Aliyah O’Brien | Through the Shattered Lens

(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June. She’s trying to get it all done by the end of July 11th! Will she make it!? Keep visiting the site to find out!)

The 34th film on the DVR was Revenge Porn, which I recorded off of Lifetime on June 18th.

Here’s two important things to know about Revenge Porn:

First of all, when it originally aired, I live tweeted it on twitter, along with several other friends. Needless to say, we used the hashtag #RevengePorn. Also needless to say, using #RevengePorn as a hashtag ended up getting me a lot of attention from people who weren’t necessarily watching the film. I picked up a lot of new followers that night.

(Of course, most of them left once I started to tweet about Big Brother.)

Secondly, when it came time to write this review, I wanted to make sure that I had at least one image to go along with it. So, innocently, I did a google image search on “Revenge Porn.” That turned out to be a big mistake. If you want to find pictures from this film, I suggest that you do a search for “Elisabeth Rohm Lifetime movie.” It’ll be a lot less traumatic.

As for the film itself, it starts out like a more respectable version of Break-Up Nightmare. The innocent and college-bound Peyton Harris (Tiera Skovbye) is up in her bedroom, taking topless pictures, while her overprotective parents (Elisabeth Rohm and David Lewis) are downstairs. In fact, the only real difference between the opening of Break-Up Nightmare and Revenge Porn is that Peyton isn’t taking the pictures for a boyfriend. Instead, she’s considering whether or not to get a boob job.

Otherwise, the first hour of the film plays out pretty much the same as Break-Up Nightmare. Peyton’s best friend (Jodelle Ferland) is jealous over Peyton’s great future and, in a moment of spite, sends naked pictures of Peyton to everyone at school. However, things get even worse when Carl Cook (a thoroughly creepy performance fro Levi Meaden) comes across Peyton’s pictures and posts them on his revenge porn website, ExMyEx. Cook claims that what he’s doing is perfectly legal and that it’s the fault of his victims for taking naked pictures in the first place. Peyton’s mom decides to try to bring the website down and Carl seeks revenge…

However, after about an hour of this, the film goes totally crazy. Angered over their attempts to shut him down, Carl starts to harass the Harrises in every over-the-top way imaginable. Since Carl Cook is a hacker (which, in the world of Lifetime films, is the equivalent of being an MCU-style super villain), there is literally nothing that he can’t do.

Send threatening texts to every member of the family? Carl can do it!

Send and re-send naked pictures of Peyton to everyone on the planet? Carl can do it!

Cancel everyone’s credit cards and destroy the family’s finances? Carl can do it!

Cancel Peyton’s college scholarships? Carl can do it!

Issue a warrant for Peyton’s father arrest? Carl can do it!

Eventually, the Harrises even find themselves being chased by a drone, which Carl is apparently controlling from his super villain lair!

When it comes to movies about creepy hackers and naked pictures, Break-Up Nightmare is definitely the one to go with. But Revenge Porn has its own strengths. Both Rohm and Skovbye give good performances and, seriously, as played by Levin Meaden, Carl Cook is one of the most loathsome villains to ever appear in a Lifetime movie.

If you’re a fan of the Lifetime way of telling cinematic morality tales, Revenge Porn is one to keep an eye out for. Hopefully, Lifetime will be do a Revenge Porn/Break-Up Nightmare double feature at some point in the future.

17 year-old Mia Hall (Chloe Grace Moretz) appears to have everything that a girl could want. She has a wonderful, if somewhat goofy, father in former musician-turned-teacher Denny (Joshua Leonard). She has a loving mother, a travel agent named Kat (Mirelle Enos). She has an adorable little brother (Jakob Davies), a loyal best friend (Liana Liberato), and — best of all — she has an older boyfriend named Adam (Jamie Blackley), who is on the verge of rock stardom. Even better, Mia has a wonderful future ahead of her. A musical prodigy, Mia is cello player who is waiting to hear whether or not she’s been accepted to Julliard.

And then, one day on a snowy road, it all changes. There’s a car accident. Both Denny and Kat are killed. Mia’s brother is several injured. And Mia in a coma. While her friends and what remains of her family watch over her at the hospital, Mia has an out-of-body experience. She walks through the hallways of the hospital, she listens to her loved ones as they struggle to accept what has happened, and she remembers all of the days that came before the accident. She remembers first meeting Adam. She remembers falling in love with him. She remembers their fights and then she remembers her family and she realizes that she’s facing a future without any of them. Ultimately, Mia has to decide whether to wake up and stay or to die and perhaps be at peace.

Based on an excellent novel by Gayle Forman, If I Stay is a tear jerker in the best sense of the word. Yes, the film has been clearly designed to make you cry but what’s wrong with that? Sometimes, crying is the best thing that one can do and, much like The Fault In Our Stars, the film’s tears are earned. As directed by R.J. Cutler, the film strikes a deliberate and telling contrast between Mia’s lively memories and the stark coldness of the hospital through which she now finds herself wandering. Joshua Leonard and Mirelle Enos bring a lot of life to the roles of the doomed parents and Stacy Keach is great as Mia’s grandfather. (Try not to cry when he tells the comatose Mia that it’s okay to move on. I dare you!)

Finally, Chloe Grace Mortez gives a wonderful and soulful performance of Mia. Moretz is one of those young actresses who always seems to be both wise beyond her years and painfully fragile as well. If I Stay contains yet another strong performance from her, one that elevates the entire film. That said, I hope she gets to do a nice romantic comedy at some point in the future because, after all the trauma she’s acted out in everything from Kick-Ass to Texas Killing Fields to Carrie to If I Stay, she’s earned it!

As for If I Stay, it’s still playing at theaters even as I write this review. If you haven’t already, go see it.