Oliver Tobias is …. THE STUD!

It is true that Oliver Tobias does play the title character of this 1978 British film, which was itself based on a novel by Jackie Collins.  Tobias is cast as Tony Blake, a youngish Englishman who runs the hottest discotheque in the UK.  He runs it on behalf of its actual owner, the decadent Fontaine Khaled (Joan Collins).  Fontaine is married to the fabulously wealthy Benjamin Khaled (played by Walter Gotell, who also had a recurring role in the James Bond films as the head of the KGB) but she seeks her carnal pleasure elsewhere.  Tony’s job and all the glamour that goes with it is dependent upon being Fontaine’s personal plaything.  If Fontaine wants to do it in the elevator while the security cameras film, that is what’s going to happen.  If Fontaine wants Tony to take part in a swimming pool orgy while she swings back and forth over the festivities, that’s what is going to happen.  Tony Blake is the stud, after all.

Tony, however, tires of all the nonstop decadence.  He’s not as empty-headed as Fontaine assumes him to be.  Tony’s complicated.  Tony has feelings.  At least, that’s what the films wants us to believe.  To be honest, Tony is kind of boring but we’ll get to that later.  Tony allows himself to be used by Fontaine but he finds himself truly falling in love with Fontaine’s stepdaughter, Alexandra (Emma Jacobs).  But does Alexandra feel the same way towards Tony or is she just using Tony to get revenge on her hated stepmother?

Let’s start with something positive about this film.  The Stud is one of the most 70s movies ever made.  Everything from the fashion to the slang to the cinematography to the wah wah soundtrack simply screams 70s.  There’s several scenes that take place in the discotheque.  Very few of them actually move the story forward in any meaningful way but they do give you a chance to look at the clothes and the haircuts and to listen for the sound of people snorting cocaine in the background.  If you’re a student pop culture or if you’re just fascinated by the tacky and the trashy, the film is very enjoyable on that level.  There’s also a lot of sex, all of it filmed in vibrant color and featuring a camera that will not stop moving as The Stud tries to convince us that it’s actually high art.

Unfortunately, the stud of the title is a bit of dud.  (And they say I’m not a poet!)  Oliver Tobias is handsome and has a superficially charming screen presence.  But, whenever he has to deliver dialogue or show any hint of emotion, the film falls flat.  As played by Tobias, Tony just comes across as a bland gigolo, enjoyable to look at but impossible to really care about.  The film is so dominated by Joan Collins’s cheerfully over-the-top performance as Fontaine that Tobias seems to spend a lot of the movie disappearing into the background.  Indeed, Collins’s performance is the best thing about the film.  She fully understand what type of movie she’s appearing in and she fully embraces the melodrama, delivering her arch dialogue with just the right amount of self-awareness to suggest that she’s in on the joke.

The Stud is a love story featuring people who are only capable of loving themselves.  At its worst, it gets bogged down in Tobias’s dull lead performance.  At its best, its trashy fun with a disco beat.  I like trashy fun so I can excuse the boring leading man.  A good beat that you can dance to can make up for a lot.