In 2004’s Suburban Sasquatch, Bigfoot is stalking the suburbs.

Bigfoot appears out of thin air.

Bigfoot vanishes whenever he’s feeling stressed or local Native American badass Talla (Sue Lynn Sanchez) starts shooting arrows at him.

Bigfoot pulls off arms and legs and tosses them in the air.

Bigfoot likes to drag his victims off to a cave where he apparently just leaves them laying around.

Bigfoot has to eat.

Bigfoot has really big tits.

Yes, you read that last one correctly.  Groucho Marx once said that he wouldn’t be seeing a movie starring Victor Mature and Hedy Lamarr because, “‘I never go to movies where the hero’s tits are bigger than the heroine’s,” and let’s just say that Victor Mature had nothing on the Suburban Sasquatch.  The sasquatch costume itself is covered in coarse, dark fur except for its belly and chest, both of which are left pretty much bare.  It makes me wonder where exactly the production purchased the sasquatch costume.  The film was apparently shot in Pennsylvania and Pennsylvania seems like it’s a bit too blue collar to be home to an S&M-themed furry community but who knows?

(Maybe the costume was ordered from Austin.)

As for the film, it’s basically just the Suburban Sasquatch killing people.  It was obviously made for next to no money and the dialogue is just bad enough to leave you wondering whether or not the director was specifically trying to satirize no-budget, direct-to-video horror films or if he was just trying to do what he could with what he had available.  Personally, I couldn’t hep but smile at the fact that no one seemed to be that panicked about a Sasquatch being on the loose.  Throughout the film, people continue to wander around outside as their friends and neighbors aren’t getting ripped apart by Bigfoot.

(“Actually, Lisa, it’s not Bigfoot.  It’s a Suburban Sasquatch.”  I don’t care.  Everyone keeps looking at his footprints and gasping.  He’s Bigfoot.)

A few other things I liked about Suburban Sasquatch:

The special effects, especially the scenes of blood-spraying, appear to have been done with MS Paint.

There were only two cops in the entire town and they were both useless.

Reporter Rick Harlan (Bill Ushler) kept showing up at the crime scenes and talking about how the people had the right to know about the killings but he didn’t really put much effort into getting the word out there.

Suburban Sasquatch likes to rip off people’s limbs and smash their heads, all in full MS Paint glory.  But, somehow, whenever the bodies are found, the limbs have reattached and the heads are no longer smashed.

The character of Talla, assigned by her Native American ancestors to kill the sasquatch, was incredibly badass, even if she was something of a stereotype.  Seriously, if I was told that I had to be someone from Suburban Sasquatch, I would want to be Talla because she shows up, shoots her arrows, tells Rick to get lost, and then she goes somewhere else and shoot even more arrows.  She’s the one character in the film who is actually actively trying to do something.

Finally, I should not that there’s an online rumor that the late Neil Hope, who played Wheels on Degrassi High, appeared in Suburban Sasquatch but I definitely didn’t see him and, considering that Hope apparently spent his entire post-Degrassi life in Canada, I have a hard time believing that he hopped down to Pennsylvania to appear in a nothing-budget film.  One of the first victims does have a Wheels-style mullet but I’m pretty sure that wasn’t Neil Hope as Hope himself was sporting a bald look at the time this film was made.  (That said, on Degrassi: The Next Generation, Jimmy, Spinner, Craig, and Marco did play in a band called Downtown Sasquatch and Jimmy and Spinner briefly owned a clothing store called Squatch Wear.)

Suburban Sasquatch came out in 2004 and probably would have been forgotten if not for Joel McHale featuring a clip from it on The Soup.  Much like Bigfoot himself, the film lives on.