Cleaning Out the DVR, Again #22: Broken Promise (dir by Nadeem Soumah)


(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June.  She’s trying to get it all done by July 11th!  Will she make it!?  Keep visiting the site to find out!)

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The 22nd film on the DVR was Broken Promise, which I recorded off of Lifetime on May 22nd.

Before I get into the film itself, let me just say this about the title: Broken Promise is the perfect generic Lifetime title.  I mean, it tells you absolutely nothing and yet it somehow tells you everything as well. If I hadn’t told you that I recorded this movie off of Lifetime, you would have guessed it just from the title, wouldn’t you?  There’s an art to coming up with perfectly generic titles and Lifetime has mastered it.

Anyway, Broken Promise opens in 1992!  Two high school seniors — Mina (Angeline Appel) and her boyfriend, Reese (Mickey River) — are driving around in Reese’s canary yellow car.  If you watch that movie, pay attention to the car because you’ll be seeing it again.  It’s like the canary yellow harbinger of death and doom.  Anyway, Mina and Reese are young and in love so, naturally, they decide to break into a house for a romantic evening.  However, the romance is interrupted when the owner of the house shows up with a shotgun.   There’s a struggle.  The homeowner is killed.  Reese tells Mina that she needs to leave and that he’ll take the blame when the cops show up.  Mina promises to wait for him to get out of prison.

However, promises were made to be broken…

Jump forward 25 years!  Reese Sinclair (now played by Louis Mandylor) is finally being released from prison.  However, no one is waiting to greet him on the outside.  While he manages to get back his yellow car, his girlfriend is nowhere to be seen.

That’s right — Mina broke her promise!  No only did she not wait for him but she also got married and now has a sullen teenage daughter, Hali (Lauren York).  Making matters even worse, Mina not only got married but she married a cop!  Ben Gardner (Nick Baillie) may be a nice guy and a good cop but that doesn’t stop Reese from fantasizing about murdering him.

Well, you can probably guess what happens.  Reese tracks down Mina and her family.  Reese tries to ingratiate himself with the family.  Rebellious Hali starts to get too close to her mom’s ex-boyfriend.  It’s really pretty much a typical Lifetime film, with all that implies.  It’s well-made and well-acted and it won’t surprise you one bit.

In fact, to me, the most interesting thing about the film was looking at the cast and remembering all the other Lifetime films that they’ve appeared in.  Ashley Scott was in 16 and Missing.   Nick Baillie was in Full Out, which I will be reviewing soon.  Lauren York was not only in The Perfect Daughter but also co-starred in Babysitter’s Black Book with Angelina Appel, who plays the younger version of her mom in this movie!  According the imdb, York will also be appearing in the sequel to Lavalantula.  They all do a pretty good job in this movie and so does Louis Madylor.

Let’s put it like this: if you like Lifetime movies, you’ll like this.  If you don’t, you won’t.

The Horror of 2015: It Follows and Unfriended


2015 is shaping up to be a pretty good year for horror.  Here are my reviews of two recent horror films that have recently been getting a lot of attention, It Follows and Unfriended.

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Is It Follows really as good as everyone is saying?

That’s actually a very legitimate question.  It Follows is one of the most critically acclaimed horror films in recent years.  It’s been described as being a “game changer” and as being one of the best films of 2015 so far. But, as we all know, just because a film has been acclaimed by mainstream critics that does not necessarily make it a great film.  The mainstream is just as often wrong as its right.

So, is It Follows really that good?

It is certainly an effective film.  It’s well-made.  It’s well-acted.  Director David Robert Mitchell makes us jump a few times.  The film takes the horror cliché of “sex equals death” to its logical extreme and, as a result, it makes you think about the subtext of many of your favorite horror films.

The film deals with a college student named Jay (Maika Monroe) who has sex with her boyfriend and soon discovers that, by doing so, her boyfriend has passed on a “curse” to her.  She finds herself being stalked by a slow-moving but unstoppable entity, one that only she can see.  The only way to get rid of the entity is to have sex with someone else.

It’s never explained just what or who the entity is or why it’s so intent on killing.  And, for that, It Followsdeserves to be applauded.  Far too many horror films get bogged down in trying to explain the origin of its horror.  It Follows understand just how potent the fear of the unknown truly is and, ultimately, the sight of that shape-shifting entity – always there and always following – is scary precisely because it is so enigmatic.

At the same time, I think it’s telling that It Follows has received some of its strongest support from critics who traditionally do not care for horror films.  In fact, many of the positive reviews for It Follows have been somewhat condescending towards horror as a genre.  “Finally!” the critics seem to be saying, “An intelligent horror film!”

Of course, a true horror fan knows that intelligent horror films are not that unusual.  They also know that It Follows is hardly the first horror film to work as a metatextual commentary on the horror genre itself.  Many of the critics who are currently declaring It Follows to be the greatest horror film ever made are doing so because they don’t understand that the horror genre has been giving us great films for a while now.

It Follows is an effective and scary film, even if it is a bit too self-consciously arty at times.  It made me jump, it made me cover my eyes, and it even made me scream at one point and that – though the mainstream critics may never admit it – is really all that’s required from a good horror film.  To all of my fellow horror fans, I recommend It Follows without hesitation.  But let’s not pretend like It Follows is the first good horror film ever made, okay?

(Incidentally, an indication of the popularity of It Follows can be seen in the fact that this is the fourth review of the film to appear on this site!  Be sure to check out Leonard’s review, the Duke’s review, and the Trashfilm Guru’s review.)

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Unfriended is the best horror film of 2015 so far.

That may seem like a bold statement, considering that Unfriended – while receiving generally positive reviews – has not gotten half of the attention or acclaim that’s been given to It Follows.  As well,Unfriended is a variation on the found footage genre and, as we all know, found footage usually equals bad filmmaking.

But no matter!  Unfriended defies all our expectations.  Considering that Unfriended is basically an 83-minute screencast of a laptop, it should not be scary but it is.  Unfriended should not make you think about real-world issues but it does.  Unfriended should not work but it does.

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Unfriended opens with teenager Blaire Lilly (Shelly Henning) watching an online video of another teenage girl, Laura (Heather Sossaman), killing herself.  Blaire then clicks on a link that takes her to a YouTube video of a drunk Laura at a party.  Underneath the video are thousands comments from people telling Laura that she should kill herself.

However, Laura and her suicide are temporarily forgotten while Blaire skypes with her boyfriend Mitch (Moses Jacob Storm).  After a few minutes, Blaire and Mitch are joined by three friends: Jess (Renee Olstead), unstable Adam (Will Peltz), and Ken (Jacob Wyscoski).  It takes the five of them a few minutes to notice that they’ve been joined by a faceless account named billie227.

At first billie227 refuses to identity itself but soon, Blaire and Mitch start to receive Facebook messages from the long dead Laura.  Blaire checks billie227’s account and discovers that it belongs to Laura.  At first, Blaire suspects that another one of their friends, Val (Courtney Halverson), may have hacked Laura’s account.  But, after calling Val, they discover that she’s not responsible.

Suddenly, embarrassing pictures start to appear on their Facebook accounts.  Billie227 starts to send them threatening messages and tells Blaire that if she signs off of skype, all of her friends will die. The six friends – all of whom, it turns out, knew Laura – find themselves held hostage by the malevolent spirit and, over the course of the long night, are picked off one by one.

Sad to say, cyberbullying is a reality.  Tragically, people really have committed suicide over things that have been said by bullies hiding behind anonymous online identities.  In the past few years, there have been many films made about the dangers of cyberbullying but Unfriended may be the most effective.  It’s a film that takes the reality of words having consequences to its most logical and grisly extreme.

Unfriended is a genuinely frightening movie, precisely because it is so relatable.  Let’s face it – if an evil spirit ever decided to stalk us through social media, we would all be doomed.  Like the characters in the film, we’re addicted and, as a result, there’s no place to hide.  If an evil ghost wanted to know everything about my life, all it would have to do would be to follow me on twitter or send me a friend request on Facebook.  The film is scary precisely because it brings our age-old fears together with modern technology and it suggests that, no matter how advanced we may consider ourselves to be, we’re still just as vulnerable to all of the old superstitions.

As a result, Unfriended is not only the best horror film of 2015 so far but it’s also one of the best films of the first half of the year.

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