Shakespeare in Space: FORBIDDEN PLANET (MGM 1956)


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Well, not quite. FORBIDDEN PLANET is very loosely based on The Bard’s THE TEMPEST, drawing on some of its themes and characters, and putting them in an outer space setting. But the film is much more than that. It’s full of screen firsts, and one of the most influential science fiction movies ever. While watching I was more than reminded of STAR TREK, and wasn’t surprised while doing research that Gene Roddenberry cited it as “one of his inspirations”.

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Today no one thinks twice about movies being set completely in outer space, but FORBIDDEN PLANET did it first. The art and set direction by MGM vets Cedric Gibbons and Arthur Lonergan are wonders to behold, shot in beautiful CinemaScope and Eastmancolor by George J. Folsey. The cinematographer began in silent pictures, and carved a niche with big, splashy musicals like MEET ME IN ST. LOUIS, THE ZIEGFELD FOLLIES, TAKE ME OUT TO THE BALL…

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Paranoia Strikes Deep: INVASION OF THE BODY SNATCHERS (Allied Artists 1956; United Artists 1978)


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These two versions of INVASION OF THE BODY SNATCHERS have much in common. Both are visions of the paranoia of their times disguised in the veneer of science fiction. But while the 1956 film is an allegoric warning of the dangers of Communism, its 1978 remake focuses on conspiracy theory paranoia in the post-Watergate era. The films are equally good reflections of the times they were made, and the differences lie mainly in the visions of directors Don Siegel (’56) and Philip Kaufman (’78).

Siegel’s roots were planted firmly in the old studio system. He began his career at Warners, then RKO before moving onto to independent productions in the mid-50s. INVASION OF THE BODY SNATCHERS was made for Allied Artists (formerly known as Monogram, home of The Bowery Boys and Bela Lugosi quickies.) Siegel was well versed in working within budgetary constraints. Early films like PRIVATE HELL 36 and RIOT IN CELL BLOCK 11 were…

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2015 In Memoriam


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The year 2015 saw many of our brightest stars grow dim. Cracked Rear Viewer would like to pay a pictorial tribute to some of the actors, athletes, and artists who passed on this year:

Mr. Cub Ernie Banks Mr. Cub Ernie Banks

Yogi Berra Yogi Berra

James Best (Sheriff Rosco P. Coltrane) James Best (Sheriff Rosco P. Coltrane)

Kevin Corcoran (Old Yeller) Kevin Corcoran (Old Yeller)

Yvonne "Batgirl" Craig Yvonne “Batgirl” Craig

Director Wes Craven Director Wes Craven

Donna Douglas (Elly May Clampett) Donna Douglas (Elly May Clampett)

Anita Ekberg Anita Ekberg

Singer Lesley Gore Singer Lesley Gore

Actress Coleen Gray Actress Coleen Gray

Dean Jones in The Love Bug Dean Jones in The Love Bug

Lemmy Kilmister of Motorhead Lemmy Kilmister of Motorhead

"King of the Blues" BB King “King of the Blues” BB King

Singer Ben E. King (Stand By Me) Singer Ben E. King (Stand By Me)

Christopher Lee Christopher Lee

Actor Geoffrey Lewis Actor Geoffrey Lewis

Actor Robert Loggia Actor Robert Loggia

Patrick Macnee (The Avengers) Patrick Macnee (The Avengers)

Martin Milner (Adam-12, Route 66) Martin Milner (Adam-12, Route 66)

Al Molinaro (Happy Days, The Odd Couple) Al Molinaro (Happy Days, The Odd Couple)

Leonard Nimoy- "Live Long and Prosper" Leonard Nimoy- “Live Long and Prosper”

Maureen O'Hara Maureen O’Hara

Actress Betsy Palmer (Friday the 13th) Actress Betsy Palmer (Friday the 13th)

Actor/wrestler Rowdy Roddy Piper Actor/wrestler Rowdy Roddy Piper

Wrestling icon "The American Dream" Dusty Rhodes Wrestling icon “The American Dream” Dusty Rhodes

Actor Alex Rocco Actor Alex Rocco

Actress Lizabeth Scott Actress Lizabeth Scott

Actor/bridge expert Omar Sharif Actor/bridge expert Omar…

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Don’t Trust Anyone Over 30: LOGAN’S RUN (MGM 1976)


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When George Clayton Johnson died on Christmas Day 2015, the science fiction world lost one of its giants. The free-spirited Johnson was a mainly a short story and teleplay writer associated with greats like Ray Bradbury and Richard Matheson in a loose knit collective known as The Southern California School of Writers. He wrote many story ideas and scripts for THE TWILIGHT ZONE, including the classic episodes “A Game of Pool” (starring Jack Klugman and Jonathan Winters) and “Kick the Can” (redone by Stephen Spielberg in TWILIGHT ZONE: THE MOVIE). Johnson wrote the first aired STAR TREK episode (“The Man Trap”), the story for OCEAN’S 11, and was a driving force behind the creation of the San Diego Comic Con.  Perhaps his best known work was a novel he did in collaboration with William F. Nolan in 1967, LOGAN’S RUN, made into a big-budget movie by MGM in 1976. David Zelag…

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CLEANING OUT THE DVR Pt. 5: Fabulous 40s Sleuths


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It’s time again for me to make room on the DVR! This edition features five Fabulous 40’s films of mystery and suspense, with super sleuths like Dick Tracy and Sherlock Holmes in the mix for good measure. Here’s five capsule reviews of some crime flicks from the 1940s:

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WHISTLING IN THE DARK (MGM 1941, D: S. Sylvan Simon): The first of three movies starring comedian Red Skelton as Wally Benton, aka radio detective ‘The Fox’. Skelton is kidnapped by a phony spiritual cult led by Conrad Veidt to devise “the perfect murder”. Ann Rutherford and Virginia Grey play rivals for Red’s affections, while Eve Arden is her usual wisecracking self as Red’s manager. Some of the jokes and gags are pretty dated, but Red’s genial personality makes the whole thing tolerable. Fun Fact: Rags Ragland (Sylvester) was once the Burlesque comedy partner of Phil Silvers.

Basil Rathbone (Sherlock Holmes) Lionel Atwill (Professor James Moriarty) Basil Rathbone (Sherlock Holmes) Lionel Atwill (Professor James Moriarty)

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A CHRISTMAS CAROL is a Christmas Classic (MGM 1938)


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Out of all the myriad movie permutations of the Charles Dickens classic over the years, this 1938  production still remains my favorite. The MGM treatment is in full effect, putting their glossy stamp on Victorian Era London and giving the production a high-polished look. Director Edwin L. Marin brings Hugo Butler’s tight script to life in just over an hour, keeping the story moving along swiftly  with no overblown padding. Marin was a competent storyteller whose steady hand guided everything from Bela Lugosi mysteries (THE DEATH KISS) to MGM’s Maisie series with Ann Sothern to Randolph Scott Westerns. A CHRISTMAS CAROL was produced by a 28-year-old tyro named Joseph L. Mankiewicz, later to become an Academy Award winning director ( A LETTER TO THREE WIVES, ALL ABOUT EVE), who did his own take on the story with 1964’s Carol for Another Christmas.

Unless you’ve been living under a rock since 1843 you already know the…

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Christmas Confection: HOLIDAY AFFAIR (RKO 1949)


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On September 1, 1948, movie star Robert Mitchum went to a house party with an acquaintance and two young women. The quartet was raided by LA police and arrested for possession of marijuana.  Local cops were out to clean up the Hollywood “dope scene”, and Mitchum was used to set an example. Sentenced to 60 days in jail, Mitchum and his bosses at RKO figured his career was over. But during all this hubbub, the studio reluctantly released RACHEL AND THE STRANGER, a Western with Loretta Young and William Holden that Mitchum finished before the bust. It was a hit with audiences, who cheered at the sight of the laconic pothead on-screen! Mitchum did his time, then went on to make THE BIG STEAL with his Out of the Past costar Jane Greer. It looked like all was forgiven, but RKO was still unsure, and tried to soften Mitchum’s image by casting…

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Ho-Ho-Horror!: SILENT NIGHT DEADLY NIGHT (TriStar 1984)


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Deck the halls with slaughtered bodies, fa-la-la-lala, lala-la-la!

What better way to spend the Yuletide Season than with SILENT NIGHT DEADLY NIGHT, a movie about a psycho Santa running amok in Utah? This 1984 slasher shocker was directed by Charles E. Sellier, Jr., usually associated with wholesome family fare like THE LIFE AND TIMES OF GRIZZLY ADAMS, IN SEARCH OF NOAH’S ARK, and ANCIENT SECRETS OF THE BIBLE. But Sellier occasionally dipped his toes into exploitation (THE BOOGENS, THE ANNIHILATORS), and hit the bloody nail on the head with this one. The movie was considered controversial in its day, and TriStar actually pulled it from theaters a week after its release due to protests from national PTA groups. Today, SILENT NIGHT DEADLY NIGHT is regarded as a classic of the slasher genre and holds up quite well next to fright films like FRIDAY THE 13TH and NIGHTMARE ON ELM STREET.

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We begin our tawdry…

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Reinventing Dickens: CAROL FOR ANOTHER CHRISTMAS (Telsun Foundation 1964)


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You’d think with a cast featuring Sterling Hayden, Ben Gazzara, Peter Sellers, Eva Marie Saint, Robert Shaw, and other notables, a script by Rod Serling, score by Henry Mancini, and direction from Oscar winner Joseph L. Mankiewicz that CAROL FOR ANOTHER CHRISTMAS was a long-lost big screen spectacular, right? Wrong. It’s actually a made-for-TV movie produced by the Telsun Foundation, Telsun being Television Series for the United Nations. That’s right, the UN (funded in part by the Xerox Corporation) once produced a series of television specials with big name artists in an attempt to promote brotherhood and world peace (or to create a New World Order, depending on which way you lean in the political spectrum).

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The first entry was a take on Charles Dickens’ classic A CHRISTMAS CAROL. Sterling Hayden starred as Daniel Grudge, filling in for Scrooge. Grudge is a wealthy industrialist whose son was killed in World War II , and who…

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If Ed Wood Directed STAR WARS…


…it’d probably look a lot like HARDWARE WARS, the 1978 short spoof by Ernie Fosselius. Set to Wagner’s “Ride of the Valkyrie”, this trailer-styled parody features Mad Magazine type character names like Princess Anne Droid, Augie Ben Dogie, Ham Salad, and 4Q2. Narrated by none other than Paul Frees, even George Lucas is said to like it! “You’ll laugh, you’ll cry, you’ll kiss three bucks goodbye” but mostly you’ll laugh at the hilarious HARDWARE WARS: