history, you’ll enjoy this film as a relic of the past, an example of what horror movies were like in a less ironic age.

Shattered Politics #72: Welcome to Mooseport (dir by Donald Petrie)


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The 2004 film comedy Welcome to Mooseport would probably be totally forgotten if not for one thing.  This is the film that was supposedly so bad that co-star Gene Hackman looked at the final cut and then probably looked over at the Oscars he won for The French Connection and Unforgiven and then probably looked back at the final cut and then announced, “I quit!”  There’s a reason why Hackman now spends his time writing novels and, according to most accounts, Welcome to Mooseport is that reason.

In Welcome to Mooseport, Gene Hackman plays Monroe “Eagle” Cole, the former President of the United States.  From the minute we first hear the President’s name, we know exactly what type of film Welcome to Mooseport is going to be.  It’s not enough to give Hackman’s a character a totally over-the-top name like Monroe Cole.  He also has to have a cutesy nickname.  The entire time I watched the film, I found myself wondering if Monroe Cole was listed on the presidential ballots as being Monroe “Eagle” Cole.  Personally, I always find it funny when people feel the need to include their nickname in the credits.  Is it really important for every William out there to let everyone know that some people call him Billy?

Anyway, Eagle is apparently the most popular president ever.  However, he’s also recently divorced and his ex-wife (Christine Baranski, playing the same role that she played in Bulworth) wants all of his property.  Eagle is forced to retire to one of the few residences that he has left, his vacation home in Mooseport, Maine.  In order to keep his wife from claiming that home, Eagle decides to run for mayor of Mooseport…

Now, right here, we’ve got a huge issue.  Eagle’s only motivation for running for mayor is because he doesn’t want to have to give over his vacation home to his wife.  But that could be anyone’s motivation.  One does not have to be President to want to keep the house in a divorce.  It would have been more interesting if Eagle, now out of office and struggling to adjust to no longer being the most powerful man in the world, ran for mayor because he really wanted the job.

But anyway, Eagle is not the only person running for mayor.  Hardware store owner Hardy Harrison (Ray Romano) is also running.  At first, Hardy wants to withdraw but then he sees Eagle flirting with Hardy’s longtime girlfriend (Maura Tierney) and Hardy suddenly decides that he’s going to run and he’s going to win.

I actually like Ray Romano as an actor and he doesn’t give a bad performance here.  But, at the same time, it’s obvious that his scenes were written to capitalize on his TV persona.  It’s easy to imagine stumbling across a rerun of Everybody Loves Raymond where Ray runs for mayor and has a panic attack when he loses.  The difference, of course, is that Ray Barone would not have been running against Gene Hackman (much less a former President).

Needless to say, Welcome to Mooseport has a sitcom feel to it.  After every line, you find yourself waiting for a laugh track.  Gene Hackman feels incredibly out-of-place in the film and there’s a discomfort to his performance.  Watching him in this film, you can see the wheels turning in his brain.  You can literally see Gene Hackman thinking, “I’m too old for this shit.”

And I guess he was because, in the 11 years since Welcome to Mooseport was first released, Gene Hackman has not appeared in another film.  Which is bad news for everyone waiting for Welcome to Mooseport Part II