Ryan C.'s Four Color Apocalypse

It’s a difficult thing to process, Nathan Cowdry’s Shiner — on the one hand it’s not a terribly complex narrative, despite the fact that’s it’s ridden with flashbacks, fever dreams, and less-than-reliable Ps OV. Really, I’m not kidding, the whole thing fits together in near-meticulous fashion even though by all rights it probably shouldn’t. But there’s so much simmering below the surface that it’s well-nigh impossible to determine how you feel about it even after two, three, or (in my case) four readings. Can I definitively state that I “like” this comic? I’m honestly not sure. I can, however, state without hesitation that I’ve found it impossible to get it out of my head, and that alone makes it worth talking about in some detail.
There’s something unsettling and potentially dangerous about Cowdry’s obsessions — like fellow Japan-obsessed Brit Trevor Brown, he blurs the lines between sex and violence…
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