Scenes I Love: The Montage from The Parallax View


In Alan J. Pakula’s 1974 film The Parallax View, Warren Beatty plays a seedy journalist who goes undercover to investigate the links between the mysterious Parallax Corporation and a series of recent political assassinations.  The film is a masterpiece of a paranoia, the type of film that makes you want to check under your bed for listening devices before you go to sleep in the morning.  In the film’s most famous sequence, Beatty — pretending to be a job applicant (read: potential assassin) for the Parallax Corporation — is shown an orientation film that has been designed to test whether or not he’s a suitable applicant.  This film turns out to be a nightmarish montage of rage, insecurity, fear, Oedipal psychosis, and — oddly enough — comic book super heroes.  The montage is shown in its entirety, without once cutting away to show us Beatty’s reaction.  The implication, of course, is that what’s important isn’t how Beatty reacts to the film but how the viewers sitting out in the audience react.

So, at the risk of furthering the conspiracy, here’s that montage.

(By the way, Oswald acted alone.)

Scenes I Love: Assault on Precinct 13


I think by now both fellow writers for the site and those who frequent said site know of my love for all and everything John Carpenter. I consider him one of the most underappreciated American filmmakers. All his films contribute something even those where one wonders if he has lost his mojo (I’m looking at you Ghosts of Mars). One of his very first films and one that still resonate with many of his fans is the low-budget and modern remake of Howard Hawk’s Rio Bravo. The latest “Scenes I Love” come from this remake which was called Assault on Precinct 13.

This was a film made for just $100,000 and while the low-budget shows it doesn’t stop Carpenter from creating a grindhouse classic. One of my favorite scenes in this film is the scene chosen. It’s very close to the beginning of the film as a violent street gang called the Street Thunder has vowed a blood vendetta against the LAPD and the citizens of LA. The scene in question show just how far these gangbangers were willing to go with their vendetta.

There’s always been several cardinal rules of grindhouse filmmaker and this scene definitely stays true to the notion that nothing is off-llimits. Carpenter shows just how much he understands this rule. In mainstream films children are oft put in danger but never to the point that they actually die on-screen. There’s always some adult to save them in the end and give the film a happy Hollywood ending. Carpenter doesn’t care for that and this scene proves just how much he doesn’t.

The first time I saw this scene I was surprised, shocked and left speechless. Carpenter had the stones to kill that young girl (and a blond in pigtails at that) with her ice cream cone right on the screen. From that moment on I knew I was in for a ride and I wouldn’t know whether Carpenter would take it easy on his audience or just continue to mess with them. This scene begins a chain reaction of why I love Carpenter films and will continue to love his past, present and future work.

 

A Moment in Time: Miracle


Today, with my mother who couldn’t recall the film, I watched Miracle.

For those of you who don’t know, this film follows the rise of the 1980 USA Olympic hockey team as they prepare themselves for the inevitable clash against the unstoppable juggernaut of the USSR. Facing down the fact that the Soviets haven’t been defeated by the Americans since 1960, and that they’ve won three straight Olympic gold medals, the USA’s team of collegiate athletes nonetheless is looking at their own shot at the gold. I cannot recommend this film highly enough; it rests comfortable atop the pinnacle of sports movies ever made, and it tells a story that has all but been forgotten… at least, until mentioned.

Today, it’s commonplace to hear people talk about the greatest moment in sports history. The greatest call in the game. The greatest game ever played. The greatest goal ever scored. But, at least, for denizens of the United States, that honour is one that will never be taken from the 1980 Olympic squad.

Miracle‘s most endearing attribute is that it’s about a real story. And it’s a story that thrills people who salute the stars and stripes even in 2011, or it should. It’s a better story than that of the Marshall football team. It’s a greater story than any recounting of a sport on these shores. It’s a story that could not happen without another Cold War – the story of a team of beleaguered underdogs (whom we love so well) battling against the unstoppable Soviet Union, in a time before the internal failings of the Soviets were known. This was a match that meant more than anything possibly can in sports today, no matter what team you root for, or what your age happens to be.

For me, personally, Miracle follows events that transpired years before I was born. My memories as a young man are not of the implacable Soviet Union hanging like a dark cloud over half the world, but rather of their collapsing economy, unsustainable with the lack of infrastructure that had secretly crippled them for forty years. Of negotiations and compromise that saw the Berlin Wall torn down, and a tenuous alliance between the Russian Federation and the United States be born. I have never lived an era in which NATO seemed to hang as an aegis between my life and nuclear oblivion, or where the threat of communism seemed like one which would march across the globe and take from me everything I held dear.

But I still feel the chills across my skin, the goosebumps rising, during Miracle’s climactic moments – the semi-finals between the USA and the USSR. Unlike most other sports movies, where the true draw is the characters and the drama, and a scripted sporting event can never mean as much, the semi-finals game in Miracle is sung to the script of history. It was a real game, where nobody on earth knew the result before it was written. Al Michaels reprises his role as play-by-play announcer, dubbing over his own dialog from the original broadcast, and our actors re-enact the twists and turns of this amazing contest on the ice.

I write about it for three reasons. Each of them single lines from the film, and each of them uttered from the roughly 20-straight minutes of hockey that we are treated to as viewers at the end of the film. Kurt Russell delivers for us perhaps the greatest performance of his career, in what is debateably the greatest film of his career, and what is probably the greatest sports film of all time.

“They just benched the best goaltender in the world,” he assures his team after a first period in which the USA dared to tie the score and the Soviets pulled their goaltender, Vladislav Tretiak, in a game where everyone present knew they were lucky to just be trailing by one going into the break.

“He doesn’t know what to do,” Kurt Russell, as the real-life character Herb Brooks, assures us as he sees Soviet coach Viktor Tiknohov barking terse commands at his team halfway into the final period. Against all odds, the USA’s team is still in this game, as the crowd at Lake Placid New York tirelessly chants “U-S-A!”, waving American flags, their energy carrying that USA collegiate team against a squad that, while “amateur” themselves, were easily considered to be the best hockey team in the world.

Finally, as time begins to expire, the digital redubs that Al Michaels recorded of his play-by-play switch back to the original telecast. We hear an Al Michaels thirty years younger screaming into his mic, as the puck is cleared toward center ice, putting the victory literally out of the reach of the USSR, “Do you believe in miracles!?” he pauses an instant, as the time truly does expire, and then screams “Yes!”

And history goes wild.

Scenes I Love: Superman Spins the Planet


“Fezzik, do you hear that? That is the sound of ultimate suffering.” – Inigo Montoya, The Princess Bride.

Granted, this is one of the most strangest ways to resolve an issue (rewind everything back so it didn’t happen to begin with, without any paradoxes whatsoever), but it’s the reaction to Lois’ death that I like about this. As a kid, that scream made me jump, because it sounded like Superman lost just about everything. I honestly would have liked to know what Reeve thought of to get that scream out. I recently showed this to my cousin who liked it too. The spinning around the planet was cool (though a little much), and is something I come back to once in a while.

Scenes I Love: Despicable Me


For some reason the CG-animated film Despicable Me has been replaying in my head all afternoon and night. Most of the scenes looping in my mind focuses on the youngest girl, Agnes. Whether she’s exclaiming “Three Sleepy Kittens!” or passing out from holding her breath the film just won’t leave my head. The one scene I really love from Despicable Me involves Gru taking the girls to the carnival fair.

Agnes, of course, ends up having the scene I remember best in this entire sequence. She sees one of those stuffed unicorn toys at a booth and she just has to have it because it’s so fluffy that she could die. The carnival barker ends up trying to cheat the girls from winning the fluffy unicorn, but thanks to Gru and one of his weaponized inventions Agnes wins her unicorn and my ice-cold heart.

All I can say about this scene that I love is: “IT’S SO FLUFFY!!!”

Scenes I Love: Scanners


While bored out of my mind this early Monday morning (no work due to the Memorial Day holiday) I do what I usually do to try and get out of it: I surf YouTube. Doing this sometimes alleviates my boredom and sometimes it doesn’t. This time around it did as I came across a scene from a film that has to be one of my all-time favorites. An all-time favorite film and scene both.

The scene I came across is one of the earliest sequences in David Cronenberg’s seminal sci-fi work, Scanners. It stars Michael Ironside in the film’s villanous role as Darryl Revok. In this scene we don’t know he’s the heavy. We suspect something to be off about him, but we can’t put a finger on it. It’s during the unfolding of this short scene that we finally realize that Revok is not what he seems to be as the unfortunate “scanner” expert next to him begins to feel the depths of Revok’s ability. A feeling that soon turns to pain and then finally the explosive result.

I think I was nine years-old when I first saw this scene and to say that it left an indelible mark on me would be an understatement. I was still too young to truly appreciate Cronenberg as a filmmaker then, but years later when I saw this again when film started to become more than just entertainment for me was when I saw just how much a genius the man was. This scene helped put me on what would turn out to be an ongoing love affair of all things Cronenberg.

Also, for those who don’t know, Michael Ironside also ends up voicing that iconic video character Sam Fisher from the Splinter Cell franchise.

Scenes I Love: Henry V


With the release of Kenneth Branagh’s Thor (love the film or not) there should be a new interest from younger film fans to know more about what Branagh has done in the past. I pretty much grew up watching his films and made me rediscover and love Shakespeare once more. His grasp of the the Bard’s work has always been both respectful to traditions, but also with an eye and ear towards the common man of this era. He made Shakespeare film adaptations a must-see during the 1990’s.

The latest “Scenes I Love” comes from his very first film and was released in 1989. The film I speak of is his film adaptation of Henry V. I remember clearly the first time I saw this film. It was during my sophomore year in high school and it was during a school field trip arranged by my English teach to see this film at the local arthouse theater. I was still young and didn’t care much for the plays of Shakespeare (as did most of my classmates), but once the light dimmed and the film began I was hooked.

The scene I still consider my favorite from this film is Branagh in the role of King Henry V (he starred, wrote and directed the film) giving the speech on St. Crispin’s Day to his gathered troops as they prepare themselves for the upcoming battle (the Battle of Agincourt) against a numerically superior French force. This speech I didn’t understand half of what was being said but the way Branagh handled this monologue made it easy to understand the meaning even if the words themselves were lost.

I still get chills whenever I watch this scene and would more than be willing to take up arms against the French once it was over.