Alabama Shakes | Through the Shattered Lens

Snake handling has never been for me.

Oh, don’t get me wrong. I know that there are a lot of people who incorporate handling poisonous serpents into their religious rituals. And I can even kind of see the appeal of it. If the idea is that your faith is so strong that you don’t have to worry about what’s going to happen to you if you die, why not prove it by holding something that could potentially kill you? If you believe that God is going to protect you, why would you fear handling a creature that can inject toxin straight into your bloodstream?

In fact, I’ll even go further and I’ll even acknowledge that there’s probably quite a rush that comes from successfully grabbing a snake and dancing around without getting bit. I mean, it only makes sense. Before you pick up the snake, you would undoubtedly be terrified. But once you grabbed it and started to move around with it, the relief of not being bitten would have to be overwhelming. In fact, it would probably be so overwhelming that it could potentially put you in a bit of a trance. When I was eighteen, I was in a pretty serious car accident. The car flipped over with me in it. It was terrifying when it happened but after I realized that I had somehow survived the experience without only a few cuts and bruises, I was so exhilarated that I felt like I could fly. I felt as if I had proof that I was special. If I wasn’t special, how else could you explain me totaling my car without breaking my neck?

So, don’t get me wrong. I get it. That said, snake handling is not something that I could ever see myself doing. Seriously, snake are scary! I’ve seen my share of them and they always freak me out. I once nearly stepped on a rattlesnake in New Mexico. In Arkansas, I saw a water moccasin slithering down a creek. I swear that I once saw a boa constrictor in Oklahoma, though my sisters swear that I was just dreaming and that there aren’t any boa constrictors in Oklahoma. Maybe they’re right but still, the point stands. I could flip my car and survive a hundred times, I’m still never going to go anywhere near a snake.

Alabama Snake is a creepy true crime documentary about Glenn Summerfield, a Pentecostal minister who did handle snakes. In fact, he had an entire farm of them. In 1991, he was arrested for trying to murder his wife, Darlene, with those snakes. Darlene claimed that Glenn was an angry and mentally unbalanced drunk who forced her to stick her hand into a box of rattlesnakes, not once but twice. The defense claimed that Darlene was trying to kill Glenn with the snakes but that she accidentally got bitten instead.

Featuring commentary from local historian and folklorist Thomas Burton, Alabama Snake takes a look at the crime, the trial, and the culture of fundamentalist serpent handling. It’s a Southern Gothic horror story and it makes for creepy and atmospheric viewing. Though the documentary doesn’t always go as far beneath the surface as one might hope that it would, it tells an interesting story and Thomas Burton provides lively commentary. Fans of strange true crime will enjoy it and those of us who need another excuse to be wary of snakes will find one.

In Silver Linings Playbook, Pat Solitano (formerly Pat Peoples in the novel written by Matthew Quick, played by Bradley Cooper) is recently released from a mental hospital to the care of his parents. Obsessed over reclaiming the love of his ex-wife, Nikki, he sets out on exercising and reading books to become better when he sees her again. Working under the notion that positivity, mixed with great effort can lead to a Silver Lining, he uses this new outlook to focus on his goal. Of couse, this doesn’t happen without some hiccups. There’s one key scene in the film where he asks his parents where his wedding tape is, and starts tearing through boxes around the house searching for it. With Led Zeppelin’s “What Is And What Should Never Be” blasting in the background as everything escalated, I had an Anton Ego Ratatouille moment.

My mom had this thing where she’d shift from High to Low. Some days would be quiet, but if the wrong word or event happened, she’d explode either into a fit of activity or anger. We would be sometimes careful to not trigger this – “set her off”, she would say. My clearest memory is of having Alice in Chains’ “Don’t Follow” turned up really loud on the family stereo (and on repeat by her request) as she proceeded to break various objects in her bedroom. She isn’t the only one in the family who has that happen with her. My cousin has this thing where at night she has to check all of the burners on the stove at least 2 times before she’s satisfied they’re fine and off. She says she knows everything’s correct the first time, but says she needs to be sure.

We all have our quirks. When people burp around me, I feel compelled to say “Bless You”. It’s only right.

So, sitting in the theatre and watching Silver Linings Playbook, it all felt very familiar to me. The great thing -and possibly the problem near the very end – about it is that the film isn’t completely A Beautiful Mind in it’s sense of seriousness. I’ll admit I found myself smiling and laughing through a lot of it, just as much as I winced during Pat’s trouble spots. As he returns home, he finds his father (Robert DeNiro in a fine performance) already skeptical about him, but content that he has his son back to watch the Philadelphia Eagles games and to be his lucky charm. After being invited to dinner by one of his friends, Pat meets Tiffany (Jennifer Lawrence), who seems to be just as different as he is and he discovers that she’s been in contact with Nikki. She’ll help send word to her about how he’s doing (because a restraining order keeps him from doing so), if he will help her perform in a dance contest. This ends up starting a good friendship between the two and we start to find that Pat is doing better as things progress.

Director David O’Russell keeps the story centered on the two leads. Both Cooper and Lawrence are energetic and have this really great chemistry between them that makes it feel like they had a lot of fun working on this movie. What’s better is that there isn’t a single person in the supporting cast that doesn’t feel like (to me, anyway) that they were miscast or out of step. They could make a tv series with this cast, and it would be watchable. O’Russell also changes the nature of the story in his adaptation, making the dance sequence itself a major focus on the growth between Tiffany and Pat (and by extension, the family and friends). He also eliminates a side story where Pat’s mom leaves his father because of the Dad’s obsessive nature with the Eagles, choosing to replace it with some more heartfelt and/or moments between DeNiro and Cooper (who coindentially worked together in Limitless). I felt it tightened up the story overall.

Another element I enjoyed was the film’s use of music. Stevie Wonder’s “My Cherie Amour” serves as a song that’s important to the story (in the same way that Kenny G’s “Songbird” was to the novel) and as I mentioned before, the Zeppelin song also worked. Alabama Shakes, which are a group new to me, also had a good song with “Always Alright”. The music of the film felt similar to Juno for me in a lot of ways.

The only problem I had with Silver Linings PlayBook, the only thing that didn’t work for me was the way the film ended. Dealing with something as serious as any kind of mental disorder, especially one where there are meds involved, it’s a serious thing. I’m not saying that one in Pat’s situation can’t be with anyone, far from it, but the film paints a picture at the end that everything will be just fine and simple. I don’t know I agree with that. Fine, perhaps, but certainly not simple. Granted, the story sets up such a social tapestry for Pat that if anything were to go wrong, he’d have people who would rally behind him. The ending just makes it seems that he no longer has any quirks and possibly robs an otherwise perfect from a bit of reality.

Overall, the Silver Linings Playbook is a feel good film that’s definitely worth seeing, with an ensemble cast that helps to elevate the great performances by both Jennifer Lawrence and Bradley Cooper. The lack of a heavy-handed nature towards the issues with the main character help the comedic elements of it, but also stutter steps it at the very end for me.