VOYAGE (1993) – Rutger Hauer and Eric Roberts battle it out on a boat!


The 1993 made-for-cable television film VOYAGE opens with Morgan Norvell (Rutger Hauer) and his wife Kit (Karen Allen) headed to their 20-year class reunion. Morgan didn’t really want to go, but Kit talked him into it. It seems that Morgan was a champion diver back in high school. We know that because he’s looking at some pictures at the reunion that are meant to illustrate what a great athlete he once was. I say “meant to illustrate” because the man in the pictures looks absolutely nothing like a potentially younger Hauer would. Hauer is a big boned man, known for his blond hair. This guy in the pictures is scrawny with dark hair, but I’ll just move on, I guess. Morgan and Kit seem to be enjoying themselves, when they run into Kit’s old friend Gil Freeland (Eric Roberts) and his wife Ronnie (Connie Nielsen). It’s kind of awkward at first because Gil asks Morgan if he remembers him, and Morgan doesn’t, even though they were in the same class. Isn’t that the worst? I was recently at an Arkansas Razorbacks football game, and as I walked away from the concession area with my beverage, this lady’s voice said, “Well, if it isn’t Brad Crain.” I looked at the group of people standing in front of me, including the lady who said my name, and I immediately knew I was in trouble. They all looked kind of familiar, but a long time ago “kind of familiar,” and I knew none of their names. And then she asked that question I was hoping to avoid, “You don’t remember me, do you?” I had to admit I didn’t. We spoke for a few moments, and then I headed to my seat feeling a little embarrassed. I told my family about the exchange a few days later, and my sister Pam said that the lady was her best friend in school and that she used to spend the night at our house when we were kids. But the truth is that I still don’t really remember her, and now I’m starting to worry about how the hell I can’t remember her!

After that initially awkward moment, Morgan, Kit, Gil and Ronnie sit down together and start talking about their lives. We learn that Morgan is an architect (ala Paul Kersey), that Kit is an author, that Gil is a dentist, and that Ronnie just looks good. If she told her profession, I missed it. In a case of giving way too much information to people you haven’t seen in 20 years, Morgan and Kit tell the couple of their plans to go to Monte Carlo where they have a sailboat, which they plan to sail down the coast of Italy until they reach Malta. It seems that they purchased a hotel that is in much need of repair, and that they are going to live on the boat for a year, while Morgan puts his architect skills to good use and restores the property. The couple, who have had their share of struggles, are using this adventure as a fresh start in their marriage. Well Gil and Ronnie think this all sounds like a ball and even say that they’d love to join them for a few days if they could. No specific plans are discussed, and Morgan and Kit say that would be great, without expecting they’ll see them again after this night. Wrong! While Morgan is getting the boat ready in Monte Carlo, Gil and Ronnie show up. They have a good day on the ocean together and are enjoying some champagne that night when Gil proceeds to invite himself and Ronnie to go along with them on down the coast for a few days. She doesn’t want to be rude, but Kit is not for this idea so she kicks Morgan under the table. This is supposed to be their time to work on their relationship. Morgan should have known better than to say that Kit and Ronnie could join them for a few days, because any person who’s married or in a relationship should understand the under the table “kick to the shin.” But in a complete dumbass move, he invited them along anyway.

And this is where things really start going in a different direction. That first night, Ronnie makes a sexual move on Morgan, which he somehow has the strength to turn down, while Gil and Kit are downstairs reliving old times… Strike 1! That same night, Morgan is awakened to the sounds of a person on the deck and finds Gil up there. Gil says he was needing some fresh air and dropped his champagne, but Morgan finds the fuel cap is loose after Gil goes back downstairs… Strike 2! A couple of days later, Ronnie tries to kiss Kit, Gil catches a fish and bashes its head in instead of just throwing it back and then has the nerve to imply to Morgan that he had sex with Kit in high school… Strikes 3, 4, and 5! Morgan knocks the crap out of Gil and then makes them get off the boat when they get back to shore that day.

And from that point forward, Morgan and Kit sail on down the coast of Italy, making their way to Malta where they rebuild both their relationship and the Hotel Riviera, and live happily ever after! I’m just kidding, the rest of the movie consists of Gil and Ronnie terrorizing the couple, ultimately wanting to kill them for far more nefarious purposes than I’ll reveal here. I believe that most people in the world will fit into 2 categories: those who want to watch a movie where Eric Roberts terrorizes and tries to kill Rutger Hauer, and those who don’t want to watch such a movie. I’m really writing this up for those in the first camp, so I don’t want to spoil this movies surprises!

Back in 1993, Rutger Hauer’s run as a big-screen lead was nearing its end. With a couple exceptions, he would spend the rest of the decade appearing in made-for-cable TV films and other low budget direct-to-video type fare. Eric Roberts, who had received an Oscar nomination a decade earlier, was also mostly doing low budget direct-to-video fare, TV movies, and the occasional character part in a larger budget movie. This is an interesting time for both actors as their careers were transitioning. But we’re talking about two guys who know how to act, as evidenced by Hauer’s 174 acting credits on IMDB and Roberts’ 760 acting credits on IMDB (and counting as he has 4 credits in 2025 already). Both Hauer and Roberts are capable of playing complete psychos, so I’m not sure how they settled in on Roberts to play the psycho in this one. It may be because Hauer played a psycho stalker in his earlier movie from 1993, the made-for-HBO film BLIND SIDE, but that’s just a guess.

I enjoyed VOYAGE when I watched it the night of its premiere on the USA Network on June 2nd, 1993, and I enjoyed it when I watched it again this morning. I’m a huge fan of Rutger Hauer, and I’ve always appreciated Eric Roberts. For me, it’s a real treat seeing these two guys face off. I enjoy that Hauer gets to play the “hero” while Roberts is the dangerous creep, and Roberts is as creepy as it gets in this movie. Hauer’s role isn’t very flashy, as he’s a pretty normal guy who finds himself in a bad situation, but he is Rutger Hauer so it’s not a surprise that he’s able to summon the strength to fight for his and his wife’s lives. VOYAGE was directed by John Mackenzie. Mackenzie made some good films earlier in his career, including the phenomenal British crime film THE LONG GOOD FRIDAY (1980), the Charles Bronson corrupt union drama ACT OF VENGEANCE (1986), and the Michael Caine / Pierce Brosnan spy thriller THE FOURTH PROTOCOL (1987). While VOYAGE is certainly not his most accomplished work, Mackenzie knows how to make a film, and he does a fine job here. And finally, I always enjoy a movie filmed in beautiful locations, and Malta definitely makes for some beautiful views.

Ultimately, I think your enjoyment of VOYAGE will come down to whether or not you like the idea of Rutger Hauer and Eric Roberts fighting it out to the death. I personally like that idea.  

See the trailer for VOYAGE below:

54 responses to “VOYAGE (1993) – Rutger Hauer and Eric Roberts battle it out on a boat!

  1. Brad, I have never heard of this movie and am also a fan of Rutger Hauer (Split Second and Wedlock (which I knew as Deadlock, but the language police blah, blah, blah…) So I will look for, and watch, Voyage.

    What stood out to me in this review was your telling of the encounter with some people from your past. Sounds like you handled it great. “…she asked that question I was hoping to avoid, “You don’t remember me, do you?” I had to admit I didn’t.” First of all, this is a compliment to you that you look much like you did 30 years ago. Second of all, that is a really passive-aggressive question she asked. She was trying to embarrass you, and catch you out, which she did. This is a person to AVOID! and hopefully it won’t be hard. Having been in that very situation myself a number of times, my first move if it looks like it will be friendly is to stick out my hand and introduce myself to others in the group. You can never go wrong being cordial. As the ‘star of her own life’, that woman wanted nothing more than to have you burst out in happy recognition of her. When that didn’t happen, she was embarrassed herself not to be identified and recalled, so she took it out on you with some unhelpful quizzing.

    This very thing happened to me recently, at a party with classmates I hadn’t seen in 40 years. They introduced themselves, and when I said my name we all laughed and for just a moment they were sheepish but it worked out fine and friendly. One possible response to the “you don’t remember me, do you” gambit is to reply, “no, but you remember me!” That isn’t really cordial, though.:-) Well, I enjoyed the movie summary and review (and I am also a fan of Connie Neilsen, best known as ex-wife of Metallica’s drummer, Lars Ulrich) so thank you, Brad!

    Liked by 1 person

  2. Brad, one more thing…*Columbo voice!* I just told my wife this whole story (and review/summary, and the Hauer/Roberts combo made her instantly respond, CREEPY!:-) and my comment, and she suggested that I should share this additional observation. My guess is that woman is younger, as is your sister. That woman had a crush on Big Brad as a young lady, but gentleman that you are you did not encourage it and went on with your life. Meanwhile, she thought about you every night, and dreamed of you both being together with her as the ‘star of her own life’ and you would be a ‘guest star’. Anyway, that’s my ‘cold read’ fwiw!:-) Again, thank you Brad!

    Liked by 1 person

    • Thanks for the advice, John C. I was thinking more about it after the event, and it had probably been 35-40 years since I had seen this person. And you, and your wife, certainly know how to make a guy feel good about himself. It sounds like you’re one heck of a guy and I can’t wait to share the screen with you soon on TWICB!

      Liked by 1 person

  3. Pingback: Lisa Marie’s Week In Review: 1/13/25 — 1/19/25 | Through the Shattered Lens

  4. Pingback: The Eric Roberts Collection: The Elevator (dir by Jack Cook and Mukesh Modi) | Through the Shattered Lens

  5. Pingback: Love On The Shattered Lens: Frank and Ava (dir by Michael Oblowitz) | Through the Shattered Lens

  6. Pingback: The Eric Roberts Collection: Amazing Racer (dir by Frank E. Johnson) | Through the Shattered Lens

  7. Pingback: The Eric Roberts Collection: A Talking Cat!?! (dir by David DeCoteau) | Through the Shattered Lens

  8. Pingback: The Eric Roberts Collection: Runaway Train (dir by Andrei Konchalovsky) | Through the Shattered Lens

  9. Pingback: The Eric Roberts Collection: The Reliant (dir by Paul Munger) | Through the Shattered Lens

  10. Pingback: The Eric Roberts Collection: Beyond The Trophy (dir by Daniel J. Gillin) | Through the Shattered Lens

  11. Pingback: The Eric Roberts Collection: Devil’s Knight (dir by Adam Werth) | Through the Shattered Lens

  12. Pingback: The Eric Roberts Collection: Bed & Breakfast (dir by Marcio Garcia) | Through the Shattered Lens

  13. Pingback: The Eric Roberts Collection: Night Night (dir by Niki Koss) | Through the Shattered Lens

  14. Pingback: The Eric Roberts Collection: Las Vegas Story (dir by Byron Q) | Through the Shattered Lens

  15. Pingback: The Eric Roberts Collection: Raptor (dir by Jim Wynorski) | Through the Shattered Lens

  16. Pingback: The Eric Roberts Collection: DC Down (dir by Geoff Meed) | Through the Shattered Lens

  17. Pingback: The Eric Roberts Collection: Deadly Sanctuary (dir by Nancy Criss) | Through the Shattered Lens

  18. Pingback: The Eric Roberts Collection: The Perfect Summer (dir by Gary Wheeler) | Through the Shattered Lens

  19. Pingback: The Eric Roberts Collection: Rough Air: Danger on Flight 534 (dir by Jon Cassar) | Through the Shattered Lens

  20. Pingback: The Eric Roberts Collection: Bad Substitute (dir by Steven Krasner) | Through the Shattered Lens

  21. Pingback: The Eric Roberts Collection: Assault on Wall Street (dir by Uwe Boll) | Through the Shattered Lens

  22. Pingback: Music Video of the Day: We Belong Together (2005, dir by Brett Ratner) | Through the Shattered Lens

  23. Pingback: The Eric Roberts Collection: 69 Parts (dir by Ari Taub) | Through the Shattered Lens

  24. Pingback: The Eric Roberts Collection: Border Blues (dir by Rodion Nahapetov) | Through the Shattered Lens

  25. Pingback: The Eric Roberts Collection: Depth Charge (dir by Terrence O’Hara) | Through the Shattered Lens

  26. Pingback: The Eric Roberts Collection: Best of the Best (dir by Bob Radler) | Through the Shattered Lens

  27. Pingback: The Eric Roberts Collection: Best of the Best II (dir by Bob Radler) | Through the Shattered Lens

  28. Pingback: The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer) | Through the Shattered Lens

  29. Pingback: The Eric Roberts Collection: Megaboa (dir by Mario N. Bonassin) | Through the Shattered Lens

  30. Pingback: The Eric Roberts Collection: Hunting Season (dir by Eduardo Castrillo) | Through the Shattered Lens

  31. Pingback: The Eric Roberts Collection: Bigfoot vs D.B. Cooper (dir by David DeCoteau) | Through the Shattered Lens

  32. Pingback: The Eric Roberts Collection: Doc Holliday’s Revenge (dir by David DeCoteau) | Through the Shattered Lens

  33. Pingback: The Eric Roberts Film: Dawn (dir by Nicholas Ryan) | Through the Shattered Lens

  34. Pingback: The Eric Roberts Collection: The Demonic Dead (dir by Rick Vargas) | Through the Shattered Lens

  35. Pingback: The Eric Roberts Collection: Sink Hole (dir by Scott Wheeler) | Through the Shattered Lens

  36. Pingback: The Eric Roberts Collection: The Chaos Experiment (dir by Philippe Martinez) | Through the Shattered Lens

  37. Pingback: The Eric Roberts Collection: The Rideshare Killer (dir by Ashley Scott Meyers) | Through the Shattered Lens

  38. Pingback: The Eric Roberts Collection: Red Prophecies (dir by Rodney James Hewitt and Christopher Gosch) | Through the Shattered Lens

  39. Pingback: The Eric Roberts Collection: To Heal A Nation (dir by Michael Pressman) | Through the Shattered Lens

  40. Pingback: Retro Television Review: The American Short Story #11: Paul’s Case | Through the Shattered Lens

  41. Thanks for the writre-up. Big fan of both Hauer and Roberts. It’s worth watching the intervie with Clive Tinkner (cinematographer) on the “Split Second” blu-ray; he also worked on “Voyage”” and chats about how the two stars were attempting to “out rock-star” the other during the shoot, and causing delays.

    Liked by 1 person

  42. Pingback: The Eric Roberts Horror Collection: Sorority Slaughterhouse (dir by David DeCoteau) | Through the Shattered Lens

  43. Pingback: October Positivity: Broken Church (dir by Michaux Muanda) | Through the Shattered Lens

  44. Pingback: The Eric Roberts Horror Collection: Insane Like Me? (dir by Chip Joslin) | Through the Shattered Lens

  45. Pingback: The Eric Roberts Horror Collection: 2 Bedroom 1 Bath (dir by Stanley Yung) | Through the Shattered Lens

  46. Pingback: The Eric Roberts Horror Collection: Space Sharks (dir by Dustin Ferguson) | Through the Shattered Lens

  47. Pingback: October True Crime: The Company We Keep (dir by Jeff Edelstein) | Through the Shattered Lens

  48. Pingback: October Positivity: Revelation Road: The Beginning of the End (dir by Gabriel Sabloff) | Through the Shattered Lens

  49. Pingback: October Positivity: Revelation Road 2: The Sea of Glass and Fire (dir by Gabriel Sabloff) | Through the Shattered Lens

  50. Pingback: The Eric Roberts Horror Collection: 616 Wilford Lane (dir by Dante Yore) | Through the Shattered Lens

  51. Pingback: An Eric Roberts Holiday Film Review: So This Is Christmas (dir by Richard Foster) | Through the Shattered Lens

  52. Pingback: An Eric Roberts Holiday Film Review: A Karate Christmas Miracle (dir by Julie Kimmel) | Through the Shattered Lens

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.