David Stuart | Through the Shattered Lens

2002’s The Climb is about two mountain climbers who begin as rivals and end up as friends.

Derrick Williams (Jason George) is an arrogant and cocky climber, the type who enjoys conquering mountains for his own personal glory. (See where this heading?) Even though his girlfriend’s father (Clifton Davis) does not approve of him, Derrick still says that he’s planning on marrying her. Or at least, he does until he finds out that she’s pregnant and he realizes that being a father will require him to take on a lot of new responsibilities.

Michael Harris (Ned Vaughn) is a selfless climber who sees every climb as a team effort and who does everything for the Glory of God. (Again …. see where this heading?)

Businessman Mack (Dabney Coleman, bringing a villainous edge to a character who I don’t necessarily think was meant to come across as being villainous) hires Derrick and Michael to climb a notorious mountain, all as a way to promote his business. At first, Derrick doesn’t want to climb with anyone else but when his girlfriend tells him that she’s pregnant, he decides that he could use some time away from her and promptly heads off to the mountain. Michael, on the other hand, is reluctant to climb because he doesn’t trust Mack’s company to keep all of their promises. Michael feels that climbing the mountain for Mack would be the same as endorsing the company and telling people that the company is an honest company.

You can probably guess what happens. Michael and Derrick climb the mountain. They talk. They bond. They discuss they’re differing views on religion. And then one of them tragically dies and the survivor is forced to reconsider his life. It’s not a surprise when one of them dies because a movie like this can only really work if one of the two friends has tragically passed away before the end credits. And it’s not really a surprise as to who passes away because it’s not like a faith-based movie is going to kill the guy who needs to learn a lesson about taking responsibility and being a father. From the start, it’s obvious who among the two is doomed and, as such, there’s not much suspense to be found in The Climb.

On the plus side — and yes, I realize that I do always go out of my way to find something positive to say about nearly every movie I review but that’s just because I think every movie has something about it that can be appreciated — some of the climbing sequences are visually impressive. It’s obvious that the film’s producers decided to spend a little money on the mountain scenes and, as a result, the scenery is nice to look at. I’m a fan of nice scenery and I’ve sat through more than a few bad films just to see a pretty mountain.

Personally, and this won’t come as a surprise to anyone who knows me, I’ve never felt the need to climb a mountain. If I can see what the top looks like from the ground, that’s enough for me.

(Hi there! So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR. Seriously, I currently have 181 things recorded! I’ve decided that, on February 1st, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not. So, that means that I’ve now have only have a month to clean out the DVR! Will I make it? Keep checking this site to find out! I recorded Tiny House of Terror off of Lifetime on June 29th, 2017!)

Before I start this review, I have to admit that, when it comes to the tiny house movement, I lost interest as soon as I saw the words “tiny” and “house.” I mean, I understand that they’re supposed to be better for the environment and easier to take care of. And I get that right now, a lot of people are pretending that they don’t care about material possessions and all that stuff. But, honestly, the only reason I would want a tiny house would be so I could keep it in the backyard of a bigger house.

That said, despite my lack of interest in the tiny house movement, I was a bit intrigued by the idea of a Lifetime movie set in a tiny house. After all, one of the great things about Lifetime films is that everyone, regardless of how poor or criminal they may be, usually lives in a large and tastefully furnished house. How, I wondered, would Lifetime handle setting a film in the type of house that is largely favored by retirees, hippies, and displaced persons?

Well, I’m glad to say that Lifetime handled it pretty well. Of course, they were clever enough not to set the entire film in a tiny house. There are several scenes that take place in a technologically advanced mansion and there are also several scenes that take place in Gravity Hill, a lovely little town where a magnetic field regularly plays havoc with electricity, cars, and cell phone reception. Tiny House of Terror was a surprisingly lovely film to look at. The small town was lovely. The scenes set in the big city were properly dark and menacing. The finale made great use of creepy shadow and light. Credited with cinematography is Jon Joffin and he certainly did a great job.

The film itself tells the story of Samantha (Francia Raisa), who was married to a tech billionaire named Kyle (Jesse Hutch). When Kyle disappears while climbing a mountain, Samantha is left distraught. Even worse, she finds herself a prisoner of her technologically advanced mansion, which was apparently designed to only recognize Kyle’s voice commands. (Imagine if Alexa suddenly got a passive aggressive attitude and you’ll understand what Samantha is going through.) It turns out that Kyle was planning on opening up a tiny house community in Gravity Hill. He was going to allow Samantha to do the landscaping. Only one tiny house has been built and Samantha decides to move out there, both for her own sanity and to complete Kyle’s final project.

Of course, things are never simple in Gravity Hill. It turns out that some people in town don’t want a tiny house community. No sooner has Samantha moved into her tiny house then strange things start to happen. Is it the magnetic field that’s making things (like kitchen knives) fly at Samantha or is something more sinister happening? Is Samantha being targeted and does it have anything to do with Kyle’s mysterious disappearance?

I liked Tiny House of Terror far more than I thought I would. Because it’s structured as a whodunit and there are a few flashbacks and time jumps, the film require a bit more concentration than the typical Lifetime film but that’s okay. It pays off in the end. Francia Raisa did a good job in the lead role, as did Nanzeen Contractor in the role of her sister. I may not care much about the tiny house movement but Tiny House of Terror not only held my interest but rewarded it as well.