Author Archives: Jedadiah Leland

Music Video of the Day: In the Meantime by Spacehog (1995, directed by Jake Scott)

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Since it was first released, In the Meantime is one of those song that has come to epitomize an era, in this case the mid-90s.  (It’s no surprise that the song was prominently featured in both the premiere and the finale of Everything Sucks!, the Netflix dramedy about growing up in the 90s.)  Even if you don’t know necessarily remember the title or the name of the band that performs the song, you’ll immediately recognize those opening notes.

I hate the term “one-hit wonder” because often it’s just a fancy way that some people have of saying that a band found greater success in Europe than in America.  However, it is true that, as of this writing, In The Meantime remains Spacehog’s biggest mainstream hit.  While the song peaked at number 29 on the UK charts, In the Meantime reached the number one spot on the U.S. Billboard Mainstream Rock Charts.

Some of the song’s success was undoubtedly due to this video, which was directed by Jake Scott and, though it may be hard to believe now, seemed to be very edgy and futuristic in 1995.  (Today, of course, nose piercings and androgyny are no longer considered to be as unconventional as they were back in the 90s.)  For a while, it was impossible to turn on MTV without seeing this video.  It’s open to interpretation as to what the song is actually about, though lead singer Royston Langdon explained it to Songfacts as follows: “It’s using some kind of metaphor of a worldly or inner-worldly search for the end of isolation, and the acceptance of one’s self is in there. At the end of the day it’s saying whatever you gotta do, it’s OK, it’s alright. And I think that’s also me talking to myself, getting through my wan anxieties and fear of death. That’s what it all comes down to.”

Music Video of the Day: (Not The) Greatest Rapper by 1000 Clowns (1999, directed by Mark Kohr)

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Remember 1000 Clowns?

If not, don’t worry.  This Los Angeles rap group was only active from 1997 to 1999.  During that time, they released an album called Freelance Bubblehead, which featured their two best-known songs, Kitty Kat Max and (Not The) Greatest Rapper.  As evidence by their name and the video above, 1000 Clowns took a light-hearted approach to their work.  In a review for CMJ New Music Monthly, Neal Goldstone said that rapper MC Kevi’s style would be “darn endearing if he was your little brother’s best friend.”  I think that best sums up both the appeal of this song and also why 1000 Clowns only released one album.

This video was directed by the very busy Mark Kohr, who started directing music videos in the early 1990s and who has since worked with several well-known artists, including Green Day, No Doubt, Alanis Morrisette, Everclear, and Cake.

 

Music Video Of The Day: Neighbours (1981, directed by Michael Lindsay-Hogg)

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Imagine Rear Window with Jimmy Stewart and his broken leg replaced by Mick Jagger and the other members of the Rolling Stones and you have the concept behind the video for today’s music video of the day.

Neighbours first appeared on Tattoo You and was inspired by Keith Richards’s problems with his own neighbours in New York City.  According to Richards, his neighbours got him evicted from his New York apartment building because they felt that he played his music too loudly.  The actual lyrics were written by Mick Jagger, who, again according to Richards, never had any trouble with his own neighbours.

The video was directed by Michael Lindsay-Hogg, who directed several videos for The Rolling Stones but who is perhaps best known for directing the documentary about the final days of the Beatles, Let It Be.

4 Shots From 4 Films: Rest In Peace, Nicolas Roeg

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One of the greatest filmmakers of our age has died.  Rest in peace, Nicolas Roeg.

4 Shots From 4 Films

Walkabout (1971, directed by Nicolas Roeg)

The Man Who Fell To Earth (1976, directed by Nicolas Roeg)

Bad Timing (1980, directed by Nicolas Roeg)

Insignificance (1985, directed by Nicolas Roeg)

Music Video of the Day: Roll With It (1988, directed by David Fincher)

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Yes, this video was directed by that David Fincher.

Taking place in a crowded bar and featuring patrons dancing while Steve Winwood and the band perform in the background, this video shows that, even before directing films like Se7en, Fight Club, and The Social Network, Fincher had a strong eye for detail.  The video makes you feel the heat.

Because this video has a page at the imdb, we actually know the names of some of the people who collaborated with Winwood and Fincher.  The choreography was provided by none other than Paula Abdul while the black-and-white cinematography is credited to Mark Plummer.  (Plummer’s other credits include the films Two Moon Junction, After Dark My Sweet, The Waterdance, and Albino Alligator.)  The video was edited by Scott Chestnut, who subsequently worked on several feature films directed by John Dahl, including Red Rock West, Unforgettable, and Rounders.

With the help of this video, Roll With It went on to spend four weeks at the top of Billboard Hot 100 singles chart.

Music Video Of The Day: More Than A Feeling by Boston (1977, directed by ????)

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An instant hit when it was first released in 1976, More Than A Feeling was a song that spent several years in the making.  The founder of Boston, MIT graduate Tom Scholz, spent five years working on the song, recording and re-recording it in his basement while working his day job at Polaroid.

When Boston finally signed with CBS Records, More Than A Feeling was the first single released off of their debut album and it has since remained a classic rock mainstay, with the chorus riff becoming one of the most familiar sounds in the history of rock.  Scholz has said that he was inspired to write More Than A Feeling by the Left Bank’s song, Walk Away Renée.  “I see my Marianne walk away” was a reference to an older cousin whom Tom Scholz had a crush on when he was nine years old.

For me, though, More Than A Feeling will always be the song that I used to listen to whenever I was driving a stolen car around San Andreas, looking for hot coffee and trying to avoid the police.

 

Music Video of the Day: Cold Turkey by John Lennon (1969, directed by ????)

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Happy Thanksgiving!  It is surprisingly difficult to find any good music videos about Thanksgiving so I decided to go with a video for a song that has nothing to do with Thanksgiving.  It’s called Cold Turkey.  Whether it has anything to do with turkey depends on who you ask.

When it comes to Cold Turkey, the official and most-accepted story is that John Lennon wrote it after a brief addiction to heroin and the song was inspired by the pain and difficult of quitting “cold turkey.”

Believe it or not, though, there are Cold Turkey truthers out there.  Fred Seaman, who was Lennon’s personal assistant in the late 70s, wrote in his book, The Last Days of John Lennon, that Lennon confessed to him that Cold Turkey was actually written after a bout of food poisoning and that he allowed people to believe that it was inspired by heroin withdrawal because the food poisoning story was too silly.  (Lennon claimed the poisoning was the result of eating a “cold turkey” on the day after Christmas.)  Personally, I think this sounds more like an example of Lennon’s famously sarcastic sense of humor than anything else.

Regardless of what inspired the song, Cold Turkey was Lennon’s second single away from the Beatles and the first song on which he was credited as being the sole songwriter.  (Even Give Peace A Chance was originally credited to Lennon-McCartney.)  Lennon originally wrote the song to be included on Abbey Road but, when the rest of the Beatles showed little interest in the song, Lennon instead recorded it with the Plastic Ono Band.

In 1969, when Lennon returned his MBE to the Queen, he wrote, “I am returning this MBE in protest against Britain’s involvement in the Nigeria-Biafra thing, against our support of America in Vietnam and against ‘Cold Turkey‘ slipping down the charts.”

Music Video of the Day: Once In A Lifetime by Talking Heads (1981, directed by David Byrne and Toni Basil)

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Once In A Lifetime has since become one of the signature tunes of the ’80s but, when the song was first released in 1981, it didn’t even manage to break the top 100 on the US charts, peaking at 103.  (The song did find more success in the UK, where it reached #13.)  At the time, the song was not considered to be “radio friendly.”  Not even the fact that the video was put into heavy rotation during the early days of MTV could change the minds of stubborn programmers who were convinced that the sound of David Byrne considering his life would lead to listeners switching the channel.

The video, which features multiple David Byrnes performing against a white backdrop, was directed by Byrne and the famous dancer/choreographer Toni Basil.  (Basil, of course, had her own hit around the same time with her video for Mickey.)  In the book, MTV Ruled the World – The Early Years of Music Video, Basil discussed making the video with Byrne:

“He wanted to research movement, but he wanted to research movement more as an actor, as does David Bowie, as does Mick Jagger. They come to movement in another way, not as a trained dancer. Or not really interested in dance steps. He wanted to research people in trances – different trances in church and different trances with snakes. So we went over to UCLA and USC, and we viewed a lot of footage of documentaries on that subject. And then he took the ideas, and he ‘physicalized’ the ideas from these documentary-style films … David kind of choreographed himself. I set up the camera, put him in front of it and asked him to absorb those ideas. Then I left the room so he could be alone with himself. I came back, looked at the videotape, and we chose physical moves that worked with the music. I just helped to stylize his moves a little.”

As for the song, Byrne has said that he came up with most of the lyrics while listening to radio evangelists and the song’s plaintive cry of “How did I get here?” should sound familiar to anyone who has ever heard any of the old style preachers going at it.  The song’s signature bassline was developed by Tina Weymouth, who has said that she based it on the sound of her husband (and Talking Heads drummer) Chris Frantz yelling.

As for the song, it may not have charted but it has gone on to become one of the defining songs of the 80s.  The song would also be one of the highlights of the greatest concert film ever made, Stop Making Sense.

Music Video of the Day: Girlfriend In A Coma by The Smiths (1987, directed by Tim Broad)

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Girlfriend In A Coma is another happy song from The Smiths.

The song is straight forward.  It is literally about a girlfriend in a coma.  The only question is whether her boyfriend is being sincere when he sings that he hopes that everything will be okay or is he instead telling the truth when he says that he doesn’t want to see her.

Some clue as to how the singer feels about his girl comatose girlfriend might be found in video’s use of clips from The Leather Boys, a British film from 1964.  An example of British kitchen sink realism, The Leather Boys is about a biker named Reggie (Colin Campbell) who marries his girlfriend, Dot (Rita Tushingham), but would still rather spend most of his time with his fellow biker, Pete (Dudley Sutton).  At the time of its release, the film was considered to be shocking because it openly dealt with gay themes at a time when homosexual activity was still illegal in  the UK.  Just as the film ends with Reggie still unsure about his sexuality, Girlfriend In A Coma ends with Morrissey still sounding unsure about whether or not he wants his girlfriend to wake up.

Girlfriend In A Coma was the first single to be released from The Smiths’s final studio album, Strangeways, Here We Come.  The album was named after Strangeways, an infamous prison in Manchester.  Before the UK absolished the death penalty, Strangeways was famous for its gallows.  A total of 100 prisoners were hanged at Strangeways between 1869 and 1964.

 

Music Video of the Day: Be Quick or Be Dead by Iron Maiden (1992, directed by ????)

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Financial scandals are nothing new.

Long before the financial crisis of 2007 and the Great Recession that followed, 1992 saw the collapse of several economic institutions.  That was the year that the European Stock Market crashed and it was revealed that the powerful Bank of Credit and Commerce International was a massive money laundering scheme.  Following the mysterious death of British tycoon Robert Maxwell, it was discovered that he had been propping his companies up by stealing from other people’s pensions.  In the United States, the House banking scandal revealed that hundreds of Congresspeople were being allowed to bounce checks without being penalized by the House bank.

Be Quick or Be Dead, the first single to be released off of Iron Maiden’s Fear of the Dark, was inspired by these scandals.  If there was ever any doubt, the video, which specifically calls out both BCCI and the Federal Reserve, left no doubt that the members of Iron Maiden were as pissed off as everyone else in the world.

Be Quick or Be Dead peaked at number 2 on the UK charts.  It may be best remembered for the cover of its single, which featured Ed getting vengeance on a suit-wearing banker who bore a resemblance to Robert Maxwell.