Cleaning Out The DVR: Escaping Dad (dir by Ross Kohn)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 193 things recorded!  I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Escaping Dad off of the Lifetime Movie Network on December 16th!)

One of the good things about Escaping Dad is that the film’s premise is right there in the title.  Not only does it let you know exactly what type of movie you’re about to watch but it’s also helpful if you’re like me and you only have a ten minute attention span.

“What movie is this again?”

Escaping Dad.”

“Oh yeah.  What’s it about again?”

“Escaping Dad.”

See, how that works?

Anyway, in this case, the Dad in question is Darren (Jason Wiles).  Darren is abusive, manipulative, and unfaithful.  He’s just the type of Dad that anyone should want to escape from.  However, Darren is also the district attorney.  That means that, if you try to escape from him, he can bring the entire police force down on you.  He can issue an Amber Alert and he can control the media coverage of the escape.  In the world of Lifetime, district attorneys are all-powerful.  You don’t want to mess with them.

However, Darren’s wife, Erin (Sunny Mabrey), decides to flee Darren and she takes her teenage daughter (Grace Van Dien) and her diabetic son (Andy Walken) with her.  (Her son has a habit of going into shock whenever the film needs an additional moment of drama.)  Erin has gone out of her way to keep Darren from tracking them down but her daughter has a boyfriend and, as soon as you see her texting him from the cheap motel where they’re staying for the night, you just know that Darren is going to be able to track them down.

Fortunately, just when things are starting to look hopeless, Erin meets a kind-hearted trucker named Wes (Trevor Donavon) and Wes not only helps them out but he also saves the entire movie.  Or actually, I should say that Donavon saves the movie by giving such a good performance as the tough but good-hearted Wes.  He and Sunny Mabrey have a lot of chemistry and it’s entertaining to watch them play opposite each other.  The film goes out of its way to show that Wes is everything that Darren is not.  “This is a real man!” the film seems to be shouting and Donavon gives a performance that proves that point.

Actually, I liked Escaping Dad even before Trevor Donavon showed up.  Yes, it’s yet another Lifetime film about an abused woman trying to escape her psycho husband.  But it’s well-made and well-acted, as well.  Jason Wiles is totally hissable as Darren and the scenes between Erin and her children felt totally authentic and believable.  The film makes good use of the scenes of Erin driving down one endless highway after another, leaving us with no doubt that she’s not only on a journey of escape but she’s also on a journey of self-discovery and personal growth.

All in all, I liked Escaping Dad.  Keep an eye out for it.

I watched A Christmas Story Live!


Last night, while I was wrapping presents, I watched A Christmas Story Live! on Fox.

I was worried about whether or not I would be able to enjoy the Live version.  Like all good people, I love the original movie.  If you have ever wondered who actually spends 24 hours watching A Christmas Story on Christmas, it’s usually me.  It’s the perfect holiday movie, a sweet and loving tribute to both Christmas and family.  The Live version, which was based on the Broadway version of the original film, had a lot to live up to.

It got off to a bad start, with Bebe Rexha performing a song called Count on Christmas while people in pink bunny suits jumped around behind her.  At first, I thought I was watching the worst Old Navy commercial of all time.  The sound was wonky during Rexha’s performance and what could be heard was extremely auto-tuned.

Once the actual show started, the first thing I noticed was that A Christmas Story Live was using the Stars Hollow set from Gilmore Girls.  There’s nothing wrong with that because I loved Gilmore Girls but I still kept expecting to see Lorelai and Luke arguing about whether Ralphie was going to shoot his eye out.  The second thing I noticed was Matthew Broderick walking around the set, playing the role of the adult Ralphie and providing the narration.  That took a while get used to, just because Broderick looked so sad and sometimes, it was hard not to think of him being a ghost, materializing around town and remembering what it was like to be alive.

A Christmas Story Live! lasted three hours, which was an hour too long.  One of the best things about A Christmas Story is that it tells a very simple story that everyone can relate to so it felt strange to see it as a big musical production.  But it got better as it went along.  I really didn’t feel like I’d be able to keep going after the first hour but I stuck with it and during the second and third hours, the show’s energy really picked up, Broderick stopped looking so sad, and I started to really enjoy it.  Maybe someone was backstage reading the comments on twitter because something changed between the first and second hours.

For me, the highlights where Jane Krakowski’s performance as the teacher, Maya Rudolph’s performance as the mother, Anna Gasteyer performing the Hanukkah song, and David Alan Grier as the drunk Santa Claus.  I also liked Chris Diamantopoulos as the “Old Man,” even if nothing can compete with Darren McGavin’s performance in the original film.  I was also really impressed with all the child performers in the show, especially Andy Walken who played Ralphie.

It wasn’t great but it wasn’t awful.  Mostly, it just reminded me how much I love the original film and how I can’t wait to watch it this Christmas!