October Positivity: Me Again (dir by David A.R. White)


In 2011’s Me Again, David A.R. White stars as Rich.

Rich is a typical David A.R. White character.  He’s a preacher with a young family and he has lost his ability to excite his congregation.  His sermons are dry and boring and show little connection with the concerns or lives of those listening.  Rich is burned out and his wife, April (Ali Landry), is tired of listening to him complain.  When they were children, April promised Rich that they were meant to be together.  Now that they are adults and married, April and Rich are separated and April wants to make the divorce final.

Poor Rich!  No one respects him and he’s about to lose his family.  His one friend, Tony (Tommy Blaze), tries to offer some good advice but Rich doesn’t want to hear it.  Rich just wants to feel sorry for himself and watch an odd infomercial hosted by Big Earl (Bruce McGill).  Big Earl says that if you call his number, he can change your life.  Rich doesn’t call the number but his life gets changed anyways.

Rich finds himself being transported from one body to another.  When he wakes up, he’s a wealthy man who has no friends and who has a heart condition.  Just as quickly, he finds himself in the body of Chloe (Andrea White Logan), an insecure super model with an eating disorder.  Then, suddenly, he’s in the body of a fish floating in a fish tank in Tony’s restaurant.  Then he’s his daughter’s teen boyfriend, who is pressuring her to start taking birth control.  (AGCK!)  Then he’s in his wife’s body.  Briefly, he takes control of Della Reese.  He even spends some time in jail, talking to Big Earl.

And I guess the idea is that, from going to body to body, Rich learns why he needs to stop feeling sorry for himself and actually make the effort to make his marriage work.  He also comes to understand the problems of a few other people.  The rich man needs to go to church.  The model needs to do something about all the disparaging post-it notes that she has hanging around her house.  Her daughter’s boyfriend needs to be handcuffed with a sock in his mouth.  The fish need as new home.  You get the idea.

This movie …. well, let’s give credit where credit is due.  David A.R. White is not a bad actor and his comedic timing is adequate.  There were a few moments when he did make me smile.  I laughed out loud when he suddenly became a fish.  As a director, though, White goes a bit overboard.  The whole thing with Rich becoming a model starts out as relatively humorous but then it just goes on and on.  As well, I appreciated the message of taking care of other people but I’m not sure that the best way to communicate that message was for the very white Rich to briefly inhabit the body of a black housekeeper.  The intentions may have been good but the execution often left me cringing.

Me Again is like a lot of faith-based comedies.  There are a few humorous moments but, in the end, it’s just too uneven to really work.

October Positivity: Marriage Retreat (dir by David Christiaan)


In 2011’s Marriage Retreat, Jeff Fahey and Victoria Jackson play marriage counselors.

Seriously, that’s bring to mind some wonderful images, doesn’t it?  I would pay money for a film where Jeff Fahey plays a Dr. Phil-type psychiatrist who has his own television show where he yells at his guests and tell them that they’re not worth his time.  Fahey would totally knock that role out of the park.  As for Victoria Jackson, her eccentric screen persona would seem to make her the perfect companion for Fahey.  Fahey is known for intensity.  Jackson is known for being in her own private world.  They’re a good combination!

And Fahey and Jackson are the best things about Marriage Retreat.  Admittedly, Victoria Jackson doesn’t really get to do too much but she has a few good scenes with Fahey.  Fahey, for his part, dominates the entire film.  Marriage Retreat may be a lightweight and ultimately rather light-headed comedy but Fahey doesn’t give a lightweight performance.  Fahey delivers all of his lines with that hard-driving intensity of his and, when someone complains about being married, Fahey’s glare tells you all you need to know.  If the film’s message was that being a bad husband results in dealing with the wrath of Fahey, many husbands would immediately shape up.

Unfortunately, the rest of the film doesn’t really live up to the performances of either Fahey and Jackson.  The majority of the film deals with three boring couples who all go on a marriage retreat.  They stay at what appears to be a summer camp and they discuss why their marriages are falling apart.

For instance, Mark (David A.R. White) says that he’s not ready to be a father and he’s come up with all sorts of financial excuses to justify not starting a family.  Do you think Jeff Fahey’s going to let him get away with that?  No way!  Plus, Mark’s wife (Andrea Logan White) is already pregnant so Mark better stop whining and step up.

Bobby Castle (Tommy Blaze) was a successful businessman but then he blew all of his money in some unwise investments.  Now, Bobby is addicted to gambling online and his wife (Caroline Choi) is thinking of leaving him.  Bobby is such a degenerate gambler (to quote Joe Pesci in Casino) that he even finds a way to get online at the camp so that he can continue to play poker on the Internet.  The man needs help!

And finally, James Harlow (Matthew Florida) needs to grow up, especially since he’s about to become a father…. wait, a minute, I thought that was Mark’s problem.  Well, no matter.  Grow up, James!

The men are all immature and Jeff Fahey calls them out on it while Victoria Jackson tells the wives that they need to remember that God made them second and their job is to support their husbands …. wait, what?  Oh, wait — this is another faith-based movie about marriage.  The recurring theme in these films is that, no matter how much the husband screws up, it’s still ultimately the fault of the wife for not being understanding and supportive.  Yeah, okay, then.  There’s a difference between being supportive and being a doormat.

Anyway, the problem with this film is that I didn’t really care about the married couples.  But I did enjoy watching Jeff Fahey do his thing.

The Film’s of 2024: God’s Not Dead: In God We Trust (dir by Vance Null)


It can be easy to forget just what a big splash God’s Not Dead made when it was released back in 2014.  Today, it’s taken for granted that every year, at least one faith-based movie will be released to terrible reviews and then “shock” everyone by opening up strong at the box office.  However, in 2014, God’s Not Dead was the film that started the whole trend, along with sparking the ongoing debate about whether or not Hollywood has the slightest idea what most Americans want to see.

That’s not to say, of course, that God’s Not Dead was a good film.  It’s not.  It’s a ludicrously simplistic and smug film that, over the course of its overly long run time, promotes the idea that the only reason atheists exist is because they’re either bitter, evil, or both.  (For the record, if a professor truly threatened to fail a paying student solely because of his religious beliefs, the end result would probably be a lawsuit.)  The idea that someone could sincerely disagree with the film’s heroes or even believe differently than them without having an ulterior motive is not one that is entertained in the God’s Not Dead universe.  Indeed, perhaps the most interesting thing about the God’s Not Dead films is that they are just as heavy-handed and often just as condescending as the secular films being churned out by the major studios.

God’s Not Dead has, to date, spawned four sequels.  The second was enjoyably campy and featured an earnest performance from Melissa Joan Hart.  The third, which is the the closest that the franchise has gotten to actually making a good film, was surprisingly even-handed, or at least as even-handed as a film in this franchise can be.  The fourth was way too talky but, because it came out during the COVID lockdowns, its condemnation of government overreach reflected the way that a lot of people were feeling at the time.  Somewhat inevitably, the fifth film finds Reverend David Hill (David A.R. White) running for Congress again the villain from the second film, dastardly atheist Peter Kane (Ray Wise).

The film opens with the death of an incumbent congressman.  His opponent, Peter Kane, tells the press that the congressman was a good man and then proceeds to gloat about his death in private.  Kane is an ultra-liberal atheist.  Usually, the villains in the God’s Not Dead universe have a dead relative to help explain why they’ve lost their faith but Kane is just evil.  (In God’s Not Dead 2, Kane specifically put Melissa Joan Hart on trial for expressing her Christian beliefs and then chortles, “We are going to prove God is dead!”)  With Kane on the verge of being elected to Congress by default, Rep. Daryl Smith (Isaiah Washington) suggests that David Hill, who went viral for denouncing Congress in the fourth film, should be the party’s new nominee.

After some hesitation, Hill agrees.  However, he drives his campaign manager, Lottie Joy (Samaire Armstrong), crazy by basing his campaign on his religious beliefs.  Of course, if you didn’t want a candidate to talk about his religious beliefs in a campaign, why would you nominate a pastor whose fame is totally based on those beliefs?  Add to that, Hill is running for a Congressional seat in Arkansas.  I have family in Arkansas.  Growing up, I occasionally lived in Arkansas.  Sure, there are liberals in Arkansas and there are atheists in Arkansas.  But none of them are going to get elected to Congress anytime soon.  Arkansas is probably one of the few states where Hill’s faith-based campaign wouldn’t be considered controversial.

(That Mike Huckabee has a cameo as himself should be all the reminder that viewers need that Arkansas is not at all hesitant about electing pastors to higher office.)

It’s heavy-handed and cartoonish, which is probably to be expected.  Unfortunately, it’s also rather boring, with not even Ray Wise’s villainy providing much entertainment value.  Outside of arguing that atheists are evil and that separation of church and state is just a catch phrase, the film argues that money is a divisive force in politics and that politicians shouldn’t be bought.  Wow, really!?  It’s a film about politics that has little fresh insight to offer.  David Hill goes from being a media-savvy pastor to being an innocent naïf who is shocked to discover that politics is a dirty business.  God’s Not Dead: In God We Trust makes Billy Jack Goes To Washington seem like a hard-hitting portrayal of American politics.

I will give this franchise some credit for maintaining a surprising sense of continuity.  As I mentioned earlier, Ray Wise returns as the character that he played in the second film.  Paul Kwo is back as Hill’s associate pastor.  Dean Cain returns as the amoral businessman from the first film.  You have to imagine that Kevin Sorbo is kicking himself for allowing his smug professor character to die in the first film.  What’s funny is that the college student who kicked off the franchise by refusing to sign a piece of paper declaring God to be dead has pretty much vanished from the films.  Whatever happened to that kid?

In the end, we all know where this is going.  The next film will undoubtedly feature David Hill running for president.  2028 is right around the corner.