2018 In Review: The Best of SyFy


Continuing my look back at the best of 2018, it is now time to reveal my picks for the best SyFy movies and performances of the previous year!

But before I do that, a plea to the SyFy Network.  If any of this sounds familiar, it’s because I make this plea every year and it never does any good.  It probably won’t do any good this year.  But still, I’m going to make it.  SyFy, give us more original films!  From a business point of view, I can understand why SyFy shifted their focus from movies to episodic television.  But I’m not a business person!  I’m a movie lover, one who has wonderful memories of when every weekend would bring another gloriously over-the-top SyFy movie.  Those were wonderful days and it’s sad that the only time that I get to relive them is either during Shark Week or during October.

(Of course, with the Sharknado franchise ending last year, is there even going to be a Shark Week in 2019?)

Seriously, SyFy — give us more original movies!

With that in mind, allow me to say that SyFy’s 2018 films were some of the best that they’ve ever aired.  It’s unfortunate that there weren’t more of them but the ones that they did show were excellent.  It was not easy to narrow down my picks this year but I’ve done it.  And here they are:

(All credits are based on what’s listed at the imdb.  If anyone has been incorrectly credited or left out, please leave a comment and I will correct the mistake.)

Best Picture — The Last Sharknado: It’s About Time (produced by Paul Bales, Jarrett Furst , David L. Garber, Andrew Golov, David Michael Latt, Bogdan Moncea, Tara Reid, David Rimawi, Justin Smith, Josh Van Houdt, Ian Ziering)

The Sharknado franchise ended with everything you could possibly want: flying sharks, bad puns, meta humor, and finally a heart-warming speech from Finn that not only saluted those who worked on the films but those of us who watched as well.  After years of defining SyFy for many people, the Sharknado franchise concluded on the perfect note.

Best Director — Anthony C. Ferrante for The Last Sharknado: It’s About Time

Anthony C. Ferrante has been with the franchise since the beginning and he brought it to an end with style.

Best Actor — Reid Miller in Santa Jaws

Playing an aspiring comic book artist who brings to life a shark that’s full of Christmas spirit, Reid Miller gave a likable performance that achieved just the right balance between comedy and terror.

Best Actress — Jearnest Corchado in Cucuy: The Boogeyman

Jeanest Corchado did a great job grounding this Halloween in film in reality (or as close to reality as you’re going to get in a SyFy film).

Best Supporting Actor — Varun Saranga in Killer High

If you’re high school reunion is ever attacked by hellish monsters, you’re going to want a friend like Varun Saranga’s Ronnie at your side.  Or maybe not….

Best Supporting Actress — Alyson Hannigan in You Might Be The Killer

If you ever find yourself surrounded by a bunch of dead bodies at a summer camp, Alyson Hannigan is exactly the friend that you want giving you advice.  Or maybe not….

Best Screenplay — Jesse Mittelstadt for No Escape Room

With its clever script and ominous feeling of impending doom, No Escape Room was my favorite of SyFy’s Halloween films.  Seriously, it was creepy as Hell.

Best Cinematography — 6-Headed Shark Attack (Mark Atkins)

Paradise is a paradise, even with a multi-headed shark eating everyone in sight.

Best Costumes — The Last Sharknado: It’s About Time (costumes by Oana Draghici)

The best thing about time travel is getting to see what everyone’s wearing.

Best Editing — Santa Jaws (Eva K. Morgan and Misty Talley)

If the Sharkando films really are finished with, I certainly wouldn’t mind another five or so films about Santa Jaws.

Best Makeup — The Last Sharknado: It’s About Time (Petcu Alina, Alexandra Barladeanu, Devin Bianchini, Jeremy Bramer, Roxana Cardas, Denise M. Chavez, Bee Cruz, George Doroftei, Brianna Farfel , Adelina Handuri, Caitlin Krenz, Andreescu Maria, Tracy Rosen, Victoria Rowe)

Again, the best thing about time travel is getting to see what everyone looked like.

Best Score — You Might Be The Killer (Andrew Morgan Smith)

Smith’s score created the perfect mood and atmosphere for this homage to the horror films of the past.

Best Production Design — No Escape Room (Shane Boucher and Garrett Dunbar)

Seriously, this film was creepy as Hell.

Best Sound — No Escape Room (Bryson Cassidy, Joseph Facciuolo, Danielle McBride, Lucas Roveda, Laszlo Szijarto, Julie Zhu)

Again, creepy as hell.

Best Visual Effects — Nightmare Shark (Adam Clark and Gretchen McNelis)

When you give your film a title like Nightmare Shark, you’re obviously making a bold statement.  Fortunately, the visual effects were able to live up to the title.

And that’s it for the best in SyFy!  I really hope that SyFy will continue to air original movies so I’ll be able to do another one of these lists next year.

(For my previous picks, click on the links: 2013, 2014, 2015, 2016, and 2017)

Up next: dinner!  And then, after that, I’ll post my favorite novels of 2018.

Lisa Looks Back at 2018:

  1. The 10 Worst Films of 2018
  2. The Best of Lifetime

 

 

Let’s Talk About Santa Jaws (dir by Misty Talley)


Last night, about twenty minutes into the latest SyFy shark movie, I declared the following on twitter:

51 favs and 15 retweets later, I stand by my declaration.  Sorry, Jaws.  Step aside, Deep Blue Sea.  It’s been fun, Sharknado 5.  Santa Jaws is officially the greatest shark movie ever made.

The scene in question took place on Christmas Eve.  Lovable Poppa (Ritchie Montgomery) is fishing out on the bayou and drinking from his thermos of eggnog when, suddenly, a shark jumps out of the water and eats him.  It happens rather suddenly, so suddenly in fact that you only barely notice the fact that the shark has red eyes.  It’s only as the shark is swimming away that we see that Santa’s hat is sitting on its fin.  And, if we listen really carefully, we can hear the sound of jingling bells.

From the minute that people learned that SyFy was going to be broadcasting a movie called Santa Jaws, the question became just how literally we should take the title.  Would Santa actually be a shark?  Or would it just be a shark movie that happened during the Christmas season?  And there was one question in particular that we were all wondering:

https://twitter.com/ggfletcher/status/1029438582447132673

Well, the answer is yes.  Santa Jaws does take place during the Christmas season.  While Santa Jaws may not literally be Santa-turned-into-a-shark, he still brings a family together, just like any visit from Santa should.  And yes … the shark wears a Santa hat on his fin.

The film deals with Cody (Reid Miller), a teenage outcast and comic book artist.  Cody is not having a great holiday season.  Not only is there no snow on the ground (the film does take place in Louisiana, after all) but his family seems to be more proud of his athletic older brother, Josh (Arthur Marroquin), than of him.  On top of everything else, he’s been grounded because of a less-than flattering picture that he drew of his school’s principal.  Cody’s mood would probably improve if he knew that his next door neighbor, Jena (Courtney Lauren Collins), is also into comics but Cody can’t even work up the courage to speak to her.

Cody, however, has received one early Christmas present.  Poppa gives him a magic pen, which a frustrated Cody uses to draw a picture of Santa Jaws while complaining about how he wishes his family would just go away.  Cody, of course, doesn’t mean what he says.  Anyone who has ever been a teenager and who has ever had a bad day will immediately understand that.  However, the magic pen doesn’t understand that and soon, Santa Jaws has not only come to life but it’s after Cody’s family!

Now, you may be getting the feeling that Santa Jaws is not meant to be taken too seriously and, in that case, you would be correct.  As far as Misty Talley shark movies are concerned, Santa Jaws has more in common with the cheerful meta comedy of Mississippi River Sharks than the dark horror of Zombie Shark.  With the exception of one unfortunate elf who finds himself in the wrong place at the wrong time, there’s not a lot of blood in Santa Jaws.  However, there are plenty of puns, courtesy of Cody’s best friend, Steve (Hawn Tran).  (My favorite was when Steve said that the shark was “gill-ty.”)  This is the type of film where, when the comic book store owner (Scott Allen Perry), gets his hands on the pen, he promptly draws a Russian girlfriend, a nice car, and several million dollars.  Though a lot of people are eaten over the course of Santa Jaws, neither the film nor the characters lose their sense of humor.

It’s a fun movie and on that delivers exactly what it promises and a whole lot more.  It’s a film that gives you a shark with a Santa hat on its fin but it also delivers clever dialogue and committed performances.  Reid Miller and Courtney Lauren Cummings are likable protagonists and Hawn Tran and Scott Allen Perry provide effective comedic relief.  Arthur Marroquin turns big brother Josh into a nicely rounded character while Jim Klock, Carrie Lazar, Miles Doleac, Haviland Stillwell, and Ritchie Montgomery all have a good moments as the members of Cody’s family.  In the end, you really do hope that the family will still manage to have a merry Christmas.

And, of course, there’s the shark.  The shark loves Christmas, as we all do.  The shark has glowing red eyes, the better to guide your sleigh at night.  And yes, the shark wears a Santa cap on its fin.

Santa Jaws was a lot of fun and I’m hoping SyFy will be smart enough to show it every Christmas.  At the very least, we need a sequel.  Santa Jaws Conquers The Martians, anyone?