Icarus File No. 17: Che! (dir by Richard Fleischer)


Che Guevara!

By most accounts, Che Guevara epitomized the excesses and the hypocrisies of the extreme Left.  He spoke of the class struggle while remaining an elitist himself.  He oversaw thousands of executions and advocated for authoritarian rule.  In his writings, he frequently revealed himself to be a racist and a misogynist.  By arguing that the Russians should be allowed to bring nuclear missiles to Cuba, he brought the world to the brink of destruction.  However, he also died relatively young and he looked good on a t-shirt.  Decades after he was executed by the Bolivian Army in 1967 (or was it the CIA?), he remains an icon for college students and champagne socialists everywhere.

The film about Che! was released in 1969, two years after his death.  Starring the Egyptian actor Omar Sharif as Che Guevara, Che! opens with Guevara already a martyr and then quickly gives way to flashbacks.  Various actors pretending to be Cuban appear and speak directly to the audience, debating Che Guevara’s legacy.  Some describe him as being a violent thug who killed anyone who displeased him.  Others describe him as a visionary doctor who sacrificed his comfortable existence for the people.  It’s a rather conventional opening and one that hints that Che! is going to try to have it both ways as far as Che’s legacy is concerned.  But it’s still effective enough.  A montage of soldiers and rebels creates the proper feeling of a society on the verge of collapse.

And then Jack Palance shows up.

Palance first appears creeping his way through the Cuban jungle with a group of soldiers behind him.  Palance is chomping on a cigar and he wears the intense look of a man on a mission.  My initial reaction was that Palance was playing one of the CIA agents who sent to Cuba to try to assassinate Fidel Castro or to set up the Bay of Pigs invasion.  I kept waiting for him to look at the camera and launch into a monologue about why, for the safety of America, he had been dispatched the topple Cuba’s communist government.  Imagine my shock when Omar Sharif called Palance, “Fidel.”

Yes, that’s right.  Jack Palance plays Fidel Castro!  As miscast as the suave Omar Sharif is as Che Guevara, nothing can prepare one for seeing Jack Palance playing Fidel Castro.  Needless to say, there is nothing remotely Cuban or even Spanish about Jack Palance.  He delivers his lines in his trademark terse Jack Palance voice, without even bothering to try any sort of accent.  (And, needless to say, both he and Sharif speak English through the entire film.)  Anyone who has ever seen a picture of a young Fidel Castro knows that, while he shared a family resemblance with Justin Trudeau, he looked nothing like Jack Palance.  Eventually, Palance puts on a fake beard that makes him look even less like Castro.  When one of our narrators mentions that Castro was a great speaker, the film cuts to a scene of Palance spitting out communist slogans with a noted lack of enthusiasm.  When Castro takes control of Cuba, Palance looks slightly amused with himself.  When Che accused Castro of selling out the revolution, Palance looks bored.  It’s a remarkably bad piece of casting.  Seeing Palance as Castro feels like seeing John Wayne as Genghis Khan.  Thank goodness Hollywood never tried anything that silly, right?  Anyway….

As for the rest of the film, it hits all the expected notes.  The film was made in the very political year of 1969, a time when the New Left was ascendant and many considered Che Guevara to be a hero.  However, since this was a studio production, Che! tries to appeal to both college radicals and their parents by taking a “both sides” approach to Che Guevara.  Here’s Che teaching an illiterate farmer how to read.  Here’s Che overseeing a bunch of dissidents being executed.  Here’s Che getting angry at Castro for not being properly enthusiastic about housing Russian nuclear missiles.  Here’s Che talking about a moral revolution.  Here’s Che trying to start an unwanted war in Bolivia.  Here’s Che talking to Sid Haig — hey, Sid Haig’s in this film!

Like so many mainstream political films of the 60s and today, Che! tries to be political without actually taking any firm positions.  One is tempted to say that is the film’s downfall.  Of course, the film’s real downfall is casting Jack Palance as Fidel Castro.

There’s no way to recover from that.

Horror On TV: Kolchak: The Night Stalker 1.20 “The Sentry” (dir by Seymour Robbie)


Tonight on Kolchak….

There’s something on the loose underneath Chicago!  Could it be a …. killer lizard!?  Kolchak’s on the story!

Sadly, all good things must come to an end and this was the final episode of Kolchak: The Night Stalker.  Darren McGavin, of course, would later go on to epitomize the ideal middle American father when he played The Old Man in A Christmas Story.

This finale originally aired on March 28th, 1975.

I hope you have enjoyed this October’s trip down Kolchak Lane!

A Movie A Day #17: The Laughing Policeman (1973, directed by Stuart Rosenberg)


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San Francisco in the 1970s.  Revolution is in the air.  Hippies are on every street corner.  A man named Gus Niles knows that he’s being tailed by an off-duty cop, Dave Evans.  Gus boards a city bus, knowing that Evans will follow him.  On the bus, an unseen gunman suddenly opens fire with an M3 submachine gun, not only killing both Evans and Gus but six other people as well.  After the bus crashes, the gunman calmly departs.  At first, it is assumed that the massacre was another random mass shooting, like Charles Whitman in Austin or Mark Essex in New Orleans.  But one San Francisco detective is convinced that it wasn’t random at all.

The Laughing Policeman was one of the many police procedurals to be released after the box office success of Dirty Harry and The French Connection and, despite the name, it’s also one of the grimmest.  While the complex mystery behind why Evans was following Gus and who killed everyone on the bus is intriguing, The Laughing Policeman‘s main focus is on the often frustrating nitty gritty of the investigation, complete with false leads, uncooperative witnesses, unanswerable questions, and detectives who frequently make stupid mistakes.  The movie’s first fifteen minutes are devoted to the police processing the bus, with Stuart Rosenberg (best known for directing Paul Newman in Cool Hand Luke) using overlapping dialogue to give the entire scene a documentary feel.  As Detective Jake Martin, Walter Matthau is even more cynical and downbeat than usual while Bruce Dern provides good support as a younger, more volatile detective.  The supporting cast is full of 70s character actors, like Lou Gossett, Anthony Zerbe, Gregory Sierra,and playing perhaps the sleaziest drug dealer ever seen in an American movie, Paul Koslo.

The Laughing Policeman was based on a Swedish novel that took place in Stockholm but, for the movie, Swedish Detective Martin Beck became world-weary Sgt. Jake Martin and Stockholm became San Francisco.  Rosenberg directed the entire film on location, giving The Laughing Policeman the type of realistic feeling that would later be duplicated by TV shows like Hill Street Blues, NYPD Blue, and Law & Order.  Though it may not be as well-known as either Dirty Harry or The French Connection, The Laughing Policeman is a dark and tough police procedural, an underrated classic of the genre.

Incidentally, The Laughing Policeman was one of the first films for which character actor Bruce Dern shared top billing.  According to Dern’s autobiography, Matthau generously insisted that Dern be credited, with him, above the title.

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