There are good “found-footage” horror movies.

There are bad “found-footage” horror movies.

And then there are Asylum “found-footage” horror movies.

Usually setting their tales at or near the scenes of purportedly “real” paranormal “hot spots” or the stomping grounds of infamous serial killers (although all their flicks are shot in California), the no-budget, straight-to-video “moguls” who run The Asylum follow pretty much the same formula every time : hire an eager kid either right out of film school or looking to get in to direct it, give him or her an HD video camera, hire a bunch of uniformly good-looking guys and gals who are out  to pad their meager acting CVs, get the ladies to take their shirts (at least) off, mix in a bit of dodgy CGI effects work meant to be indicative of “ghostly”  activity ( I really wanted to say “paranormal activity” there, but the name’s…