Sammi Hanratty | Through the Shattered Lens

On Sunday night, I watched the premiere of Deadly Ex on the Lifetime Movie Network.

In Deadly Ex, Jason Gerhardt plays Gary. He’s a guy who appears to have a successful life, despite a few regrets. For instance, he gave up his teenage dream of being a lawyer but he’s still managed to do okay for himself. He’s married to Jess (Marguerite Moreau) and his two wonderful, teenage children (Sammi Hanratty and Matt Cornet) but domestic bliss has somehow eluded him. In fact, he’s on the verge of divorce.

How bad is Gary’s marriage? It’s so bad that he leaves his wife and children behind when he goes to his high school reunion! However, that also means that he gets to spend some time catching up with his ex-girlfriend, Valerie (Natasha Henstridge). In turns out that, in high school, Gary wasn’t the best boy friend. He rather callously dumped Valerie. But that was a long time ago and Gary’s changed. He says that he’s sorry and he means it. Valerie tells him that she forgives him and…

Well, this is a Lifetime film. And it’s called Deadly Ex. So you can probably guess that Valerie hasn’t quite forgiven or gotten over Gary. Instead, Valerie follows Gary back to his hometown. She enrolls as a student in Jess’s yoga class. She starts to send gifts to Gary’s house. And, eventually, she shows up with a knife…

Plotwise, Deadly Ex is typical Lifetime fare but it’s distinguished by two things. First off, Natasha Henstridge gives a terrific performance as the insanely driven Valerie. Films like this are only as good as their villains and Henstridge bravely throws herself into her performance. Marguerite Moreau also does a good job, playing a mother who will take any risk to defend her family. Secondly, the final confrontation between Valerie and Jess is extremely well-done and director Tom Shell actually keeps you guessing as to how it’s going to end and who is going to survive.

Finally, Deadly Ex manages to tap into a fantasy that I think everyone has. Who hasn’t wanted to run into their ex and brag about how wonderful their life has been since the break-up? For that matter, who hasn’t wanted to get a chance to put an ex in his place? Me, I’d rather do it with a perfectly timed quip than a knife but I guess that’s just me.

(Also, I should mention that, while watching the film, I was able to totally relate to Gary and Jess’s daughter, Carissa, largely because she had perfected the dismissive “whatever” glance that I’ve been employing since I was 13 years old.)

If you’re into Lifetime movies (and who isn’t, really?), Deadly Ex is one to keep an eye out for.

For this past week, I’ve both been dealing with a sprained foot (and it’s doing much better, thank you very much) and I’ve been cleaning out my DVR. As I woke up this morning, I realized that I only had four more movies left in the DVR that I needed to watch and review. So, I decided to jump right into things and I finally watch Seeds of Yesterday.

Seeds of Yesterday serves as a sequel to Flowers in the Attic, Petals on the Wind, and If There Be Thorns. Like those three previous films, Seeds of Yesterday is based on a novel by V.C. Andrews and premiered on the Lifetime network. Seeds of Yesterday was originally broadcast on April 12th and, considering how much I enjoyed Flowers and Thorns, I’m not sure why I missed Seeds. Maybe drugs were involved, who knows?

Anyway, Seeds of the Yesterday continues the story of the Dollangangers, the family that simply cannot stop literally and figuratively fucking each other. As the film opens, 13 years have passed since the end of If There Be Thorns. Bart (James Maslow) is now a 25 year-old religious fanatic. Since learning, in Thorns, that his parents were actually brother-and-sister, Bart wants nothing to do with them. He has even changed his last name to Foxworth, in honor of his evil great-grandfather, Malcolm. Bart has rebuilt Foxworth Hall and, on the occasion of his birthday, he invites his estranged family to come visit him.

Jory (Anthony Konechy) is now a ballet star and is married to an emotionally fragile dancer named Melodie (Leah Gibson). The parents, Chris (Jason Lewis) and Cathy (Rachel Carpani), have finally come to peace with the fact that they are also brother and sister. And then there’s adopted daughter Cindy (Sammi Hanratty), who Bart considers to be sinful even while he lusts after her. When all of these people arrive at Foxworth Hall, they are excited to learn that Melodie is pregnant.

Well, everyone’s excited except for Bart. Bart not only lusts after his stepsister but also after his sister-in-law. Bart does a lot of lusting in general.

For some reason, Bart has demanded that Jory and Melodie perform a dance from Samson and Delilah at his birthday party. However, since Melodie is pregnant, she can’t dance. (“You’re not even showing!” Bart snaps, angrily.) Instead, Cindy says that she’ll be Bart’s dance partner and, on the night of the performance, a huge piece of scenery falls on Bart and severs his spine. Bart will never dance, walk, or make love again…

So now, Melodie is depressed and can’t bring herself to even visit Jory in the hospital. She discovers that Jory will never be able to have sex again so, instead, she and Bart start fucking. Bart, however, is still lusting after Cindy and complaining that everyone around him is a sinner…

And it goes on like that for about 90 minutes and then the movie’s over.

On a strictly personal level, I enjoyed Seeds of Yesterday because it had a lot of sex, a lot of overacting, a lot of gorgeous clothes, some dancing, and a big mansion. But, for the most part, Seeds of Yesterday is a total mess that never really makes much sense. I have not read the original novel but just taking a quick look at its Wikipedia page reveals that a lot of plot and quite a few characters were left out of the adaptation. Obviously, there’s only so much you can put into an 88 minute movie but, in the end, Seeds of Yesterday still fills rushed and overly busy. All the characters are so busy scheming schemes and having melodramatic confrontations that you never really get any sort of emotional insight into them. All in all, Seeds of Yesterday is a disappointing end to fairly entertaining series of films.

That said, we should give praise to James Maslow. From the minute that Bart shows up, it’s obvious that he’s batshit insane and, for lack of a better term, Maslow “goes there.” His performance is so enjoyably melodramatic (and, just so there’s no understanding, perfectly appropriate for the material that he’s been given to work with) that he elevates the entire film.

http://www.youtube.com/watch?v=tIL9Vujk9n4