Charles Lucia | Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

This week, a guest star from the past returns!

Episode 4.2 “The Flying Aces/The Mermaid Returns”

(Dir by Earl Bellamy, originally aired on November 1st, 1980)

The plane is landing, bringing with it a new group of Fantasy Island guests. As always, Tattoo steps out of the main Fantasy Island office, intent to head down to the lagoon and discover what this week’s fantasies will be. Except …. wait a minute …. where is Mr. Roarke!?

Tattoo waits for a few minutes and then looks around. Mr. Roarke is nowhere to be seen! Is it possible that, after three seasons of reported acrimony between him and Herve Villechaize, Ricardo Montalban has left the Island!? That would certainly make Tattoo happy. Though it was a storyline that was phased out as the show became more family friendly, Tattoo did spend the first two seasons of Fantasy Island talking about how he would like to be in charge of everything. Finally, Tattoo is in charge! Tattoo heads down to the landing lagoon and, for once, he’s the one who declares, “Smiles, everyone, smiles!”

However, Mr. Roarke has not left the Island. Instead, he’s been having a meeting with Nyah (Michelle Phillips), the mermaid who lives off the shore of Fantasy Island and who, during the third season, tried to tempt John Saxon to his death. Nyah reveals to Roarke that she wants to come to Fantasy Island as a guest because she had a fantasy of her own. Roarke informs her that, to do this, she will have to agree to be human for the weekend. Nyah agrees and Roarke makes a fist and closes his eyes tight. Suddenly, Nyah’s tail is replaced by legs!

Roarke then heads over to the landing lagoon, where he meets up with Tattoo. Tattoo is shocked when Nyah stumbles off of the plane. (So was I, as I was kind of under the assumption that the plane had already landed when Roarke had his conversation with her.) Tattoo wonders why Nyah is struggling to walk. Roarke explains that she’s still learning how to use her legs. When the friendly island girls offer her a drink and a lei, Nyah rudely shake her head. It’s not easy being human! Roarke explains that Nyah wants to experience human love.

As for the other guest, he’s an airline pilot named Tony Chilton (Sam Melville). Tony feels that World War II was the last time when men could truly be men and he has stated that his fantasy is to be a member of the 53rd fighting group, battling the Germans above New Zealand. However, as Roarke quickly deduces, Tony’s actual fantasy is to meet the father he never knew. David Chilton (Tom Wopat) was a member of the 53rd and he died in aerial combat.

Both fantasies play out pretty much the way that you probably expect that they would. Fantasy Island was a show that understood the importance of fulfilling expectations. For instance, you’ve probably already guessed that Nyah is going to end up announcing that she’s in love with Mr. Roarke and also that, by the end of the episode, Nyah is going to have realized that her home is in the ocean. But Nyah’s storyline is still enjoyable because Michelle Phillips does such a good job of playing Nyah and her struggle to figure out how humans do things like walk, make small talk, and wear clothes all the time. At first, Nyah is rude to almost everyone that she meets and I cringed a bit when Roarke disciplined her by giving her a spanking. (Oh hi, 1980!) But, at the same time, I could relate to Nyah because, from my childhood, I know what it’s like to constantly find yourself in a new town and a new school and having to figure out the customs of a whole new group of people. Sometimes, it’s not easy to learn how to walk in a new place.

As for the World War II story, Tony does meet with his father and he gets to bond with him. Awwww! Sadly, he also learns that Roarke wasn’t kidding when he warned that history cannot be changed. It was a simple story but it worked due to the heartfelt performances of Sam Melville and Tom Wopat. This storyline was unabashedly sentimental and all the better for it!

All in all, this was a good trip to the Island.

The 1982 film X-Ray (also known was Hospital Massacre) opens in the early 60s. A nerdy kid named Harold gives a Valentine’s Day card to a popular girl named Susan. Susan takes one look at the card and laughs. Harold responds by taking Susan’s friend, David, and hanging him from a coat rack. Yikes!

The film then jumps forward by 19 years. Susan (Barbi Benton) is an upper class, divorced mom who has just received a promotion at work. As a part of the promotion, she was required to get a medical exam for insurance purposes. On Valentine’s Day, she heads to the hospital so that she can get the results of that exam. It should be a routine thing that only takes a few minutes. Susan may be a chain smoker but, otherwise, she’s in good health.

Unfortunately, Harold is now working at the hospital and he finally sees his chance to give Susan “a piece of my heart.” Harold fakes Susan’s test results and then murders her doctor. Susan finds herself being checked into the hospital, pretty much against her will. Since Harold didn’t do a very good job at faking her results, the doctors are all confused by Susan’s results. Some of them want to operate. Some of them just want to hold her for observation. Susan desperately wants to leave, especially when she comes to realize that Harold is killing people in the ward. As the doctors and nurses strap Susan down to her bed and prepare to operate, Harold goes on a rampage….

Produced by Cannon Films and directed by Boaz Davidson, X-Ray is an effectively frightening slasher film. While the film’s plot doesn’t always hang together (for instance, Susan is remarkably untraumatized by the fact that, when she was a child, her best friend was hung from a coat rack), the hospital itself is a thoroughly creepy location and the supporting characters are all either extremely strange or extremely callous. This is a slasher film that works less because of the blood that’s spilled but instead because it captures the dread that everyone feels at the prospect of having to spend any time at the hospital. Even the doctors who aren’t trying to kill Susan come across as being cold and unfeeling. The scene where Susan finds herself being ordered to undress so that she can be examined by a brusque doctor who she only met a few minutes before is, quite frankly, just as nightmarish as anything that we see Harold doing to any of his victims. The fact that no one is willing to tell Susan what’s wrong and that everyone refuses to listen to her when she gets upset over the way she’s being treated is something to which many viewers will immediately relate. And, of course, it’s not just that Susan has a madman stalking her through the hospital. It’s also that all of the other patients seem to be so strange, from the guy who wanders around with his flask of bourbon to the three old women who share a hospital room with her and who talk about how, while Susan is beautiful on the outside, the inside of her body is slowly decaying.

Violent but quirky, X-Ray plays out like a filmed nightmare and it’s one of the most effective slasher films over the early 80s.