6 Reasons To Watch I Am A Fugitive From A Chain Gang


I am so thankful for TCM.  This wonderful network has allowed me to discover so many old films that I might otherwise have never seen.  Among those films, 1932’s I Am A Fugitive From A Chain Gang.

As you might guess from the title, I Am A Fugitive From A Chain Gang was something of a low-budget B-movie.  It’s also one of the few films that can legitimately claim to have changed society.  The fugitive of the title is James Allen (Paul Muni), a veteran of the First World War who, feeling uncomfortable in peace time and unable to find work, finds himself in Georgia where he unintentionally becomes involved in a robbery and then ends up being sentenced to 10 years on a chain gang.  After suffering months of inhumane treatment, Allen finally escapes.  He makes his way up north and, much like Jean Valjean, attempts to start a new life for himself.  However, even as he find success, he knows that he could be exposed and sent back to prison at any moment.

Here’s 6 reasons to watch I Am A Fugitive From A Chain Gang.

1) It’s based on a true story.  I Am A Fugitive From A Chain Gang was based on a book written by a man named Robert Ellis Burns.  Burns actually had served time on and escaped from a Georgia chain gang.  At the time the movie came out, Burns was still a fugitive.  The movie was such a success and was so effective that when Burns was later arrested in New Jersey, the governor refused to extradite him.  Burns was finally pardoned in 1945 and lived the rest of his days as a free man.

2) I Am A Fugitive From A Chain Gang got results.  Alone among the major studios in the 30s, Warner Bros. specialized in making films that dealt with social issues.  While other studios either celebrated wealth or invited audiences to escape the Great Depression through fantasy, Warner Bros. was unashamed to be on the side of the oppressed.  I Am A Fugitive From A Chain Gang is a perfect example of this.  Not only did the film lead to Burns receiving a pardon but it also helped to end the chain gang system.

3) Director Mervyn LeRoy directs the film as if it were a film noir.  By the end of the film, it’s impossible not to empathize with the main character’s growing sense of paranoia.

4) Do you know who Paul Muni is?  You will after watching I Am A Fugitive From A Chain Gang.  Paul Muni is largely forgotten today but, back in the 1930s, he was considered to be one of the best actors around.  Watching him in this film, you can see why.

5) The film’s final scene is a classic.  You can watch it below (and yes, this video does count as a spoiler).

6) I Am A Fugitive From A Chain Gang was nominated for best picture.  It lost to Cavalcade, a celebration of the British upper class.

12 Reasons To Love 12 Angry Men


Everyone already knows that the 1957 Best Picture nominee 12 Angry Men is a classic.  We all know the film’s story — a teenage boy is on trial for murdering his family.  11 jurors want to convict.  1 juror doesn’t.  Over the next few hours, that one juror tries to change 11 minds.  Some of the jurors are prejudiced, some of them are bored, and some of them just want to go home.  And, as the film reminds us, all 12 of them have a huge  responsibility.  You don’t need me to tell you that this is a great movie.  Therefore, consider this to be less of a review and more of an appreciation of one of the best movies ever made.

1) The film is the feature debut of director Sidney Lumet.  As any student of American film can tell you, Sidney Lumet was one of the most important directors in the history of cinema.  After beginning his career in television, Lumet made his film directing debut with 12 Angry Men and he was rewarded with a much deserved Oscar nomination for best director.

2) The film’s story is actually a lot more complex than you might think.  12 Angry Men is such an influential film and its story has been imitated so many times that it’s easy to forget that the film’s plot is a lot more nuanced than you might think.  Despite what many people seem to think, Juror Number 8 never argues that the defendant is innocent.  Instead, he argues that the state has not proven its case beyond a reasonable doubt and, as a result, the defendant cannot be convicted.  That’s an important lesson that is too often forgotten.

3) The movie celebrates the power of one person determined to do the right thing.  Again, that’s a lesson that remains very relevant today.

4) As Juror Number Eight, Henry Fonda makes human decency believable.

5) As the angry and bullying Juror Number Three, Lee J. Cobb is the perfect antagonist.

6) As Juror Number Ten, Ed Begley makes Cobb seem almost reasonable.  To be honest, the scene where Begley’s racist ranting causes all of the other jurors to stand up and turn their back on him feels a bit too theatrical.  But it’s still undeniably effective.  Alone among the jurors, Juror Number Ten is the only one without any hope of redemption.  It’s a bit of a thankless role but Begley does what he has to do to make the character believable.

7) E.G. Marshall makes the wealthy Juror Number Four into a worthy opponent of Fonda without crossing the line into prejudice like Cobb and Begley.  In many ways, Marshall’s role is almost as important as Fonda’s because Marshall’s performance reminds us that not all disagreements are the product of ignorance or anger.

8) As the Jury Foreman, Martin Balsam is the epitome of every ineffectual authority figure.

9) As Juror Number Seven, Jack Warden is hilariously sleazy.

10) As Juror Number Nine, Joseph Sweeney grows on you.  The first time I saw the film I thought that Sweeney went a bit overboard but, on more recent viewings, I’ve come to appreciate Sweeney’s performance.

11) As Juror Number Twelve, Robert Webber is hilariously shallow.  Juror Number Twelve is in advertising and Webber seems like he was right at home on Mad Men.

12)  Though they don’t get as much of a chance to make an impression, John Fiedler, Jack Klugman, Edward Binns, and George Voskovec all do good work as the other jurors.  If there’s ever been a film that proves the value of a great ensemble, it’s 12 Angry Men.