The Shape Of Days Gone By : Paula Lawrie’s “My Geometric Family” #2


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

I was thoroughly transfixed by the first self-published issue of Paula Lawrie’s My Geometric Family and her unique approach to blending the surreal with the real to illustrate the beauty and vagaries of the nature of memory in equal measure, and the promise that more installments were forthcoming was exciting news indeed, but I really have to give her credit for getting #2 out so quickly and for not only maintaining the high standard of quality she’d already established, but broadening and deepening the scope of her project and finding ways to increase its thematic resonance in a manner entirely unforced and organic. Simply put, this is an artist who appears to be getting more confident with her vision as she goes — and she was approaching already it with plenty of confidence from the starting gate.

As Lawrie continues her childhood memoir in this issue, the central event affecting…

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I Love It When A Plan Comes Together : Alex Nall’s “Kids With Guns” #2


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

It’s always a tricky thing, when you want to convince people to not just read, but actually buy a comic — yet you don’t want to give much, if anything, of said comic away. Such is the case with the second issue of Alex Nall’s self-published series Kids With Guns, so I guess the best way to go here is to proceed with caution — just as I probably would if confronted by, say, an armed child.

I gave the first issue of this comic high marks, but I was expecting something of a slow burn — the unusual, but for all intents and purposes reciprocal and healthy, inter-generational friendship between 10-year-old Milo and his eighty-year-old neighbor, Mel, was the focal point of that debut installment, and while there were hints that the provocative title Nall chose for this project was going to come into play at some point…

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Weekly Reading Round-Up : 02/09/2020 – 02/15/2020, Catching Up With Brian Canini


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

It’s been a little while since we took a look at what Columbus, Ohio’s Brian Canini is doing over at his Drunken Cat comics imprint, but seeing as how I just got a package from him in the mail last week, and finally had a chance to read through it all last night, now’s as good a time as any to put his work back under our metaphorical microscope —

Plastic People #11 is one of the best issues of the now-long-running series to date, as our “plastic surgery police” in a future LA continue their investigation of the city’s first murder in decades by talking to one of the last surviving REAL cops in town (an LA without police? Talk about a utopia) in order to figure out how to even begin gathering clues and identifying suspects in the first place. This title damn near lost me when Canini…

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Have More Fun With A Second Dose Of A “Major Bummer”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Everything about Minneapolis-based cartoonist Peter Faecke’s Major Bummer #2 is painfully obvious — but the same was also true of the first issue (published, as this one is, by Hidden Fortress Press), and it’s rather the point. I’ve never known Faecke to do subtle, but is that some great artistic sin? Kirby didn’t either, after all, and would you really have wanted him to?

So, yeah, Major Dick Bummer, the US government’s deadliest weapon (living or otherwise) is back to kick more ass, and speaking of kicking ass, this offset-printed mini on heavy cardstock paper features a pleasingly limited and appropriate garish color palette that does precisely that, accentuating the visceral, vaguely Panter-esque impact of Faekce’s deliberately “crude” cartooning with a blast of blue, red, and black gradations that kick you in the eyeballs as surely as the drawings themselves kick you in the — well, let’s be equal-opportunity here…

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Kelly Froh’s “The Downed Deer” : A Solid Argument For Cartoonists To Step Outside Their Comfort Zones


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

When you think Kelly Froh, you generally think of superbly-constructed and heartfelt memoir and autobio comics, either short-form or long, but with her latest self-published ‘zine, The Downed Deer, she blows that perception right out of the water — and the results are quietly, and frighteningly, glorious.

One of the best Short Run debuts I picked up this past November, this handsomely-formatted comic is riso-printed in rich burgundy ink on thick cream-colored paper, so it’s a pleasure to look at before you’ve even looked at it good and proper, but I should probably warn you : don’t give this even a cursory glance-though prior to reading it or you’ll “spoil” the whole damn thing. There’s a key surprise toward the end that is best left exactly that, so I’ll refrain from giving too detailed a plot recap here.

What I will say is that the fluidity of Froh’s cartooning…

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Enlist Immediately In The “Yellow Flag Intelligence Squadron”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Some comics you hate. Some you’re indifferent to. Others you like. And then there are those, all too rare it seems, that you absolutely fall in love with.

Let me introduce you to the latest object of my unbridled affection, David King’s Yellow Flag Intelligence Squadron #1.

Published under the auspices of King’s own Gentle Books imprint at the tail end of last year, this is pure cartoony “eye candy” from start to finish, expressive and engaging and inherently humorous drawings in service of an endlessly creative story that pits our trio of instantly-adorable heroes (Calorie, Brainer, and Killer Bear — even their names just make you wanna give ’em all a hug) that make up the legendary Earth-based Division 0001.0 of the titular squadron against their only real foe, namely themselves. Their mission to “protect all sentient life” seems pretty somber and serious, but when you’re not getting…

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Better Late Than Never : “Stubb & Leski’s Catsmas”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Such is the life of a jobbing freelance critic that I sometimes don’t get around to things in a timely manner, so my sincere apologies to cartoonist Kriota Willberg for not reviewing her late-2019 (and, it should be added, self-published) mini Stubb & Leski’s Catsmas during the holiday season, which would have made a lot more sense than doing so in February. In my (admittedly tepid) defense, one only has so many hours in a day and the stack of books I “owe” a review to is fairly large, but still — I feel bad for not being more “Johnny on the spot” with this one.

The good news, however, is that this is such an utterly unforced and charming little book in its own singular way that it reads well at any time of the year, and you should avail yourself of the opportunity to just that as soon…

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Weekly Reading Round-Up : 02/02/2020 – 02/08/2020


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

What’ve we got this week? A one-shot, a first issue, the start of a new story arc, and the prelude to the prelude to a new story arc. It’s about as mixed a bag as it sounds, to be honest, but every one of these books has at least something going for it, and you can’t always say that. And so, with that in mind —

Never one to pass on the chance to squeeze as much blood from a rock as they can (and then some), Marvel is cashing in on the resurgent popularity of the Hulk with a series of one-offs from their main series, the first of which is The Immortal Hulk : Great Power #1, which sees Bruce Banner’s gamma powers temporarily take up residence in Peter Parker — and if one guest star’s not enough for you, the entirety of the Fantastic Four is on…

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A Lot Goes Right In “Things Go Wrong” #3


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

As a trilogy that concerns itself with a “from the inside” look at the clinical depression and mental and physical breakdown of its protagonist, Jason Bradshaw’s Paper Rocket Mini Comics-published Things Go Wrong has been about the farthest thing from an “easy read” one can imagine — but it’s certainly been admirably honest, impeccably drawn, and absorbing in the extreme. Hope has been in short supply, but artistic integrity? That’s present and accounted for throughout, and if honest explorations of tough topics are your sort of thing, then the plain truth is that they simply don’t come much better than this. Now that the final issue, #3, is upon us, then, the questions that hang over it are — what sort of ending does Bradshaw have in store, and what sort do we want?

I mean, certainly our ostensible “hero,” James, deserves a break — but how “legit” would…

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Whit Taylor Answers The “What Does She See In Him, Anyway?” Question In “Fizzle” #3


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Now on its third issue — the first released under the auspices of its new publisher, Radiator Comics — Whit Taylor’s Fizzle is really finding its footing as one of the outstanding naturalist comic book narratives of our time. Stories focused on physically and emotionally unmoored “20-somethings” are hardly anything new, of course, but ones that use homemade popsicles (or, if you prefer, “paletas”) as a framing device are — and ones that transcend their own (admittedly clever) storytelling crutches and gimmicks as the series goes along are a true rarity indeed.

All of which is my convoluted way of saying that Taylor’s skills as a cartoonist are developing right before our eyes as we go along here, and it’s a pretty remarkable thing to behold. We’ve all had friends who are with significant others that leave us scratching our heads and wondering “what the hell is she doing with…

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