LeBron James steps onto the Court in the Space Jam: A New Legacy trailer!


I’ll admit to being a little excited for this newest generation of 1996’s Space Jam. I love cartoon / live action mashups, and Space Jam: A New Legacy looks like it’s all that and then some. Director Malcolm D. Lee (Roll Bounce, Night School) leads the update with LeBron James taking center stage. In this version, LeBron’s son is trapped in a different dimension. To save him, LeBron has to play against the Monstars, much like Michael Jordan did in the previous film. He won’t be playing alone, however, as he has various Looney Tunes characters to assist him.

Space Jam: A New Legacy also stars Sonequa Martin-Green (Star Trek: Discovery), Don Cheadle (Avengers: Endgame), along with a series of cameos from some of the NBA’s finest. The film, produced by Ryan Coogler (Black Panther) is set to release in theatres and on HBO Max on July 16.

The Last COVID Update


I decided to repost, but with some order. The last update will be at the end. It’s weird to have it at the end because it’s not quite done. For those of you who don’t think this disease was created, ask yourselves this: Isn’t this on brand for Communist China? Also, I get that many of you loathed Trump, but just because he said something, doesn’t make it false. If he said John Wayne Gacey was a serial killer, you wouldn’t have John be the Clown at your birthday party just to spite him, would you? Some of you might feel of two minds about mask wearing- that’s fine. I don’t judge that, but this guy didn’t even cover his mouth when he sneezed. Let’s all agree that’s nasty and move on. Safe to say that my prior entries were more sanguine than they should have been, but I just couldn’t imagine being beaten by anything. Start from the First entry or skip to the end, I won’t judge. Just kidding, of course I’ll judge; I love to judge.

First Entry – Don’t say your plans out loud.

For those of you who follow my Twitter unmuted, you know that I got COVID-19 at the beginning of this year. I was visiting my mother and an unmasked man entered the small gym and started sneezing everywhere. At one point, I could see the the sneeze mist and there was nowhere to go. Words were exchanged and a few days later I was notified he was positive and then I found out I was positive. Mine was a “mild case,” but I will describe it for you here …. right now.

Post-exposure, I went from my normal amazing, handsome self to a handsome, tired self. I just felt rundown. Then, like a speaker blew out, my sense of smell and taste were gone. Within hours, my fever went to 103, but I felt cold from the inside. It was as though dry ice was put inside of me. I was wearing long johns, a winter coat, and under 8 blankets and my teeth were still chattering.

It was as though dry ice was put inside of me.

When my fever would break, I would be drenched in sweat like I had just played in my High School homecoming game. I don’t know if I tweeted then or what I said out loud; so, if we got engaged, it will be awkwaaaaaard.

Highly Accurate Dramatization:

There were lucid moments and I could feel my lungs being attacked, chest tightening, head searing with spiderweb-like migraines, and my joints felt like they were trying to see the light of day. I kept thinking nature had help; of course, when I wasn’t having explosive diarrhea or a dry cough that would barely let in air, I would loudly curse the commie scum that brought this plague upon us and then more diarrhea. COVID is very diarrhea forward.

Sidenote: The contact tracers were all over me like a Men’s Warehouse suit from Jumpstreet. When the symptoms ended, they gave me my release from quarantine date.

For the last month, I have been dealing with Post-COVID symptoms and they suuuuuuck. In many ways, COVID is like two illnesses: your first active symptoms and then the chronic Post-COVID symptoms. I got chills, had cognitive issues, and had to pause my GI Bill. There was just no way to study complex math and physics while dealing with Post-COVID. In fact, I’ve had to review math concepts that were rote for me. COVID breaks the blood brain barrier and causes a form of Encephalitis, messing your memory and cognition- some cases are severe and it causes a form of MS. In a way, COVID squished some my memories out of my mind and I’ll never know which ones.

On a positive side, I am getting a bit of my sense of taste back and was able to taste my favorite treat today: Black Licorice. Yep, that’s my favorite – on purpose!

I anticipate recovering fully in another 6 weeks. Cheers!

Second Entry – The Long Haul

I recently went to the VA and was diagnosed with both Severe COVID and Severe Post-COVID. I was correct that I had developed a form of encephalitis, explaining my memory lapses, depression, fatigue, and executive functioning difficulties. The Doctor had a tough-determined-cowboy attitude- He had seen COVID cases from the ER to the ICU for 14 months straight; I liked him immediately. There was light admonishment that I did not go to the VA earlier; apparently, I should’ve been in the ICU during my worst symptoms.

He is confident that my respiratory issues are treatable, but my cognitive issues are anyone’s guess with severe Post-COVID. It could even be permanent with all of the lifelong flare-ups. What got to me the most was when I saw one of my old math tests that I got 100% on and I couldn’t remember taking it or how to do the problems. I’m not sure what other memories are gone. It’s like being born blind; I don’t know what I missed. I was able to understand the concepts after a lengthy review, but that took longer for me than before. The Doc described that the action of the maskless-man who sneezed on me as an “Assault”. I agreed. It has been continually difficult to forgive this man who did this to me, but I have to do it. To move on, I re-read all of my old posts for this site and it was like it was the first time that I read them. My review of me: I’m pretty good at this and I would describe Case Wright’s prose as charmingly sardonic with an obvious manliness. I’d recommend him.

Yes, I refuse to lose my sense of humor. It reminds me of a decorated Marine I met who was at Iwo. He had terminal cancer and described himself as a participant in his cancer. I am a participant in my COVID and I do not believe it is leaving anytime soon. It will be with me for a long time and I will continue to live my life. There are obvious challenges now. In the near term, I will find out if my COVID did permanent damage to my heart and lungs. Of course, if I’m correct that there is damage, this will mean a diminished lifespan, but it couldn’t be any worse than the damage I was doing when I was trying to pay the daily light bills at Makers Mark. My hope is that my memories will return. I don’t mind a shorter life, but I want to get back what I lived through and achieved.

Last Entry – Unfinished Business

I was laying in bed with the seventh excruciating chest pain of the day. The pain radiated down my left-arm to my fingertips. The next chest pain hit and I told God, if you’re gonna do it, do it, but I have unfinished business. I was trying to watch math videos without having tears in my eyes because my daughter’s were scared enough for a lifetime. Then, my girls and I watched this:

The next chest pain hit and I told God, if you’re gonna do it, do it, but I have unfinished business.

I had been scheduled for the vaccine and had it, but the improvements were wearing off. My shortness of breath and memory issues were replaced by something much worse: chest pain. Everyday a larger and larger invisible person was sitting on my chest, squishing the pain down my arm until it felt like it would burst.

I hadn’t been able to study math at my kitchen table for days and had become completely bedridden. I started calling old friends where there was a falling out. Judaism calls it atonement, but I just wanted to forgive my trespasses and those who trespassed against me. I just didn’t know. The VA sent me a Living Will. But, I wasn’t done yet. I forced myself to move a little each day. I had a lot of time to read about my disease. I learned a lot, more than most docs.

The VA agreed that my only remedy was to continue slowly ramping up physical therapy for my heart. Slow, just slow. I used my Fitbit to monitor my heart and keep it from going above 140. Ten minutes on the elliptical….then slow and break. If my heart started hurting, I would sit on the machine. My life has changed so much in the last 3+ months. The crazy thing was that I was still ripped from years of working out. I’d be the only dead guy from a Myocardial Infarction with abs and arm divots.

The crazy thing was that I was still ripped from years of working out. I’d be the only dead guy from a Myocardial Infarction with abs and arm divots.
Arm Divots

I’m not saying I’m The Rock, but I’m in as good a shape as a man my age can be and yet my heart ached like a Marlboro pack a day man and McDonald’s Addict. I knew things reached their nadir when I dreamt that I was in 1990s in Germany. I was working on Free Body Diagrams and I was conversing in German. Everything was so real. I had a different name and face, but still me. I was 21 with curly hair. The girl next to me was named Kat and she told me that we were going to have a baby. It was too real. I genuinely believe that I tuned into another Case and in another time and place. I think when we die, we just shift. Somehow, I tuned into another frequency that I wasn’t supposed to know. When I woke, it took me 3 hours to realize where I was. Everyday, I just kept going.

Some things have improved, but the chest pains return and will likely remain. I keep going. The long haul doesn’t have a lot of great endings, but I’ve made it this far. The VA is honest that there’s very little that can be done. I’m in the realm of 17th century medicine and on my own. I’m pretty sure that many haven’t made it this far that have my COVID varietal, but all I can do is keep going, until there’s no more road to walk. I don’t think the Circle will be broken; I have unfinished business.

“Crusher Loves Bleeder Bleeder Loves Crusher” #1 : With Friends Like These —


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Somewhere in the overgrown fields of soul-dead suburbia, your typical delinquent young teenage boy has made a new friend — but is his new friend only out for blood? And would that question lead you to assume said new friend is probably a vampire?

Spoiler alert : he’s actually a mutant quasi-anthropomorphic fuzzy mosquito (or something), so his lust for the red stuff is just as natural as breathing is to you or me. But maybe we’re putting the cart before the horse by pondering the (somewhat) philosophical questions at the heart of writer Thomas Stemrich and artist Patrick Keck’s new full-sized (and, for the record, self-published) comic ‘zine Crusher Loves Bleeder Bleeder Loves Crusher #1 prior to considering the work on its technical merits? I guess we are.

I’ve reviewed Keck’s work in the past, most recently his years-in-the-making solo graphic novel Peepers over at Solrad, and to…

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“It’s A Tricky Spot To Be In” : Four Color Apocalypse Talks To Alex Graham About Life Before, During, And After “Dog Biscuits”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

It’s no secret that Alex Graham’s Dog Biscuits, both in its original online iteration and its newly-released print version, has been one of the most talked-about comics of the so-called “pandemic era.” Timely, topical, and yet never anything less than intensely personal, its success has brought Graham new legions of fans/readers, and yet that success has also come, of course, with attendant challenges — and even pitfalls — of its own. Four Color Apocalypse recently had the opportunity to chat with the artist about her celebrated, and at times controversial, magnum opus from A to Z, Genesis to Exodus, and I’m pleased to present that conversation here for your enjoyment and edification.

Four Color Apocalypse : For readers who aren’t aware of the origins of Dog Biscuits, could you kindly explain how the strip first come about, and did you always plan for it to be as expansive…

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“That Full Moon Feeling” — Hey, Witches And Werewolves Need Love, Too


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

I once opined — and I’m hardly the first to have done so, trust me — that it’s good practice for cartoonists, and really artists of all stripes, to step outside their comfort zones and try something different, but I’ll let you in on a little secret : the same is absolutely true for critics.

As prima facie evidence of this assertion, I offer up Austin-based cartoonist Ashley Robin Franklin’s new little book from Silver Sprocket, That Full Moon Feeling, which lithely threads the needle between two genres that are by and large of little interest to me, specifically romantic comedy and the supernatural, yet nevertheless managed to warm my cynical middle-aged cis white male heart and plant an entirely unforced smile on my face for the duration of its 64 pages. Which, admittedly, is me giving away the final verdict of this review early on, but I do…

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See What The Buzz Is About : Steve Lafler’s “BugHouse” Book One


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

It’s always a treat when a staple of your reading youth (and in this case I use the term “youth” advisedly, as I was well into my twenties when the series in question originally saw print) becomes available again for a new generation to enjoy — or for members of your own generation who may have missed out on it the first time around to finally discover for themselves. There’s bound to be a bit of risk involved in re-visiting something you hold in high esteem, though, isn’t there? I mean, a person’s tastes and expectations change over time, there’s no doubt about that — or at least they damn well should — so what appealed to you at age 25 stands a very real chance of just not doing the job for your 40-something self. Above and beyond that, though, there’s also a very real possibility that changing times

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Paranoia En Extremis, Plus Laughs : “The Antifa Super-Soldier Cookbook”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

There’s this profoundly goofy, pathetic, and intellectually impotent notion on the political right that Antifa is some grand top-down organization, hell-bent on destroying the so-called “American way of life,” flush with cash from George Soros and other “globalist” (i.e. Jewish) donors, and lurking in the shadows within every institution just waiting for the right moment to pull the string and bring society to its knees on behalf of its “Marxist” overlords.

It’s absurd on its face, of course — but also entirely emblematic of the kind of shared fever-swamp delusion that has become the right’s stock in trade ever since they elevated a six-times-bankrupt, syphilitic, failed game show host/con man to cult leader status. Of course you’d have to be dumber than a festering, putrefying nine-ton sack of pigshit to believe it (hell, Trump’s own FBI director said Antifa was “an ideology, not an organization”), but ya know what? I’m…

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“There’s No Infrastructure To Support These Artists, And I Want To Do My Best To Remedy That” : Four Color Apocalypse Talks To Sean Knickerbocker About His New Anthology Project, “Rust Belt Review”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Cartoonist Sean Knickerbocker — who, like yours truly, hails from Minneapolis — has long been concerned with narratives that focus on the socially and economically marginalized and dispossessed, telling authentic stories about the forgotten people of “flyover country.” Now, he’s both sharpening and expanding his focus simultaneously with his recently-launched anthology series, Rust Belt Review. Sean was kind enough to answer some of my questions about this new project , and our conversation is presented here along with sample pages from the first issue by, respectively, Caleb Orecchio, Audra Stang, and Knickerbocker himself.

Four Color Apocalypse : What made you decide that now was the time to attempt to launch a new anthology, and what unique editorial sensibilities do you bring to the project that you think aren’t present and accounted for in other anthologies at the moment?

Sean Knickerbocker : The pandemic definitely pushed me in this direction. Since…

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“Black Clouds Rolling In” : The Weight Of History Hits With The Force Of A Storm


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Formatted as a rounded-edges digest with an open spine revealing a visible glued binding, Liesbeth De Stercke’s 2016-published sketchbook collection from Bries, Black Clouds Rolling In, is a curious and instantly-memorable physical object in its own right, as well as being one that quietly but forcefully beckons you to explore its contents in detail — and that word right there, detail, perhaps best sums the project up better than any other.

One glance at the cover tells you that De Stercke is a stickler for it, believes in it, thrives on it — and so she does, not a thing escapes her notice. But this collection of sketches of the Great Depression/Dust Bowl era — produced at a daily clip throughout the course of 2013 — isn’t just concerned with physical and environmental detail. They represent only half of the equation. The other half that De Stercke deftly…

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If You’re Going Into This One, Rest Easy — The Door Is “Open All The Way”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Picking up somewhere well beyond the farthest limit of what could safely be labeled the “avant garde,” Montreal experimental multi-media artist Billy Mavreas’ latest (I think, at any rate — it’s an undated publication) self-published mini, Open All The Way, represents perhaps the apex of his “studied minimalist” approach to date, leaving behind the oblique links to narrative of prior efforts such as The Realms and The Burden Of Possibilities in favor of a richer, yet paradoxically even more austere, approach to grappling with many of the same themes, chief among them being explorations of creativity in the abstract and the nature of consciousness itself.

You needn’t, however, feel in any way intimidated by the admittedly weighty nature of what’s on offer here — consider the title both an invitation and a case of artistic truth in advertising, given that Mavreas is, by nature, someone who views possibility as…

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