Retro Television Reviews: Blood Sport (dir by Jerrold Freedman)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1973’s Blood Sport!  It  can be viewed on YouTube.

David Birdsong (played by Gary Busey, who was 29 at the time) is a high school senior with a potentially bright future ahead of him.  He’s the quarterback of his high school’s football team and it looks like he’s on the verge of leading his team to an undefeated season.  He’s getting recruited by all the big schools.  Scouts are coming to his games to watch him play.  He also has one of the highest GPAs at his school, though it’s suggested that might have more to do with his importance to the football team than his actual study skills.

“Don’t you have anything else you want to do with your life?” his high school principal (David Doyle) asks him and David’s reaction indicates that he’s never really given it much thought.  From the time he was born, David’s father, Dwayne (Ben Johnson), has been shaping his son to become a star athlete.  Dwayne is happiest when he’s watching David play, whether on the field or in the highlight reels that he keeps down in the basement.  When Dwayne sees that his son isn’t on the field, he’s the type of father who will get out of the stands and argue with the coach on the sidelines.  Dwayne continually tells David not to stay out too late.  The one time that David does, Dwayne slaps him hard enough to send his son to the floor.

Coach Marshall (Larry Hagman) is determined to get his undefeated season, no matter how hard he has to push his players.  The coach is the type who is convinced that his players respect him for his stern ways and his long-winded speeches but little does he realize that they all secretly despise him.  When one of his players drop dead of a heart attack during practice, Coach Marshall demands that the player stop being lazy and get up.  When he realizes that the player is never going to get up, Coach Marshall angrily asks, “Why did this have to happen now!?”  Later, at a pep rally, Coach Marshall announces that his team had a private meeting and agreed that they would win the final game in the player’s memory.  The team is disgusted but the rest of the town loves their coach.

David is never happier than when he’s on the field, playing football and being cheered by both the crowd and his team.  But, through it all, he sees reminders that the future in uncertain.  On the sidelines, David spots an injured player, watching the game with the knowledge that his dreams of getting a scholarship have ended.  When David visits a college, he’s reminded that being the best high school player doesn’t mean much in college and when he says that he’s a quarterback, he is told that his coach will ultimately decide who he is and David will accept the coach’s decision because David isn’t being offered a scholarship to think for himself.

When the film originally aired in 1973, it was called Birdsong but the title was changed to Blood Sport for both subsequent showings and for a European theatrical release.  Blood Sport is the more appropriate title because, even though the main character is named David Birdsong, the film is ultimately about all of the athletes who are expected to put their health at risk for the people on the sidelines.  It’s not just football that’s a blood sport, the film suggests.  It’s the entire culture that has sprung up around it, the one that cheers when players are at their best but which also looks away at the times when the players need the most help.

At 29 years of age, Gary Busey is a bit too old to be totally convincing as a high school senior but he still does a good job of capturing David’s gradual realization that he’s never really had any control over his own life.  Ben Johnson and especially Larry Hagman also give good performances as the two men who are living vicariously through David’s accomplishments.  Hagman is so believably obnoxious as the coach that you’ll want to cheer when someone finally finds the guts to stand up to him and tell him to just shut up for a minute.

The film ends on an ambiguous note, leaving many questions open about David’s future.  One hopes that he’s started to find the strength necessary to live his own life but it’s ultimately hard to say.  In the end, nothing is guaranteed, no matter how far you can throw a football.

Embracing the Melodrama #27: Go Ask Alice (dir by John Korty)


Go Ask Alice

Earlier today, I took a look at The People Next Doora film about a family torn apart by the discovery that their teenage daughter is taking drugs.  For all of that film’s melodrama and over-the-top moments, it still worked.  It may have felt like it was taking place on a plane of heightened reality but it still felt real nonetheless.  Among the many films in the drugs-in-the-suburbs genre, that general feeling of reality made The People Next Door unique.  Far more typical of the genre is the 1973 made-for-TV movie, Go Ask Alice.

Go Ask Alice is based on a YA book that’s been in print for 43 years now.  (I can still remember spending an afternoon reading it in a Barnes and Noble when I was 14 years old.)  The book claims to be the diary of a  teenage girl who ended up getting addicted to drugs and sex.  She runs away from home for a bit and, even when she does manage to stop using drugs, her friends still insist on secretly slipping her acid.  She goes crazy and ends up spending some time in a mental asylum.  Eventually, she’s released and moves to a new town with her family.  She ends the diary saying that she’s looking forward to the future and then, in the afterward, we’re told that she died three weeks later of an overdose and this diary has been published so that we can all learn from her story.

Now, oddly enough, when Go Ask Alice was originally published, it was apparently sold as being an authentic diary of an anonymous teenage girl who had been a patient of the book’s “editor”, Dr. Beatrice Sparks.  However, if you actually read the book, it’s pretty obvious that, while Dr. Sparks may have indeed used some of her patients’ real-life experiences, Go Ask Alice is in no way authentic.  Instead, it’s a classic example of the type of cautionary tale in which a character makes one mistake (in this case, the girl drinks a soda that’s been spiked with LSD) and, immediately afterwards, everything bad thing that possibly could happen does happen.  The purpose of the book is to shock and titillate, to make us wonder how this girl can go from being the sweet optimist who bought a diary because she feels that she finally has something to say to being so jaded that she casually says stuff like, “Another day, another blowjob.”  And, of course, the answer is that she didn’t because the whole thing is totally made up.

But that still didn’t stop anyone from making a movie out of the book and informing us, at the start of the movie, that the story we are about to watch is true and only the names and certain details have been changed to protect everyone’s privacy.  Our diarist (who is now definitely named Alice) is played by a young actress named Jamie Smith-Jackson, who is sympathetic and pretty.  Alice’s mother (Ruth Roman) is too repressed and uptight to provide any guidance to her rapidly maturing daughter.  Meanwhile, Alice’s father is played by William Shatner, so we know he’s not going to be able to do any good either.

Much as in the original book, Alice goes to one party, drinks on LSD-spiked soda, and her life is never the same.  Soon, she’s spending all of her time doing drugs and, as she informs us, having a “monthly pregnancy scare.”  She’s no longer hanging out with her smart, nerdy friends.  Instead, she spends all of her time with a bunch of petty criminals who recruit Alice to help deliver drugs to the students at the junior high.  (“I push at the elementary school!” one junior high kid snarls).  Eventually, Alice runs away from home and lives on the streets.  Fortunately, she runs into a liberal Catholic priest (played by Andy Griffith and yes, you read that right) and starts trying to get her life straight…

Go Ask Alice is no The People Next Door but it’s no Reefer Madness either.  What it gets wrong about teenage drug use, it gets right about just how confusing and alienating it can be to be 15 years old.  At the same time, I’d be lying if I said that this film did not have some camp appeal.  How can it not when it features not only Andy Griffith talking tough but also William Shatner with a bushy mustache?

And guess what?

You can watch it below!