SHANE (The TV Series) – Episode 8: The Other Image (originally aired October 29th, 1966)


Episode 8 begins with Sam Grafton (Sam Gilman) riding up to the Starett cabin as Shane (David Carradine), Tom (Tom Tully). Marian (Jill Ireland), and Joey (Christopher Shea) are chopping and stacking wood. He has a new plow for the family, and he also has a letter that has arrived for Marian from Boston. The letter is from Mr. Warren Eliot (Robert Brown), a handsome former boyfriend who is now a state Senator in Massachusetts. His letter explicitly states the fact, and also reminds Marian, that she was once “the most beautiful girl in Boston.” Tired of working like a mule for little or no appreciation and only discussing things like plow handles and wood for the winter, Marian is excited when Warren’s letter announces that he is coming for a visit. This throws the household, and Shane, into quite a tizzy. And it gets even worse when Warren arrives, for everyone but Marian and Rufe Ryker (Bert Freed) that is. Marian feels like she’s 18 again, and Ryker sees this as an unexpected opportunity to get the Starett’s and Shane out of the valley. Spending their days riding horses and talking about the old times, the new times, and everything in between, Warren eventually asks Marian to marry him and go back to Boston. Marian is unable to say yes or no immediately and asks for a little time to think about it, especially since it would be such a big change for Joey. Of course, all of this puts Shane in a pissy mood, but he still won’t tell Marian exactly how he feels, even though she presses him about it a couple of times. Will Marian agree to marry the dashing Warren Eliot? Will Ryker finally get his hands on the Starett land? Will Joey and his turtle have to travel across the country? Will Shane have to pull up stakes and move on down the trail? I think you probably know the answers, but the fun is always in watching it unfold! 

Near the end of my review of episode 7, I made the following comment, “I don’t think they (Shane and Marian) look at each other longingly a single time, which did make me a little sad. Here’s hoping they’ll double that up in Episode 8!” All I can say is be careful what you wish for. In this episode, Marian and her old boyfriend, now Senator Eliot, take center stage. And Shane is off to the side sulking most of the time while Marian is basking in all the compliments and attention. I was kind of hoping that Warren would turn out not to be quite as perfect as he first appears, you know, one of those deals where he has duplicitous motives or something. But no, he really is just about perfect. And Shane, poor Shane… you would think that he might finally tell Marian how he really feels about her. But not our Shane. When she point blank asks him what he thinks she should do, with a little hope in her voice that he might try to talk her out of it, his response is “you’d be crazy not to say yes.” And then he goes off to sulk some more. At the end of the day, I can’t help but wonder if Shane doesn’t have a hell of a point! But the heart wants what the heart wants, and it doesn’t always make sense. 

As for the moments where Shane and Marian look longingly at each other, this episode does indeed double up with a couple of doozies. The first time is when Shane tells her that he introduced himself to Warren earlier that day at Grafton’s as her “hired man.”  She tells Shane that “you know you’re family. You know that don’t you Shane? Don’t you?” As Shane is hitching up his horse to leave, she runs out the door and stares at him, then he stares at her and then does a double take, and then she stares at him some more. Even I started to get a little uncomfortable! And there was another scene late in the episode where they chop wood together late in the evening that has be serving as a metaphor for making love or something. They are working that wood together and looking at each other and sweating. The scene ends with her saying “it’s good to be needed,” to which he replies, “yeah” while somewhat out of breath. From that point forward, we know poor Warren doesn’t stand a chance. I’ve never watched any of these episodes before starting this series of reviews, so I had no idea this was coming when I finished up last week’s review. Needless to say, Episode 8 fulfilled my quota of sexual tension between the two for at least the next few episodes combined! 

Overall, while I did enjoy episode 8, I must admit that it’s not one of my favorite episodes so far, especially with Shane coming off more like lovelorn teenager than a tough gunslinger for most of the episode. The resolution is a little silly as well, with Shane and Warren actually teaming up in a bar fight with Ryker’s men. But with that said, the writers must be credited for providing me exactly what I asked for in my last review, in spades. So, thank you Jack Schaefer and Ellen Violett! As we’re reaching the midway point of the complete series, I’m looking forward to what episode 9 has to offer. 

3 responses to “SHANE (The TV Series) – Episode 8: The Other Image (originally aired October 29th, 1966)

  1. You mentioning that ‘wood chopping’, as metaphor, got me thinking about all those Charles Bronson wood chopping scenes. There was a series in the early ’70s starring Robert Brown, David Soul and Bobby Sherman called “Here Come The Brides”. Robert Brown’s logging company was about to shut down, until he imported a bunch of hotties. Another case of I “didn’t get it then, but I get it now!”:-)

    Liked by 1 person

    • Oh my, and with the Robert Brown reference as well. You are an encyclopedia of knowledge, John! That does sound like a good show. And I’ve really been enjoying watching these Shane episodes. It’s so funny how these shows are able to work in the innuendo. With the weekly article, it’s been fun to have a reason to keep consistently watching them as well. I’m thinking about loading up THE TRAVELS OF JAIMIE MCPHEETERS next!

      Liked by 1 person

  2. Pingback: Lisa Marie’s Week In Review: 2/17/25 — 2/23/25 | Through the Shattered Lens

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