She thinks she’s Brenda Starr/her nose job is real atomic….
I love this song. It makes me regret that I was born to late to experience New York in the 70s. “She’s do dull …. rip her to shreds,” is a favorite expression of mine, one that gets me strange looks from people who are not familiar with this song.
Our song of the day is my favorite of Blondie song (and, believe me, there were many to choose from), Atomic! This song, which was subsequently covered for Trainspotting by Sleeper, is one that I often find myself not only quoting but also hearing in my head.
Uh huh, make me tonight Tonight, make me right Uh huh, make me tonight Tonight Tonight
Oh, uh-huh, make it magnificent Tonight Right
Oh, your hair is beautiful Oh, tonight Atomic
Uh huh, make me tonight Tonight, tonight
Oh, your hair is beautiful Oh, tonight Atomic
Tonight, make it magnificent Tonight Make me tonight
Today, the Shattered Lens wishes a happy 79th birthday to the legendary Debbie Harry!
Our song of the day is my favorite of Blondie song (and, believe me, there were many to choose from), Atomic! This song, which was subsequently covered for Trainspotting by Sleeper, is one that I often find myself not only quoting but also hearing in my head.
Uh huh, make me tonight Tonight, make me right Uh huh, make me tonight Tonight Tonight
Oh, uh-huh, make it magnificent Tonight Right
Oh, your hair is beautiful Oh, tonight Atomic
Uh huh, make me tonight Tonight, tonight
Oh, your hair is beautiful Oh, tonight Atomic
Tonight, make it magnificent Tonight Make me tonight
Through the Shattered Lens has already shared the original video for Blondie’s Atomic, the one that was released in the late 70s and which featured the artist Jean-Michel Basquiat in a small role. This second music video is for the live version of the song. It was filmed in 1999, while the band was performing at New York’s Town Hall. The entire show was filmed by VH-1.
What can I say? I just like this song. It’s a song that makes me want to dance. It’s also a song that makes me appreciate my hair. “Your hair is beautiful” is a simple lyric but it’s also one that perfectly captures a very certain feeling, that feeling that this night is going to be greatest night of all. Of course, the song itself is often interpreted as being about the end of the world. If the world was ending, wouldn’t you want your hair to be beautiful?
(For the record, Debbie Harry says that “Atomic” was simply a way of describing something as being powerful, that the lyrics were just some words that sounded good to her, and that there really isn’t any sort of deep meaning to the majority of the song. I would argue that the fact that Atomic is about nothing makes it about everything. I would also argue that it’s occasionally fun to make pseudo-profound pronouncements and see if anyone takes them seriously.)
Enjoy!
Uh huh make me tonight Tonight make it right Uh huh make me tonight Tonight Tonight Oh uh huh make it magnificent Tonight Right Oh your hair is beautiful Oh tonight Atomic Tonight make it magnificent Tonight Make me tonight Your hair is beautiful Oh tonight Atomic Atomic Oh
On August 1st, 1981, MTV premiered. Over the course of 24 hours, 166 unique music videos were played on MTV. Yes, there was a time when the M actually did stand for music.
After airing the video for A Message To You, Rudy, MTV re-showed the video for In The Air Tonight by Phil Collins. This was followed by the 71st video to makes it MTV premiere that day, Heart of Glass by Blondie.
I was actually surprised to discover that this video hadn’t been featured on this site before because, to me, it just epitomizes an era. But I was actually even more surprised to discover that MTV only aired it once on August 1st. MTV found time play and re-play 11 Rod Stewart videos throughout the day but they could only find time for one airing of Heart of Glass?
Though it’s now one of the band’s signature tunes, Heart of Glass was controversial when it was first released. Many felt the Blondie, which had come to prominence as a part of the punk movement, was selling out by going disco. The song, though, is actually very punk in spirit, even if it does have a disco beat.
This video was directed by Stanley Dorfman, the British music video director who also created the deathless Top of the Pops for the BBC. Because of the appearance of Studio 54 in the video’s opening moments, it was originally rumored that the video was shot there. Instead, it was filmed at a club that closed down shortly after filming. When asked, Blondie’s Chris Stein couldn’t even remember the name of the club but thought that it might have been called Copa.
Finally, shortly after it was first released, the song was featured on an episode of WKRP in Cincinnati and the band felt that show played a huge role in making the song a hit. They even sent the show’s producer a gold record as a way of thanking them. That gold record could be seen in several episodes, hanging in the bullpen.
This is the third and final version of The Tide Is High. It was made a year later by Brian Grant.
The reason I even knew this existed was because of an entry on mvdbase that described it for me.
Though this videos starts exactly the same way as the previous, it quickly changes with a mix of new and old footage (including the famous circular pink bed scene) with a few still pictures tossed in for good measure.
I read “famous circular pink bed scene”, and figured it had to be out there somewhere if it is so famous. It took a fair amount of digging, but I found it. It was worth the trouble.
The video starts off the same way as the other two except it freeze-frames on the faces of the guys in the band. There are some pictures in the video as well as freeze-frames such as the cover of the single. We see it in close-up, then backed up in order to show the whole band. That shot is the cover of the album the song is on.
Then the pink bed makes an appearance. I guess I was expecting something along the lines of It’s Raining Men by The Weather Girls or that ridiculous scene from Chatterbox! (1977). I wasn’t expecting to see Debbie Harry rolling in a circular pink bed.
Then there’s the shots with her looking at a number ‘1’ in a manner that makes it looks like she wants to have sex? What else are you supposed to read from these looks, given that they are included with her rolling around on a circular pink bed? I’m not 100% what they were shooting for there. It is memorable though.
Horny Vader makes no appearance in this version. But we do get a spaceman on a conveyor belt??? I have no clue about this part.
There are some shots of the band playing, and this is where this version adds something completely missing from the other two.
The Tide Is High was originally written in 1966 by John Holt and performed by the group, The Paragons. When Blondie covered it, they added the reggae sound, which is the trademark of this particular song. Yet, any reference to that fact were noticeably missing from the other two versions. While it seems odd to be here with Debbie rolling around on a bed, we do see a part that ties in to the reggae part of the song.
No rocket this time around. The video ends with the footage of Debbie arriving on the street to leave with the rest of the group.
There you go. That’s the version with the “famous circular pink bed scene.” It must be so famous that it has been all but expunged from the net.
This is the second version of The Tide Is High (first version). Any sexual stuff is gone. Even Horny Vader only makes a confusing appearance at the end–without any buildup.
The video stays the same until the squatting-Debbie scene. That’s when a video effect kicks in that brings in other footage on top of the floor.
From then on, things are different. Here are some examples.
They still leave in the rocket, but the video comes across like it was supposed to be about a disaster that the band was fleeing, which is how they end up on the space station, or whatever that is supposed to be.
The video says it is the “director’s cut.” That wouldn’t surprise me for a couple of reasons.
Director’s cuts of videos happen. There’s one of Wrecking Ball by Miley Cyrus and Heart-Shaped Box by Nirvana.
There seems to be a drop in quality when you hit the new footage. That suggests that it was recovered and inserted back in with the higher quality stuff that wasn’t cut.
It doesn’t seem to fit the lyrics. It’s more trippy. I’ll give it that. I assume somebody else thought so too, which is how we got the first version as well the third one.
The third one brings back the sexual stuff in a big way. But it also brings an element of the song to the video that neither of these do.
Since she did a song by Blondie yesterday, it gave me the idea to do The Tide Is High seeing as it’s kinda weird. It turns out, there are at least three versions of this video–each one different enough to merit a separate post. Yay! Ugh.
This is the first version of The Tide Is High. If you poke around online, then you’ll usually run into this one, with slight variations of the ending.
We start off the video by panning across the boys in the band as they look up, wondering what is taking Debbie so long.
Cut to Debbie’s place, and we see fish filing up her windows. And by fish I mean as close to showing sperm as they could get.
After we see that some of the “water” is leaking into the room, watch Debbie look out a window, and sing to the camera, we cut to a horny Darth Vader watching Debbie.
More of the “water” leaks into the room, so Debbie very precisely squats down and pulls a towel off what looks like a radio.
Debbie then proceeds to mop up some of the “water”, and then ring it right back out onto the floor. I get the feeling that isn’t a blonde joke.
Meanwhile, the guys are outside standing like they are at a urinal.
Horny Vader continues to look at Debbie in a variety of ways, such as the one below.
Debbie does eventually come downstairs so that the band can get into a car, and she can sing out the window.
When she’s done, we are treated to some people…
who had no idea they would end up in video where the audience is meant to think they are looking at a penis.
The phallic object takes off, and after separation, they all go through a brick wall. Just go with it.
Then it cuts to four women in blonde wigs, wearing swimsuits, while carrying a half-naked man. Sure.
Now Debbie taps Horny Vader on the shoulder. He turns around to reveal he’s some sort of combination of Vader and a Cylon?
Debbie seems to have no problem with this turn of events.
This is were you’ll get slight variations. This version does continue a little longer by cutting back to the girls and the half-naked guy.
Once in a while, I came across a version that would not cut back to the five whatevers, but instead go to the following shot where some people run towards the camera.
I’ve included that version below. I don’t know if that was intentional, censoring, or just that during that particular airing they cut the video short, and we are seeing something else for a few seconds. My bet is on censoring.