Late Night Retro Television Review: Highway to Heaven 2.6 “Birds of a Feather”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan becomes the Birdman!

Episode 2.6 “Birds of a Feather”

(Dir by Michael Landon, originally aired on November 6th, 1985)

While driving down the highway, Mark is ordered to stop by Jonathan.  Jonathan gets out of the car and walks over to a nearby reservoir, where he discovers a dying bird.  In fact, he discovers several dead birds and he wastes no time in deciding that the nearby chemical plant is to blame.  Despite the fact that they are on a tight schedule and have an assignment waiting for them in another town, Jonathan decides that it’s important that he and Mark first battle against the people who poisoned the reservoir.

How does Jonathan decide to do this?  First, he tells Mark to get a job at the plant.  Mark does so, though it’s never really clear what he was hired to do.  It’s funny how Mark always gets every job that he applies for, despite not having much work experience beyond being a cop.

Jonathan then decides that it would be a good idea for him to 1) dress up like a bird, 2) ride a bicycle around town, 3) decorate the bicycle with balloons, and 4) continually shout things like, “Caw!  Caw!”

Now, I’m not really sure what Jonathan thinks this will accomplish.  That said, just two days ago, a bunch of idiots thought they could bring peace to the Middle East by standing on the Golden Gate Bridge and blocking traffic.  And let’s not forget those Extinction Rebellion morons who keep damaging paintings and gluing themselves to floors.  Compared to today’s protestors, Jonathan’s methods seem brilliant.

What’s odd about Jonathan’s bird costume is that he never takes it off.  Even when he’s not protesting, he wears the costume.

Evil businessman Horton Drake (Philip Abbott) doesn’t care about the dead birds because he’s evil.  Even when the children of some of his employees get sick, Drake refuses to clean up the water.  This leads to Jonathan making an ominous declaration.

In a scene that has to be seen to be believed, Jonathan lines up all the dead birds outside of Drake’s corporate headquarters.  And then Jonathan lies down, resting his head on the contaminated birds.  By the time everyone arrives for work, Jonathan’s dead!

Realizing that an autopsy will reveal that Jonathan died due to chemical exposure, Drake sends three of his men to steal Jonathan’s body from the morgue.  However, at the morgue, Jonathan is not only alive but he’s still wearing his bird costume.  “Caw!  Caw!” Jonathan shouts as the men flee.

The next morning, Drake holds a press conference and denies dumping toxic waste in the water.  Moved by Jonathan’s sacrifice, Drake’s former administrative assistant (Marianne McAndrew) reveals the truth about how Drake has been polluting the water and paying off the health inspectors.  Incidentally, the assistant’s son is played by a young Paul Walker.

Mark goes for a walk along the beach.  He looks up to Heaven and tells Jonathan that his plan worked.  Suddenly, Jonathan walks up to Mark and Mark realizes that Jonathan is still alive.  Of course, Jonathan’s an angel so it’s not like he could have really died in the first place.  As Jonathan has pointed out in previous episodes, he already died once.

This episode was about as heavy-handed as anything I’ve ever seen.  One can support a clean environment while also acknowledging that Drake was portrayed as being cartoonishly evil.  Michael Landon’s heart was in the right place but the episode still sometimes verged on unintentional self-parody.  This is the type of thing that AI would come up with if prompted to write a stereotypical episode of Highway to Heaven.

Myself, I’m just wondering where Jonathan found the bird costume.

Film Review: Chandler (1971, directed by Paul Magwood)


C1971chandler1handler (Warren Oates) is a former private investigator who quits his job as a security guard and gets back into the detective game.  An old friend of his, Bernie Oakman (Charles McGraw), hires Chandler to follow and protect a woman named Katherine Creighton (Leslie Caron).  Katherine is scheduled to testify against gangster John Melchior (Gordon Pinset) and Oakman tells Chandler that he believes Melchior may be planning on murdering her.  What Chandler does not know is that Oakman is being manipulated by a corrupt federal agent, Ross Carmady (Alex Dreier), who is planning on duping Chandler into killing Melchior so that Carmady can take over Melchior’s racket.  Though Chandler tries not to get emotionally involved in his cases, he ends up falling for Katherine.

In case you are keeping count, Chandler is the sixth Warren Oates film that I’ve reviewed this week.  Some of that is because TCM devoted all of Monday to showing his films but it’s also because Warren Oates was a really cool actor who died too soon and never got as much credit as he deserved.  Warren Oates combined the talent of a leading man with the face of a character actor and, as a result, he played some of the most memorable supporting roles of the 60s and 70s.  He was the tough guy who could talk a mile a minute and his upturned grin always showed up at the most unexpected of times.  Warren Oates brought humanity to outcasts and sympathy to villains.

Chandler is one of Warren Oates’s few leading roles.  Unfortunately, it’s not much of a showcase.  Director Paul Magwood and producer Michael Laughlin felt that the then-head of MGM, James Thomas Aubrey, interfered with the production of the film.  After the film’s release, Magwood and Laughlin took out a full-page, black-bordered ad in Variety that read:

Regarding what was our film Chandler, let’s give credit where credit is due. We sadly acknowledge that all editing, post-production as well as additional scenes were executed by James T. Aubrey Jr. We are sorry.

Chandler is a strange film to watch.  The plot is complicated but nothing really happens until the downbeat ending.  Much like Robert Altman’s far more successful The Long GoodbyeChandler tries to contrast the title character’s old-fashioned 1940s style and moral code with the 70s.  Chandler, who always wears a suit and drives an old car, is meant to be a man out of time.  Warren Oates does a good job, giving a Humphrey Bogart-style performance.  But since Chandler doesn’t seem to be sure what it is trying to say about either the 40s or the 70s, it’s all for naught.

Chandler is a forgettable film, one that is only worth watching for the rare chance to see Warren Oates as a leading man.

Warren Oates in Chandler

Warren Oates as Chandler