Derrel Maury | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark enlist in the War on Drugs.

Episode 1.14 “Plane Death”

(Dir by Victor French, originally aired on January 9th, 1985)

In a small town in California, a man named Charlie Down (Robert Ford) drives his big family car down an isolated car. One thing that that is immediately noticeable is that Charlie has a gigantic pair of fuzzy dice hanging from his rearview mirror. That’s rarely a good sign. The other thing that is immediately noticeable is that a remote control airplane is flying over the landscape. As the audience will soon learn, the people in this town are obsessed with remote control airplanes. That’s because drug dealer Jack Harm (Michael Bowen), the son of the local sheriff, is using the airplanes to smuggle cocaine. When one of the planes crashes, Charlie rushes out to it and grabs the cocaine for himself. He is pursued by Jack and his gang. Charlie runs away from them. An off-screen gunshot is heard.

What Jack doesn’t know is that the man that he murdered is an old friend of Mark Gordon’s (Victor French). For the past few months, Mark has been on the road with angel Jonathan Smith (Michael Landon). They’ve been taking care of people all over America. But right now, they are between assignments. They show up in town so that Mark can see his friend but, shortly after arriving, Mark is informed that Charlie has gone missing. It doesn’t take Mark long to figure out what happened. He announces that he’s going to get revenge, “just like in the Bible, eye for an eye.”

Fortunately, Jonathan is there to keep Mark from doing something that he might regret. Before Mark can drive down to the local bar, Jonathan arranges for the police and the FBI to show up and take Jack and his gang into custody. Jack’s father can only watch in disappointment as his son is taken off to prison. When Mark thanks Jonathan for keeping him from making a mistake, Jonathan replies that he’s sure Mark would have stopped himself from killing anyone. Mark says that he wouldn’t have been able to stop himself and Victor French’s delivery of the line is so somber and serious that there’s little doubt he was prepared to kill everyone in town.

At Charlie’s funeral, his young son (played by David Faustino) announces that he’s going to become a cop so that no other kids have to feel as bad as he feel right now. Jonathan says that Charlie would be proud to hear that. Mark asks Jonathan if the country is ever going to be able to win the war on drugs.

“If they don’t,” Jonathan replies, “they’re may not be a country to worry about.”

Yikes! Setting aside the ultimate futility of the War on Drugs (which far too often became a war on addicts as opposed to war on the people making money off of them), this episode was actually pretty well-done. Mark’s intense anger was perfectly portrayed, making him a bit frightening even if you understood his desire for revenge. Michael Bowen’s superficially friendly psychopath was easy to dislike. This was one of those episodes where the viewer appreciates the sincerity of the show’s emotions even if the legacy of the War on Drugs has ultimately been one of failure.

http://www.youtube.com/watch?v=YzX2RNGGM7U

With a title like Massacre at Central High, you probably think that this 1976 film is a low-budget slasher film. However, you’re totally wrong. Instead of being a low-budget slasher film, Massacre at Central High is a low-budget political allegory and it’s a pretty good one at that. It’s also not exactly an easy film to see (I had to watch it off of a scratchy, old VHS tape), which is unfortunate because it’s probably one of the best exploitation films of the 1970s.

Massacre at Central High takes place at a high school in Southern California. The first thing that you notice about Central High is that there aren’t any adults around. The students don’t ever appear to go to class. Instead, they spend their time roaming the halls. The school is run by four wealthy jocks who enforce order, repress independent thought, and spend most of their time hanging out in an exclusive lounge. Of the four ruling jocks, Mark (Andrew Stevens) is the most sensitive, an overall nice guy who doesn’t approve of the excesses of the others but, at the same time, isn’t willing to stand up to them either.

The Ruling Clique

As for the other students, they spend their time being alternatively harassed and cared for by the jocks. They’re told, of course, that everything is for their own good and that their survival depends on the survival of Central High. Spoony (Robert Carradine) is caught and punished for spraying political graffiti on the lockers. Oscar (Jeffrey Winner) is regularly bullied by the jocks on account of his weight. School librarian Arthur (Dennis Kort) is attacked for being an intellectual. When Rodney (Rex Steven Sikes) makes the mistake of parking his car in one of the jock’s space, they react by stealing and wrecking his car.

Things start to change when track star David (Derrel Maury) transfers to Central High. David is an old friend of Mark’s and, at first, Mark attempts to get him to join the ruling clique. However, David is disgusted by the other jocks and starts to stand up for the oppressed students. The jocks (with the exception of Mark) respond by lowering a car down on David’s leg, crushing it.

No longer able to run track and now moving with a permanent limp, David refuses to tell anyone the truth about how he injured his leg. Instead, he returns to school and gets his revenge, methodically murdering all of the jocks except for Mark. Mark and his girlfriend Theresa (Kimberly Beck) now find themselves transformed into societal pariahs within the halls of Central High. Meanwhile, the formerly oppressed students step up to fill the power vacuum and, to David’s disgust, they quickly turn out to be just as bad as their now deceased oppressors.

David Is Disappointed

Now realizing that most revolutions are waged by the lower class against the upper class for the sole benefit of the middle class and that there’s absolutely no way to bring any real change to Central High, David instead makes plans to destroy the entire high school…

Surreal and dream-like, Massacre at Central High is a potent allegory that takes the concept of absolute power corrupting absolutely to its logical extreme. It’s a film that celebrates revolution while, at the same time, asking, “What’s the point?” It’s a film that looks at politics, society, and culture and actually has the courage to suggest that it might be better just to give up on all of it. Featuring excellent performances from Maury, Beck, and Stevens and wonderfully off-center direction from Rene Daalder, Massacre at Central High is not an easy film to track down but it’s definitely one worth seeing.