
This episode opens with Mike Kovac (Charles Bronson) receiving an anonymous phone call to come to the corner of Myers St. and Brooklyn Ave., and he’s told to bring his camera! When he gets there, he’s forced at gunpoint by two masked man to take a picture as they kill another man. After the killers drive off, Kovac immediately calls the police. We meet Lt. Abrams (Robert Ellenstein), who tells Kovac that the dead man is a new merchant in town named Sam Bartlett (Bill Erwin) who has been refusing to pay the head of the local protection racket, Glenn Markey (Berry Kroeger). Lt. Abrams asks Kovac to let them plant a story in the paper that says they have an eyewitness to the murder, ace photographer Mike Kovac. Worried that he might be the next man to get killed, Kovac turns him down. Not feeling good about refusing to help the police, Kovac goes to see his dad Anton and tells him the story. Shocked to hear that his son has refused to help the police, especially since it could help put an end to Marky’s reign of terror, Anton asks his son if it’s because he’s afraid. Somewhat shamed into it, Kovac finally agrees and calls Lt. Abrams and tells him they can run the story saying he witnessed the murder. Wouldn’t you know it, the next night Glenn Markey and his funky bunch kidnap Anton in order to force Kovac’s hand. Will Kovac be able to save his dad, and his own skin in the process? Will the police be any help?
“The Warning” seems to be built upon an irrational request from the police of Mike Kovac… let us plant a fake story and put your life in danger so we can hopefully catch the killer as he tries to kill you. When Kovac refuses to be used that way, as any other rational human being would, Lt. Abrams tells him he’d been told that “Mike Kovac doesn’t scare easily. Guess I heard wrong.” It’s bad enough when anyone implies you’re a coward, but when Mike’s own dad seems disappointed that he’s not helping the police out of fear, Mike is almost forced to help. This is not how it would go down if I found myself in this position, and my dad would be on my side! Even though the premise is somewhat flimsy, there are definitely some good moments in the episode. Once Markey has kidnapped his “Pop,” Kovac turns into the badass Bronson we’ve been waiting for. I enjoyed this tough guy exchange as Markey tries to force Kovac to come with him at gunpoint, not knowing Kovac has brought his own gun:
Markey – “This gun says you’re coming along with me.”
Kovac – “This gun says I’m not.”
Markey – “You’re bluffing, Kovak.”
Kovac – “You just think about that when these slugs start ripping into your body. Maybe it’ll be a comfort to you.”
I also like it when Anton admits he was wrong at the end. After somewhat shaming his son into helping the police, and then having to be rescued later, Anton says, “You were right Michael, these things are dangerous. The next time the police ask for your help, you say NO!” It’s a funny, and more realistic, conclusion to the episode!
Overall, I enjoyed the episode very much, mainly because of Bronson’s strong central performance. I’m looking forward to seeing where the series goes from here!
”…when Mike’s own dad seems disappointed that he’s not helping the police out of fear, Mike is almost forced to help. This is not how it would go down if I found myself in this position…”
Brad, I’m sure you are right on all counts, and your father sounds like a fantastic and moral person. A thought. Mike Kovac’s father Anton is from Eastern Europe (country unnamed). The series takes place in contemporary U.S. 1958, and WWII ended in 1945. People who lived under Communist regimes automatically cooperated with police. This was part of the demoralization and repression necessary for Communists to protect their governments, and the people didn’t have anything like Constitutional rights for speech. People today in the U.S. take it for granted, and think Communist threats were a fairy tale, but the four steps were happening then and are happening today. Demoralization, Destabilization, Crisis, and Normalization, those interested can look it up.
This is why Anton encouraged his son Mike to lie about what happened, and misuse his trusted media on behalf of police. People were targeted for beliefs, ostracized and persecuted because of their beliefs, politics and ethnicity. It still happens today in 2025, all over the world. This context is important to the series and the characters, and will come up again. Hope this is useful!
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John – thanks for the context surrounding Anton’s possible motivations! Considering the show was made, 67 years ago, things were definitely different in the world than they are today, and someone in his situation would have thought differently based on his own specific experiences. This context makes it even better at the end, when he tells Mike to say “No” the next time the police ask for help!
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