Music Video of the Day: Bikini Girls With Machine Guns by The Cramps (1990, directed by Rocky Schenck)


This song, which appeared on Stay Sick!, would become The Cramps’s only top 40 hit in the UK. The video starts with a stand-in for Criswell and then goes on to celebrate the band’s classic psychobilly sound. I remember that this video was viewed on an episode of Beavis and Butthead and the boys really liked it, for obvious reasons.

Director Rocky Schenck has over 100 music videos to his name. He’s worked from everyone from Adele to Alice in Chains to Joni Mitchell. The Texas-born Schenck is also an acclaimed photographer. This is from his biography on the imdb (written by John Adams): “He has collaborated with personalities ranging from Adele, Francis Bean Cobain, Robert Plant, Alison Krauss, Ray Bradbury, Ellen DeGeneres, Baz Luhrmann, Kylie Minogue, Nick Cave, P.J. Harvey, Willie Nelson, B.B. King, Annie Lennox, T-Bone Burnett, Joni Mitchell, The Cramps , Tom Cruise, Johnny Mathis, Linda Ronstadt, Stevie Nicks, Sheryl Crow, Josh Duhamel, Diana Krall, Brian Wilson, Donna Summer, Nicole Kidman, Gary Coleman, k.d. lang, Jerry Lee Lewis, Natalie Cole, Gloria Estefan, Neil Diamond, Larry Fishburn, Rod Stewart, Gladys Knight, Alice in Chains, etc.” That’s quite a list!

Enjoy!

Music Video of the Day: Cheri, Cheri Lady by Modern Talking (1985, directed by Volker Hannwacker)


Today’s music video of the day is the atmospheric video for Cheri, Cheri Lady by Modern Talking.  This song was the only single to come off of Modern Talking’s second album and it was also their third straight single to reach number one in Germany.

This video was directed by Volker Hannwacker, who has also been credited with directing videos from Haddaway, Culture Beat, and Paradise Lost.

Enjoy!

Music Video of the Day: Toy Soldiers by Markita (1989, directed by Jim Shea)


I learned something today.

Today, I learned that this song was inspired by a friend of Markita’s who was struggling with an addiction to cocaine. I’m not sure why I didn’t know that but the important thing is that, after the song was released, Markita’s friend eventually conquered their addiction.

Another thing that I learned is that Fergie sings in the chorus for this song. She and Markita knew each other from appearing on Kids Incorporated. Another thing that I learned today is that Fergie and Markita were both on Kids Incorporated. The final thing I learned is that there was a show called Kids Incorporated.

This video was directed by Jim Shea, who went on to direct several country music videos.

Enjoy!

Music Video of the Day: But Not Tonight by Depeche Mode (1986, directed by Tamra Davis)


But Not Tonight is a good example of the type of music video that used to dominate MTV, the movie soundtrack video. Depeche Mode recorded But Not Tonight for the film Modern Girls. The video cuts between scenes of the band performing and scenes taken from the movie, which is why Virginia Madsen, Daphne Zuniga, and Clayton Rohner are so prominently featured. The video did well on MTV, which didn’t translate into the movie becoming a hit.

While the movie was directed by Jerry Kramer, the video was directed by Tamra Davis. Davis was a prolific video director before moving into feature film and television directing.

Enjoy!

Music Video of the Day: Guerilla Radio by Rage Against The Machine (1999, directed by Honey)


No one will ever accuse Rage Against The Machine of being subtle but that’s the point. Rage rarely is.

This video for this song, with its white background and exploited workers, is a parody of the peppy GAP commercials that were popular in the late 90s. “Everybody in Denial” was a play on GAP’s slogan at the time, “Everybody in Khaki.” The sweatshop workers seen in this video were all members of the UNITE! union.

The video was directed by Honey, the husband-and-wife team of Nicholas Brooks and Laura Kelly.

Like many anti-capitalist, protest songs, Guerilla Radio later turned up on the soundtrack of several video games, including Madden and Tony Hawk’s Pro Skater, where it was probably enjoyed by people who had absolutely no idea what the song was actually about. (I remember being amused when American Idiot used to play during one of the Maddens. It was the radio friendly version, of course.)

Enjoy!

Music Video of the Day: You’re My Heart, You’re My Soul by Modern Talking (1985, directed by Mike Leckebusch)


Before I came across this video on YouTube, I had never heard this song before. I don’t know much about Modern Talking, either. I’ve noticed that, on YouTube, their videos appear to be popular with Russian viewers. Almost all of the comments are written in Cyrillic.

Even though I don’t know much about the band or the song, I still decided to go with this video because it really does epitomize an era. From the pixelated beginning to the keytar and the pink bowtie, this is a video that could only come from the 80s. Even though this song is not on the GTA: Vice City soundtrack, it feels like it should be.

Enjoy!

Music Video of the Day: Every Rose Has Its Thorn by Poison (1988, directed by Marty Callner)


Every 80s hair band had to have at least one song that showed that, underneath all the debauchery and the partying, they were actually sensitive poets.  Motley Crue had Home Sweet Home.  Def Leppard had Two Steps Behind.  And Poison had Every Rose Has Its Thorn.

This song was inspired by Bret Michaels’s relationship with his then girlfriend, Tracy Lewis.  After playing a show in Dallas, Michaels called Lewis in Los Angeles and, in a scene reminiscent of Pink Floyd’s The Wall, he was shocked when another man answered the phone.  Michaels wrote the song the next day while sitting in a laundromat.

(Presumably, the death of the landline phone has all but eliminated the risk of getting caught cheating as a result of the wrong person answering phone.)

The concert scenes in this video were filmed at a show in Green Bay, Wisconsin while the scenes of Bret Michaels and his girlfriend (his Rose?) were filmed in a warehouse.  The video’s director, Marty Callner, was one of the top music video directors of the 80s and 90s.  He worked with just about everyone.

Incidentally, Poison is a band that I always used to make fun of but then I saw them interviewed in Penelope Spheeris’s The Decline of Western Civilization Part II and they came across as being surprisingly well-adjusted, especially when compared to W.A.S.P’s Chris Holmes, who was famously interviewed while floating in a pool and pouring a bottle of vodka over himself.

Enjoy!

Music Video of the Day: Change by Tears For Fears (1983, directed by Clive Richardson)


It’s not really about much. It’s just one of those cheap pop lyrics.

— Roland Orzabal

Today’s song of the day is especially appropriate for me because my WordPress account has been updated and, after five years of using classic editor, I’m just now figuring out how to use block editor. I can tell already that it’s going to take me a while to get the hang of this but I think I’m going to like it eventually. Change can be difficult but it can still be a good thing.

Change was Tears For Fears’s fourth released single and it was their second big hit, after Mad World. It was also their first song to chart in the United States. This video was directed by Clive Richardson, who was also responsible for several early Depeche Mode videos.

Enjoy!