Retro Television Reviews: California Dreams 3.6 “The Long Goodbye” and 3.7 “Trust Me”

Posted on January 7, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996. The entire show is currently streaming on YouTube!

Do surf dudes still have attitude in 2023? I was going to suggest watching California Dreams to find out but, then again, today’s episodes are from 1994 so I guess that wouldn’t really answer the question.

Oh well, onward to the reviews….

Episode 3.6 “The Long Goodbye”

(Dir by Patirck Maloney, originally aired on October 15th, 1994)

In a rare nod to continuity, Nikki Cox returns as Sly’s blind girlfriend, Allison!

Sly is being so nice and considerate to Allison that it leads to Lorena and Sam realizing that Tony and Jake are totally inconsiderate pigs who won’t even hold open a door for them! Instead of changing their ways, Tony and Jake demand that Sly stop being so romantic. Sly, however, is devoted to Allison and he even joins the track team so that he can give her a letterman’s jacket and ask her to be his “exclusive” girlfriend. Allison takes her to Sharky’s to pop the question and attempts to convince her that they’re at a romantic French restaurant by having Tony speak with a French accent. Tony’s accent is terrible. Allison sees right through him….

Unfortunately, Allison is moving away! She’s been accepted at a prep school in Chicago, one that will prepare her to teach blind children. Sly, as usual, acts like a jerk and all of the Dreams gang up on him for being distant with Allison after learning that she’s leaving but honestly, Sly’s reaction was realistic. That doesn’t mean that Sly wasn’t wrong for 1) refusing to return Allison’s calls and 2) trying to go on a date on the same night that Allison was having her going-away party but people do stupid things when their heart is broken. And, just like many people do in real life, Sly eventually saw the error of his ways and he had a rather sweet conversation with Allison at the party. It’s a shame that Allison left the series as Nikki Cox and Michael Cade had a far more believable chemistry than the show’s main couples.

Speaking of which, this episode featured a rather stupid subplot in which Tony and Jake attempted to be more romantic by pretending to be the lead characters of the romance novel that Tiffany is reading. Needless to say, this leads to Renaissance costumes and fencing. It’s pretty dumb (though Jay Anthony Franke and Williams James Jones deserve some credit for the extent to which they threw themselves into it) but it’s also an indication of just how different season 3 of California Dreams was from season 2 of California Dreams.

All that said, this was definitely one of the better episodes of California Dreams and, again, credit for that goes to Michael Cade and Nikki Cox and their ability to bring some much-needed reality to the show’s musical hijinks.

Episode 3.7 “Trust Me”

(Dir by Patrick Maloney, originally aired on October 22nd, 1994)

Sly has entered the Dreams into a music video contest! The only problem is that Jake and Mark have yet to finish writing the lyrics for the Dreams’s newest song. Maybe they should give Matt Garrison a call and ask for his advice.

Not wanting to visit his creepy uncle, Mark spends the weekend at Lorena’s loft. He and Jake are supposed to be working on the song but Lorena would rather have fun and watch movies! Jake accuses Lorena of being a distraction. Jake and Lorena fight and later, after Jake has gone home for the night, Mark kisses Lorena. Uh-oh!

Mark, it appears, misinterpreted the fight. It turns out that Lorena and Jake fight all the time and it’s actually a huge part of what they enjoy about their relationship. Feeling guilty, Mark writes and then sings a song about how he kissed Lorena. Jake loses it and refuses to perform with Mark. Fortunately, two bullies show up at Sharky’s and try to give Jake a hard time. When Mark stands up to the bullies, it leads to a brawl and a renewed friendship. Yay!

But did the Dreams wins the contest? We never find out.

As for the episode itself, it provided a showcase for the two newest members of the cast and Diana Uribe and Aaron Jackson both did a really good job. I could relate to Lorena because I’ve had the same “You’re a distraction” line tossed at me and it definitely hurts. And Aaron Jackson totally sold the scene where he nervously sang Jake the lyrics about kissing Lorena. All in all, this was another good episode.

Way to go, Dreams!

Retro Television Reviews: California Dreams 3.4 “Blind Dates” and 3.5 “Yoko, Oh No!”

Posted on December 31, 2022 by Lisa Marie Bowman

This week is all about romance and total defiance!

Episode 3.4 “Blind Dates”

(Dir by Patrick Maloney, originally aired on October 1st, 1994)

Oh my God, Sly has been talking to a girl on a brand new thing called the Internet! When he meets Allison (played, quite well, by Nikki Cox), he is shocked to discover that she’s blind. Allison brings out Sly’s rarely seen good side and Allison appreciates that Sly is too much of a jackass to treat her differently just because she’s blind. At first, Sly is worried about taking her to the school dance but then he takes her anyway. Yay!

Meanwhile, Tony and Sam also get on the internet and both of them think that they’ve found their soul mate. But it turns out that they’ve just been talking to each other. By the end of this episode, Tony and Sam have begun their relationship. This is a huge moment in the history of California Dreams because, in the end, Tony and Sam had most (and maybe the only) stable relationship on the show.

Unfortuntely, as we’ll see next week, things wouldn’t last as long for Sly and Allison, which is a shame because Nikki Cox and Michael Cade had tons of onscreen chemistry and they were a sweet couple. Oh well. Such is life.

Episode 3.5 “Yoko, oh no!”

(Dir by Patrick Maloney, originally aired on October 8th, 1994)

It’s time for another Battle of the Bands!

In this episode, we meets the Dreams’s rival band, Total Defiance. We’re supposed to dislike Total Defiance because they’re constantly making fun of the Dreams and their manager is an obnoxious girl named Rosie who has a crush on Mark Winkle. The thing is that Total Defiance, which appears to be a rap/heavy metal hybrid band, actually does appear to be a lot better than the Dreams. From what little of what we’re allowed to hear from them, their sound is a bit more interesting than the California Dreams. I mean, let’s be honest. The California Dreams did have a few good songs but, for the most part, Rosie has a point when she says that the Dreams are a generic pop band. Jake may wear a leather jacket and talk about being a rebel but, even after Matt Garrison leaves the band that he founded, the Dreams still specialized in coming up with mellow, feel-good tunes that really could have been sung by anyone. Total Defiance was all about taking risks. They were the true rebels!

They were also all about giving the Dreams a hard time. When Rosie dismisses Lorena as just being a “groupie,” Lorena tries to prove them wrong by auditioning for the band. The good thing is that she gets to wear a really pretty dress when she auditions. The bad thing is that she can’t carry a tune. (See? There’s something else that Lorena and I have in common.) Blinded by love, Jake insists that Lorena be allowed to sing with the band. However, when Lorena hears the rest of the band talking about how bad her voice is, she fakes laryngitis so they’ll perform without her. As a result, the Dreams not only win the Battle of the Bands but everyone also learns an important lesson about being honest. Yay!

I liked this episode because it was a Jake and Lorena episode and those are always my favorites. They were a cute couple. That said, Total Defiance should have won the Battle of the Bands and if Tony Manero had been there, he would have handed the trophy to them at the end of the contest.

Film Review: Don’s Plum (dir by R.D. Robb)

Posted on December 1, 2022 by Lisa Marie Bowman

Filmed in 1996 and given a very limited European release in 2001, Don’s Plum is a micro-budget indie film. It’s about a group of young friends who meet up at a diner called Don’s Plum and spend the entire night talking to each other. It’s filmed in grainy black-and-white and the majority of the dialogue is improvised. The main characters continually let us know that they’re friends by referring to each other as “bro.” There’s a lot of conversations but none of it adds up to much. In many ways, it feels typical of the type of indie films that were inspired by the early work of Richard Linklater and Kevin Smith. Unfortunately, it’s not a particularly good or interesting film.

That said, Don’s Plum has achieved a certainly level of infamy due to the fact that two of the talkative friends are played by Leonardo DiCaprio and Tobey Maguire. DiCaprio plays Derek, an arrogant, abrasive, and manipulative womanizer. Tobey Magurie plays Ian, a weirdo with a spacey smile. DiCaprio and Maguire were both up-and-coming stars when they filmed Don’s Plum. DiCaprio, who had already received his first Oscar nomination and who had just finished shooting William Shakespeare’s Romeo and Juliet, was a year away from Titanic. Maguire was also a year away from his breakthrough role in The Ice Storm. DiCaprio and Maguire not only starred in Don’s Plum but they’re also responsible for the film having never been commercially released in North America.

There’s a lot of conflicting stories about why DiCaprio and Maguire have both attempted to keep the film from being released. DiCaprio’s story is that neither he nor Maguire were aware that they were shooting a feature film. Instead, they thought they were making a short film and the only reason that they even showed up during the two nights of filming was because they were friends with the director, R.D. Robb. The film’s producers, on the other hand, claimed that DiCaprio and Maguire always knew that they were making a feature film and that the reason they objected to the film’s release was because they were embarrassed by how much personal information they revealed while improving. The truth is probably somewhere in between.

Of course, it’s also possible that DiCaprio and Maguire didn’t want the film to be seen because the film kind of sucks. The dialogue is tedious, the film’s pace is painfully slow, the grainy black-and-white cinematography is dull, and the film’s soundtrack is so muddy that it’s difficult to understand what the characters are actually talking about. Playing a total douchebag, DiCaprio does get to show off his natural charisma but Tobey Maguire appears to be dazed and confused in the role of Ian. To be honest, both DiCaprio and Magurie are outacted by Kevin Connolly, who plays one of their friends and who would later go on to play the only vaguely likable character on Entourage. (Connolly also directed the Brechtian gangster movie, Gotti.) Connolly may not be as showy as DiCaprio or Maguire but his steady presence provides a nice contrast to Maguire’s fidgety mannerisms and DiCaprio’s need to always be the center of attention.

DiCaprio, Maguire, and Connolly are joined by Scott Bloom, playing the boring friend who will sleep with anyone. Jenny Lewis gives a good performance in the role of DiCaprio’s quasi-girlfriend. Amber Benson plays a hitchhiker who is abruptly chased out of the diner (and the movie) by an incredibly obnoxious DiCaprio. At one point, Ethan Suplee wanders through the diner, playing a character who is identified in the credits as being “Big Bum.” Everyone gets their chance to improv a monologue, often while staring at the bathroom mirror. Eventually, DiCaprio’s character reveals a tragic secret from his past and it would have been an effective scene if not for the fact that it comes out of nowhere.

Oh, improv. Improv has led so many directors and performers down the wrong path. It’s an attractive idea, I suppose. Get a camera. Get some of your best friends to visit for the weekend. Shoot a movie! Who needs a script when you can just make it up as you go along. Unfortunately, what’s often forgotten is that improv only works if you have a solid story idea or theme that you can continually return to if and when the improv itself starts to lose focus. Curb Your Enthusiasm is a famous for being improved but all of the improvisations are based on a plot that’s discussed and set in stone ahead of time. Don’s Plum feels more like one of those weird shows that George Clooney and Steven Soderbergh came up with for HBO in the mid-aughts. (Remember that one with the acting class? Frank Langella played a pompous acting teacher named Goddard Fulton and one of his students got a role on One Tree Hill.) Don’s Plum meanders without any real direction, with none of the actors really trying to challenge each other. An improved film like this needs a force of chaos, like Rip Torn provided for Norman Mailer’s Maidstone. Instead, this film can only offer DiCaprio caricaturing his pre-Aviator persona as a hard-partying and often abrasive movie star. (If nothing else, this film shows just how much DiCaprio has benefitted, as both an actor and a public personality, from collaborating with Scorsese.)

Don’s Plum is one of those films that is only well-known because of how difficult it is to see it. But now you can see it on YouTube! You can watch it and then you can ask yourself what all the controversy was about. At this point, I think both DiCaprio and Maguire have proven themselves as actors and allowing for Don’s Plum to get, at the very least, a proper video release wouldn’t hurt the reputation of either one of them. If anything, the best way to get people to forget about Don’s Plum would be to give them to the chance to try to sit through it. There’s nothing about this film that sticks with the viewer, beyond the fact that neither Leo nor Tobey want anyone to watch it.