Artwork of the Day: Madame Buccaneer (by Barye Phillips)


by Barye Phillips

This book was originally published in 1954 and, like yesterday’s artwork of the day, it was written by Gardner Fox.  According to the book’s back cover, it’s about an English woman and Irish man who “ruled” the Spanish main.  Everyone loves a good pirate story.

This cover was done, and signed, by Barye Phillips, who this site has featured many times in the past and who will undoubtedly be featured many times in the future.

Artwork of the Day: Tom Blood, Highwayman (Artist Unknown)


Artist Unknown

This book was originally published in 1962.  It tells the story of the Irish patriot who stole the crown jewels of England and fought against the dictatorship of Oliver Cromwell.

This was one of many paperbacks to be written by Gardner Fox.  Fox is best known for the work he did in the comic book industry.  He wrote over 4,000 comics and, during his time at DC, he created The Flash, Hawkman, and the Sandman.  He was also responsible for creating the Justice Society of America, which was the first “super group.”  He also worked in the pulps, writing hundred of paperbacks in all genres.

Unfortunately, the identity of the artist responsible for this cover is unknown.

Artwork of the Day: Fight Stories (by George Gross)


by George Gross

“One fist was Irish!”

And a happy St. Patrick’s Day to us all!  Hopefully, the Irish fist is the one knocking the other boxer out of the ring.  I would be disappointed otherwise.

Fight Stories was the first fiction magazine to be devoted to just one sport, in this case boxing.  The magazine started in 1928 and it was popular enough to run into the early 50s.  This issue is from 1949 and features a cover from George Gross, who has been featured many times on this site.  You can even see Gross’s signature in the bottom left corner of the cover.

I hope everyone has a good St. Patrick’s Day.  They can cancel our parade but they can’t cancel our spirit!

 

Artwork of the Day: Hollywood Hellcat (by Raymond Johnson)


by Raymond Johnson

This is a novel that was published under several different titles.  It was originally published in 1950 as Bedtime Blonde.  Then, in 1953, it was republished as Tempting Tigress.  And then, in 1956, it became Hollywood Hellcat.  According to the blurb, this is “the shocked story of what a woman must do to become a star.”

This cover was done by Raymond Johnson, who has been featured on this site may times in the past and who will be undoubtedly be featured many times in the future.

Artwork of the Day: Love Life of a Hollywood Mistress (artist unknown)


Artist Unknown

Lisa asked me to pick something about Hollywood for today’s artwork of the day and there’s nothing more Hollywood than this!  The book is even illustrated.  Is the life of a Hollywood mistress as exciting as the life of a Reno tramp?  I guess Florence Stronebraker was the one to ask.

This book is from 1950.  Sadly, the artist is unknown.

Artwork of the Day: Riverfront Girl (by Harry Barton)


by Harry Barton

She was willing to do anything to put her grubby life behind her.  Even hang out in front of the bait shop!  We’ve all been there.  Everyone knows the bait shop is the best place to be if you’re looking for a eccentric millionaire who likes to fish.

This cover is from 1965.  We’ve featured much from Harry Barton in the past and we will probably feature much from him in the future.

Artwork of the Day: Love-Crazy Millionaire (by Bernard Safran)


by Bernard Safran

At least put out the cigarette first!

This book is from 1954.  One thing that always gets me about books like this is that it’s almost always the older man being preyed upon by the women he hired.  That may be the way that Andrew Cuomo views things but it’s definitely not reflective of real life.

This cover was done by Bernard Safran.  Unusually, for the pulp era, the artist was able to sign his work.

Artwork of the Day: Mail-Order Passion (by George Gross)


by George Gross

Before online dating, I guess you just went out with whoever sent you a letter and hoped that you didn’t end up on a date with a middle-aged alcoholic who expected you to sit on his red couch.

This cover was done by George Gross, who has been featured frequently in the past and who will probably be frequently featured in the future.