
by J. Oval
Having a war anywhere is bad enough without having it in the sun. This is a really good cover, from the mysterious J. Oval.

by J. Oval
Having a war anywhere is bad enough without having it in the sun. This is a really good cover, from the mysterious J. Oval.
Born in Pennsylvania but raised in California and Oregon, Stockton Mulford lost his right eye in a childhood accident but he never lost his ambition to become an artist. With a glass eye and a painter’s easel that was given to him by his father, Mulford worked part-time as a bank clerk while taking art classes during the weekend. In 1907, deciding that it was all or nothing, Mulford moved to New York City and devoted himself full time to art.
After studying at the Art Students League, Mulford found quick success as an illustrator and become one of the busier artists of the pulp era. After he retired from illustrating in 1946, he moved to Connecticut and, at the age of 60, he became an expert cabinet maker and found a second career restoring furniture for local museums. He eventually passed away in 1960, at the age of seventy-four.
Below is just a small sampling of Stockton Mulford’s work:

by R.A. Osborne
He certainly looks proud of himself.
Sometime glamorous. Sometimes sordid. Sometimes dangerous. The life of the model has always been a popular subject for the pulps. Below are some pulp covers that deal not only with the experience of being model but also the weight of being an artist. There’s a price for everything.
Weird Thrillers was one of the many horror comics to be published in the early 50s. Though there were only five issues and the content was largely made up of true crime stories and sci-fi stories instead of straight horror, Weird Thrillers is still remembered for its awesome covers.
Here are the five covers for Weird Thrillers. The first four issues were published in 1951. The fifth and apparently final issue was published in 1952.

by Charles L. Wrenn
This is from 1926. With the bars set that far apart, I’m not surprised he escaped.