When a new comic series comes along touting itself as being “like Wes Anderson remaking Reservoir Dogs,” I’m bound to be intrigued — if for no other reason than the fact that I absolutely despise Wes Anderson every bit as much as I love Quentin Tarantino. As a result, writer Matthew Rosenberg and artist Tyler Boss’ new five-parter from Black Mask Studios, 4 Kids Walk Into A Bank, had my attention from the outset — but was going to be on a very short leash. If it proved to be a fun, foul-mouthed crime caper with a ’70s exploitation vibe, then I’d be in for the duration. But if it played out like a self-consciously “quirky” story loaded down with bright primary colors and a nauseating “rich people are nothing but harmless ‘big kids’ who never grew up and pal around with deadpan mute sidekicks from the Indian…