October Positivity: Sarah’s Choice (dir by Chad Kapper)


You can probably just look at the title and guess what is going on with this 2009 faith-based film.

Sarah Collins (Rebecca St. James) is pregnant and she’s thinking about getting an abortion.  She doesn’t feel that she’s ready to become a mother.  Her quasi-boyfriend works in the same office that she does and, at first, he seems more interested in just hanging out with the boys than actually doing anything that would indicate he would be a good father.  Sarah is up for a promotion at work and, as her best friend (Andrea Logan White) is quick to point out, the bosses aren’t going to promote a woman who might put her family before her job.

On the other hand, Sarah keeps having visions of herself in the future, married and with a daughter who loves her.  Sarah’s sister-in-law (Staci Keanan) talks about how much she loves being a mother.  A local minister (Dick Van Patten) gently suggests that God might be trying to tell Sarah something.  Sarah realizes that her best friend is hardly an unbiased observer when it comes to Sarah’s choice.  Plus, the film takes place during the Christmas season.  There’s happiness and joy everywhere!

As you probably guessed, this is an anti-abortion movie.  That said, as far as faith-based anti-abortion movies go, it’s actually a bit more fair-minded than one might expect.  Sarah struggles with her decision and the film is at least willing to take Sarah’s concerns seriously, as opposed to just portraying her as being either selfish or immature (which is the usual path that most anti-abortion films take).  One character expresses regret for her own past abortion but, again, the film treats the character fairly.  It may not seem like much but compared to something like Allison’s Choice, which featured Jesus Christ showing up and then breaking into tears while standing in an abortion clinic, Sarah’s Choice is downright moderate in its storytelling.

The truth of the matter is that there really aren’t that many subtle films made about abortion, on either side of the debate.  Yes, pro-life films tend to be heavy-handed and too quick to villainize those who feel differently.  But the same can be said of most pro-abortion films as well.  Abortion is one of those issues that tends to bring out the extremists on both sides.  When you see a film like Sarah’s Choice — a film in which no one is accused of committing murder and no one attempts to bomb anyone else — it’s almost a relief, even if you don’t agree with the film’s overall message.

Rebecca St. James gives a sympathetic performance as Sarah and Andrea Logan White brings so much-needed nuance to the role of her best friend.  Dick Van Patten, with his friendly manner and nonjudgmental attitude, is the ideal counselor.  Sarah’s Choice is not a film that is going to win any converts and I imagine that people who are far more politically-minded than me will find a lot to get annoyed about with this movie.  I think that, overall, it’s well-acted and well-made.  It’s a movie not a manifesto.

October Positivity: Faith Of Our Fathers (dir by Carey Scott)


2015’s Faith Of Our Fathers tells the story of a road trip to Washington, D.C.

John (Kevin Downes) and Wayne (David A.R. White) might not seem to have much in common.  John is uptight and neurotic, on the verge of getting married but feeling like he has to do one final thing while his fiancée (Candace Cameron Bure) plans their wedding.  Wayne is a proud redneck, someone who lives in a trailer and enjoys picking fights.  When John first shows up at the trailer, Wayne shoots a shotgun at him.  When John refuses to leave, Wayne eventually allows him into the trailer and the two of them talk.

They are linked by their fathers, who both served and bonded in Vietnam.  Through flashbacks, we see how John’s father (Sean McGowan) found strength from his religious faith and how Wayne’s father (Scott Whyte, who viewers of a certain age will recognize from City Guys) eventually set aside his cynicism.  Wayne is in possession of the letters that his father wrote home from Vietnam and John, feeling a need to know who his father was, wants to read those letters.  Wayne agrees to show John the letters if he drives Wayne to Washington D.C. so that they can visit the Vietnam War memorial.

Along the way, the two of them bicker, bond, and have adventures.  This is a road film, which means that it has to take a while for John and Wayne to stop arguing with each other and start to open up about their pasts and their views on the modern world.  They meet a wide variety of people while on their trip, some of whom are trustworthy and many of whom are not.  They also meet Mansfield (Stephen Baldwin), who served in Vietnam with their fathers and who offers up some details about what happened to the men while they were serving in the military.

Unfortunately, the film itself doesn’t really work.  It has all of the flaws that one typically associates with a faith-based filmmaking.  The budget is noticeably low, something that especially becomes an issue during the Vietnam flashbacks.  The dialogue is often didactic.  Downes and White are familiar faces when it comes to faith-based films and they’ve both given good performances in other films but they both feel miscast here.  As played by Downes, John is a bit too neurotic to be believable (or particularly sympathetic) while White’s earnest and, at times, goofy style of performing feels wrong for a character who is supposed to be into random fights and beer.  For someone whose career has largely become about appearing in faith-based films, Stephen Baldwin seems rather detached throughout Faith of our Fathers.  In the flashbacks, he’s one of the least convincing commanding officers that I’ve ever seen in a war film.  In the modern scenes, he just seems bored.  If I’m being hard on Baldwin, it’s because I’ve seen him give really good performances in other films.  Knowing that he could be giving a good performance makes his bad performances all the more frustrating.

I will say this, though.  Faith of Our Fathers takes a stand for supporting our veterans, both when they’re serving and after they’ve come home.  I appreciated that.  All too often, we seem to hold the unpopular wars against those who served, as if the mistakes of those in command are somehow their fault.  That happened with Vietnam and it’s happening right now with Iraq and Afghanistan.  No one should ever be forgotten or deserted by their own country.

 

October Positivity: Hidden Secrets (by Carey Scott)


2006’s Hidden Secrets takes place over the course of one very long weekend.

The death of their friend Chris has reunited a group of acquaintances, who gather for the funeral and then end up staying with Chris’s sister, Sherry (Tracy Melchior), for the weekend.  The men gather on her roof and hammer tiles.  The women …. well, for the most part, the women are just portrayed as being catty and judgmental.

For instance, Rhonda (Autumn Paul), who is married to Christian book author Harold (Gregg Brinkley), is offended that Gary (John Schneider) is doing stem cell research and is a Jewish agnostic who spends most of his time challenging Rhonda’s super-strict interpretation of the Bible.  Interestingly enough, considering that this is a Pureflix film, Rhonda is not portrayed in a positive light and Gary usually gets the better of her in their arguments.  Rhonda even apologizes at the end for being so judgmental.  Of course, since this is a Pureflix film, Gary still ends up converting.

Pastor Jeremy (David A.R. White) is dating reporter Rachel (Staci Keanan).  Rachel suspects that Jeremy is still in love with his ex-girlfriend, Sherry.  Rachel is correct.  You have to feel bad for Rachel, who certainly deserved better than she got in this movie.  Jeremy and Rachel end up sharing a bed at Sherry’s house, which freaks Jeremy out because he’s all about abstinence.

Michael (Corin Nemec) is a gay Christian who practices celibacy and whose main function seems to be to offer people advice.

Anthony (Sean Sedgwick) is a rough and tumble guy who shows up with his latest girlfriend, Sally (Rachael Lampa), and who takes her out dancing for her birthday, even though Rhonda says that Christians shouldn’t dance.

The film follows these characters over the weekend, basically doing a Big Chill sort of thing.  Rhonda judges everyone.  Gary is sarcastic.  Jeremy is torn between Sherry and Rachel.  The night of dancing for Sally’s birthday turns into an extended scene where Anthony, Jeremy, and Harold take to the stage and perform a song. It all wraps up with everyone confessing their fears during a church service and I have to admit that I felt sorry for all the people at the church who probably didn’t have the slightest idea why one group of people suddenly hijacked the service to discuss their own problems.

As far as PureFlix films go, this one was well-made and it actually did have some potential.  No one was completely right and no one was completely wrong.  The main message seemed to be accept and love one another.   That said, it also had some fairly serious flaws.  John Schneider doesn’t give a bad performance but he was still miscast as a Jewish abortionist.  I love Corin Nemec and he gave one of the better performances in Hidden Secrets but the film used his character to promote the destructive “ex-gay” movement and it’s difficult not to be bothered by that.  And finally, the resolution of Sherry/Jeremy/Rachel love triangle left me feeling that Jeremy was essentially a terrible, self-absorbed person.  I don’t think that was what the film was going for but, regardless….

Hidden Secrets is an uneven film, to say the least.  At its best, it made me miss some of my old friends.  It’s been a while since we’ve all gotten together.  Hopefully, when we next see each other, it won’t be at another funeral.