October True Crime: Mob Town (dir by Danny A. Abeckaser)


In 1957, the Commission — the governing board that regulated organized crime in America — seemed like it was on the very of collapsing.  Bugsy Siegel was dead.  Lucky Luciano had been exiled to Sicily.  Meyer Lansky was more concerned with running his casinos in Cuba than with keeping track of who was angry with who in America.  The ruthless Vito Genovese was moving in on everyone’s business and was suspected of being behind the assassination of Albert Anastasia and the shooting of Frank Costello.

Genovese, looking to solidify his control and perhaps bring some peace to the warring factions, called for a summit in upstate New York, at the estate of Joseph Barbara.  Bosses from across the country gathered in Apalachin, New York.  It started out as a nice weekend, with stories being told and fish being grilled.  But then, suddenly, the cops showed up and 50 of the country’s most powerful mobsters made a run for it.  Many of them ducked into the woods, where they were subsequently rounded up by the cops.

In the end, several mobsters were arrested and convicted of various crimes.  All of those convictions were overturned on appeal.  However, the arrests revealed to America that the Mafia wasn’t just an urban legend.  Up until the bust at Apalachin, FBI director J. Edgar Hoover insisted that there was no such thing as the Mafia.  After the bust, Hoover not only acknowledged that the Mafia existed but he also started a special division of the FBI to deal with it.

(Not that it did much good, of course.  Being exposed still didn’t stop the Mafia from fixing the vote in Illinois during the 1960 presidential election.)

The 2019 film Mob Town details the events leading up to the Apalachin Conference.  Robert Davi is properly intimidating as the ruthless Vito Genovese.  The film’s director, Danny A. Abeckaser, plays Joseph Barbara while Jami-Lyn Sigler plays Barbara’s wife, tasked with putting together a dinner for a growing list of guests.  Josephine Barbara goes from being happy about her husband working his way up the ranks of the mob to growing increasingly frustrated as the number of expected bosses rises from 30 to 50 and I have to say that I could very much relate to Josephine.  Finally, David Arquette plays Edgar Croswell, the New York state trooper who figured out that something big was happening at the Barbara place.  Croswell spends most of the film trying to get people to take him seriously.  At the end of the film, he gets a congratulatory call from President Eisenhower.  I’m enough of a history nerd that I appreciate any film that ends with a congratulatory call from President Eisenhower.

Mob Land was obviously made for a low-budget and it doesn’t always move as quickly as one might like.  When Croswell isn’t trying to expose the mob, he’s pursuing a romance with Natalie (Jennifer Esposito) and Arquette’s permanently dazed expression doesn’t always make him the most convincing state trooper.  It’s an uneven movie that traffics in almost every mob cliche but I can’t be too critical of it.  Robert Davi was a more convincing Genovese than Robert De Niro was in Alto Knights.  I appreciated the scenes of the Barbaras trying to get their place ready for the meeting.  That was mob action to which I could relate.

Cleaning Out The DVR: Just The Ticket (dir by Richard Wenk)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 193 things recorded!  I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded the 1999 romantic comedy Just The Ticket off of Epix on October 13th!)

Just The Ticket tells the story of Gary Starke (Andy Garcia).

Gary lives in New York City.  He is a tough, streetwise character, loyal to his friends and quick to anger if he feels that anyone is trying to take advantage of him.  He has no time for pretentious posturing or snobbish social gatherings.  Gary’s a man of the people.  He works with and takes care of an aging former boxer named Benny (Richard Bradford).  He looks after a pregnant, former drug addict named Alice (Laura Harris).  When the slick and dangerous Casino (Andre B. Blake) starts to do business in Gary’s territory, Gary is the only person with the guts to stand up to him.  Having never had a family (he’s never even seen his birth certificate and has no idea who his parents were), Gary has adopted the street people as his surrogate family.

That’s not all.  Gary is also a lapsed Catholic who, when he goes to confession, opens by saying that it’s been 25 years since his last confession and that he’s taken the Lord’s name in vain 20 to 30 times that morning.  Gary needs some help because his girlfriend, an aspiring chef named Linda (Andie McDowell), has left him and Gary wants to win her back.  The priest asks Gary if he can get him tickets to see the Knicks…

Why does he ask that?

You see, Gary is a legendary ticket scalper and…

Okay, I probably just lost you when I used the terms “legendary” and “ticket scalper” in the same sentence.  And I’ll admit that, when I discovered this movie was about ticket scalpers, it nearly lost me as well.  Just The Ticket treats ticket scalping with a dignity and reverence that I’m not quite sure it deserves.  I wasn’t surprised to discover that director/writer Richard Wenk apparently based the character of Gary on an actual ticket scalper that he knew.  A lot of bad movies have been made as the result of a director, writer, or producer coming across some mundane activity and thinking, “Wow, this would make a great movie!”

(That’s one reason why, every few years, we suddenly get a dozen movies about race car drivers.)

However, I was pleasantly surprised to discover that Just The Ticket is not a terrible movie.  Admittedly, it’s totally predictable and there are a lot of scenes that don’t work.  For instance, there’s a lengthy scene where Gary and Linda destroy a snobbish food critic’s kitchen.  I could imagine Gary doing that because he has nothing to lose.  But Linda is actually hoping to become a chef in New York City.  Would she really run the risk of making a permanent enemy at the New York Times?  There’s nothing about Andie McDowell’s performance that suggests she would.  The scenes between Gary and his aging partner also tend to overplay their hand.  Richard Bradford gives a good performance as Benny but we all know what’s going to end up happening to him as soon as he starts crying after Gary insults him.

With all that in mind, Just The Ticket still has an undeniable charm.  Some of it is due to Andy Garcia’s dedicated performance.  He is frequently better than the material and he and Andie McDowell have enough chemistry that you do want to see Linda and Gary get back together.  Some of it is because Just The Ticket is not afraid to shy away from being sentimental.  It’s hard to think of any other romantic comedy in which the Pope plays such an important supporting role.  It’s a sweet movie.  It has a good heart.

There’s something to be said for that.