Music Video of the Day: Machinehead by Bush (1996, directed by Shawn Mortensen)


This is the video for Machinehead, which is the probably the closest that Bush actually got to recording a worthwhile song in the 90s.  It still features all of the things that made Bush the worst band of the grunge era (including, but not limited to, Gavin Rossdale’s overwrought singing and his annoyingly obscure lyrics) but it also features worthwhile and hard-pounding guitar work from whoever Bush’s lead guitarist was at the time.  I’m not looking it up.

The video features a lot of London, a reminder that Bush was sold as being the UK’s answer to Nirvana and Pearl Jam.  The band itself never found much success in their home country but they had enough American fans to be big in the 90s.  It helped that MTV put their videos in the steady rotation.

Back in the day, a lot of Americans thought the band was named after George H.W. Bush.  It’s not.  It’s named after a neighborhood in London.

Enjoy!

Music Video of the Day: Atlantis by No Angels featuring Donovan (2001, directed by Hannes Rossacher)


First recorded in 1968, Donavon’s Atlantis is best-known for being the song that is playing in the background while Robert De Niro and Joe Pesci stomp Frank Vincent nearly to death in Goodfellas.  In 2001, the song was used again, this time to promote a film that was actually about Atlantis.  For the Atlantis: The Lost Empire soundtrack, Donavon teamed up with No Angels to record a new version of and a music video for Atlantis.

Enjoy!

Music Video of the Day: Something To Believe In by Poison (1987, directed by Marty Callner)


This song was written about James Kimo Maano, a security guard and a good friend of Bret Michaels.  Maano’s death inspired the song and, during the making of the video, footage of James Kimo Maano appeared on the screen behind Michaels in order to get a response from him.  Michaels became so upset that he had to stop singing and it would be several hours before Michaels could return to the set and continue filming.

The director who so upset Bret Michaels was Marty Callner, who has directed videos for everyone from Aerosmith to Justin Timberlake.  He directed several videos for Poison, both before and after the video for Something To Believe In.

Enjoy!

Music Video of the Day: My Kinda Life by Cliff Richard (1977, directed by ????)


Today’s music video of the day features 5 Cliff Richards for the price of one.

Cliff Richard may not be well-known in the United States but he was as big as Elvis in the UK and was often described as being England’s answer to Elvis Presley, or at least he was until the Beatles came along.  But even after the Beatles became a worldwide phenomenon, Cliff remained a huge star in Europe and he is the only singer in the history of music to have a #1 hit in the 1950s, 1960s, 1970s, 1980s and 1990s.  In fact, he holds the record for having more top ten hits than any other musician.

Cliff was also an artist who made music videos at a time when only a few did so.  As opposed to other band’s early videos, Cliff’s videos were usually more than just performance clips and, in many ways, they predicted the type of videos that would dominate MTV in the 80s.

Enjoy!

Music Video of the Day: Warwick Avenue by Duffy (2008, directed by Daniel Wolfe)


Filmed outside of the Warwick Avenue Tube Station, this music video is almost entirely composed of one shot.  Originally, there were many more scenes planned for this video but when Duffy actually started to cry while singing in the back of taxi, director Daniel Wolfe realized that he had gotten the only shot that the video and the song needed.

This video was nominated for Best UK Video at the 2008 MTV Video Music Awards but lost to Shut Up and Let Me Go by the Ting Tings.

Enjoy!

Music Video of the Day: Hold On Tight by Electric Light Orchestra (1981, directed by Mike Mansfield)


At the time it was released, this video was the most expensive music video ever filmed.  It was estimated to have cost £40,000, with the majority of the money going to recreating scenes from 1940s serials.

Director Mike Mansfield also did videos for Kim Wilde, Ozzy Osbourne, The Cure, The Moody Blues, and almost every other prominent British band of the early 80s.

Enjoy!

Music Video of the Day: Goin’ Crazy by David Lee Roth (1986, directed by Pete Angelus)


How embarrassing, I wrote this post last night but I forgot to click on schedule.  I guess we’re all goin’ crazy.

This song is from David Lee Roth’s solo album, Eat ‘Em And Smile and it features Roth and his band performing while being watched by two record executives, the Picasso Brothers.  As you can see in the video, Roth put together an amazing band for his solo effort, with Steve Vai on guitar, Billy Sheehan on bass, and Gregg Bissonette on drums.

This video was directed Pete Angelus, who also did the music video for Van Halen’s Jump.

Enjoy!

Music Video of the Day: You Belong To The City by Glenn Frey (1985, directed by ????)


Today’s music video of the day is from Glenn Frey, who was born 75 years ago on this date.  This song was written for Miami Vice.  The music video features Glenn not in Miami but New York, where he crosses paths repeatedly with one woman who belongs to the city.

The woman is played by Lisa Parker, who appeared in a handful of films in the 80s.

Enjoy!

Music Video of the Day: Get Back In Line by Motörhead (2010, directed by Geraldine Geraghty)


When a bunch of upper class businessmen get together to play poker and exploit the masses, who better to rough them up than Motörhead?  While the band breaks up the poker game, they also perform on a London roof top, which provides a wonderful view of St. Paul’s Cathedral.

Enjoy!

Music Video of the Day: Money For Nothing/Beverly Hillbillies by Weird Al Yankovic (1989, directed by Jay Levey)


On Friday night, myself, Lisa, Leonard, and several other people all watched UHF, the ahead-of-its-time comedy starring Weird Al Yankovic.  One of the highlights of the movie was this music video, which combined Dire Straits’s Money For Nothing with the Beverly Hillbillies.

The video’s animation was done by David Silverman, who would go on to work on The Simpsons.  Mark Knopfler and Guy Fletcher, both of Dire Straits, both performed on the song.  Knopfler later said was that his one condition for allowing the parody was that he and Fletcher be allowed to play on it.

According to Yankovic, the song’s strange title was due to the demands of the lawyers.  He prefers to call the song “Beverly Hillbillies For Nothing.”

Enjoy!