Christian Serrantos | Through the Shattered Lens

Hi there! Before I get around to saying what little I have to say about tonight’s episode of The Walking Dead, I want to share something with you.

Next week is the season finale and, naturally, it’s an extended episode. I have two fears.

I fear that next week’s episode will be 70 minutes of Rick and Dwight sitting in a cell and discussing right and wrong.
I also fear that the episode will end with Rick standing on a hill, looking back at all of his followers, and announcing, “And now — we attack!” This will immediately be followed by the end credits and Talking Dead. See you once Season 8 starts!

If either of those happen, this will be my response:

I have such mixed feelings about the pace of The Walking Dead. On the one hand, I appreciate that it’s a show that literally takes place after the end of the world. Civilization is over and sometimes, that is best represented by stillness. There’s no need for anyone to hurry because there’s really nowhere to go. There are no more jobs. There are no more movies. There are no more clubs. There are no more schools. There’s nothing. The only thing that matters in the world of The Walking Dead is survival and, often times, it’s necessary to move slowly and with caution to survive.

On the other hand, this season has been so slow! It feels as if it has taken Rick longer to organize this attack than it took for Lafayette to sail across the ocean and track down Gen. Washington. Yes, I appreciate why the pace is deliberate but there’s really only so many times that you can watch the same scene play out over and over again.

Tonight was a perfect example. It featured three storylines, all of which were way too dragged out. Tonight was basically 30 minutes worth of story stretched out to a full hour.

In Alexandria, Gregory again showed himself incapable of … well, just about anything. Nobody has any respect for Gregory. Maggie had to save him from a walker. Gregory’s either going to get killed by Negan or he’s going to get bitten by a walker. I think he actually had the potential to be an interesting character (and Xander Berkeley is certainly a good actor) but Gregory is so obviously doomed that it’s hard to really care about him one way or the other.

In Sanctuary, Sasha is somehow not dead. Instead, she’s in that same little cell that Daryl was in. Negan was apparently impressed by her suicidal attack. Why that would impress Negan, I’m not sure. Anyway, Negan killed a savior who was on the verge of raping Sasha. That’s a good thing, though you have to wonder if Negan set the whole thing up just so he’d have an excuse to play the hero. He wants to bring Sasha over to his side. Again, I’m not sure why. Mostly, I assume that Sasha’s alive so that she can be used as a hostage if Rick ever actually gets around to launching this attack that he’s been going on about.

(In many ways, Sasha being alive epitomizes this season’s greatest flaw. She’s not alive because there’s any real logic behind her somehow not being dead. Instead, she’s alive so she can be used as a plot device later on. Keeping Sasha alive comes at the price of whatever consistency had previously been established as far as Negan’s character is concerned.)

And finally, Tara told Rick about Oceanside so Rick and his people went down there and took all their guns. The scenes of Rick bullying the Oceansiders were mixed in with scenes of Negan trying to bring Sasha over to the Saviors. I got the feeling we were supposed to compare the contrasting leadership styles of Rick, Negan, and Gregory. Gregory is inneffectual. Rick will do what needs to be done but only when he doesn’t have any other choice. Negan just talks too much.

At the end of the episode, Rosita returned from Sanctuary. Accompanying her was … DWIGHT! So, Dwight was the man she saw in the shadows. Rick pointed a gun at him and told him to get on his knees. Apparently, next week’s episode will feature Rick talking to Dwight in a cell. I just hope they don’t spend too much time talking.

Anyway, as you can probably tell, this episode was way too slow for me. But, at least Rick does seem to be inching closer to finally launching that attack.

HURRY UP, RICK!

Maggie and Gregory do …. something.

Bleh.

I’ve read a lot of really over-the-top laudatory reviews of 96 Minutes, an independent urban crime film that’s opening in limited release this weekend. Reviewers and bloggers are describing this film as being insightful and powerful and important. Here’s a quote from one review that was posted over on the IMDb: “I would encourage all of those who see the (film’s) themes as stereotypical to get outside of their own box for 2 minutes and spend some time with those who will you give example after example of how the youth in this country still struggle with the same things as they did 10, 20, and 30 years ago.”

And again, I say “Bleh.” I saw 96 Minutes last night. It’s a movie that’s full of good intentions but so what? A bad movie is a bad movie, regardless of the noble intentions of the filmmakers.

The film starts out with four people in a car. Dre (Evan Ross) is driving while, in the passenger’s seat, his jumpy friend Kevin (J. Michael Trautman) points a gun at two girls huddled in the backseat: Carley (Brittany Snow) and her friend Lena (Christian Serranos). Lena, by the way, has been shot in the head. The film proceeds to show us (by jumping back and forth in time) how this situation came to be and guess what? It all unfolded exactly how you think it did so the end result is like being stuck with someone who continues to tell you the same long story even after you’ve said, “Yes, you already told me all this.”

From what I’ve been able to gather from online research, 96 Minutes was (much like Crash, which this film resembles) inspired by an actual carjacking that involved the film’s director. As such, 96 Minutes starts out by informing us that the film we’re about to see is “Based on true events.” That should have been a warning because, while the whole “based on a true story” thing is usually a good sign when it comes to an old school exploitation film, it’s almost always the kiss of death when it comes to well-meaning but overly earnest independent cinema. Ironically, films that are “based on true events” often feel rather false and predictable and the end result is a movie that comes across like an overlong version of one of those awful Mutual of Omaha “Ah-ha Moment” commercials.

(“My name is Carley and this is my Ah-ha moment. Oh my God, we were getting carjacked! At that moment, so many things went through my head…” “Brought to you by Mutual of Omaha, proud sponsor of life’s Ah-ha Moments…”)

In the film’s defense, it is well-acted (especially by Evan Ross, who has a very quiet power) and director Aimee Lagos comes up with a few strong visuals but ultimately, it doesn’t add up to much. The film feels predictable and the fractured narrative structure doesn’t provide any unexpected insight into the characters or their actions. The scenes with Kevin and Dre feel as if they were clumsily lifted from a hundred other urban crime films, right down to the predictable pairing of a complete psycho with a sensitive criminal who wants to go straight. Meanwhile, Carley and especially Lena come across not so much as actual characters but more as dramatic devices. This wouldn’t be so much of a problem if this was a 15-minute short film about the quirks of fate but stretched out to 96 minutes, the film’s characters and themes feel quite thin indeed.

In many ways, 96 Minutes reminded me quite a bit of last year’s Another Earth. Much like Another Earth, 96 Minutes doesn’t have much to say but it pretends like it does and I imagine that a quite a few gullible viewers will be tricked into thinking that they’re watching something powerful and important play out in the screen in front of them. If they’re anything like the members of the Another Earth cult, they’ll probably get really offended over any suggestion that the film they’ve just watched isn’t a masterpiece. Well, my reply to them is this: If the film was really as great and important and insightful as some people are claiming then you wouldn’t care what I have to say about it. If this review makes you defensive, it’s because you know I’m right.